Wounded Pride and Petty Jealousies: Private Lives and Public Diplomacy in Second World War Cairo

Total War ◽  
2020 ◽  
pp. 98-115
Author(s):  
Martin Francis
Keyword(s):  
Public Diplomacy ◽  
Second World War ◽  
Private Sphere ◽  
World War ◽  
Public Action ◽  
Private Lives ◽  
Second World

This chapter offers a case study of the affective registers of British imperial policy during the Second World War. It examines how the conduct of war and diplomacy by Sir Miles Lampson, British Ambassador in Cairo, was shaped by his emotional dispositions, in particular his domestic obligations and attachments, his insecure pride, and his susceptibility to jealousy and resentment. It locates Lampson’s personal negotiation between private feeling and public action in the broader context of the heightened emotional registers of wartime Egypt, where it became virtually impossible to quarantine intimate desires, especially romantic and sexual longings, within the private sphere. More critically, it also demonstrates how broader anxieties about Britain’s waning global hegemony during the Second World War were manifested in the various forms of psychological projection, displacement, and compulsion exhibited by Lampson, and also in the Ambassador’s recourse in his statecraft to gossip and rumour.

Turning Aliens into Socialists

2010 ◽  
Vol 1 (1) ◽  
pp. 75-93
Author(s):  
Jessica Moberg
Keyword(s):  
Outer Space ◽  
The United States ◽  
Second World War ◽  
World War ◽  
History Of ◽  
Swedish History ◽  
Second World ◽  
The Universe ◽  
Highly Evolved

Immediately after the Second World War Sweden was struck by a wave of sightings of strange flying objects. In some cases these mass sightings resulted in panic, particularly after authorities failed to identify them. Decades later, these phenomena were interpreted by two members of the Swedish UFO movement, Erland Sandqvist and Gösta Rehn, as alien spaceships, or UFOs. Rehn argued that ‘[t]here is nothing so dramatic in the Swedish history of UFOs as this invasion of alien fly-things’ (Rehn 1969: 50). In this article the interpretation of such sightings proposed by these authors, namely that we are visited by extraterrestrials from outer space, is approached from the perspective of myth theory. According to this mythical theme, not only are we are not alone in the universe, but also the history of humankind has been shaped by encounters with more highly-evolved alien beings. In their modern day form, these kinds of ideas about aliens and UFOs originated in the United States. The reasoning of Sandqvist and Rehn exemplifies the localization process that took place as members of the Swedish UFO movement began to produce their own narratives about aliens and UFOs. The question I will address is: in what ways do these stories change in new contexts? Texts produced by the Swedish UFO movement are analyzed as a case study of this process.

scholarly journals Vera Lynn on Screen: Popular Music and the ‘People's War’

2017 ◽  
Vol 14 (2) ◽  
pp. 245-270 ◽  
Author(s):  
KATE GUTHRIE
Keyword(s):  
Popular Music ◽  
Art Music ◽  
Second World War ◽  
World War ◽  
Recent Scholarship ◽  
A Site ◽  
Second World

AbstractBy the outbreak of the Second World War in Britain, critics had spent several decades negotiating the supposed distinctions between highbrow and lowbrow culture, as recent scholarship has shown. What has received comparatively little attention is how the demands of wartime living changed the stakes of the debate. This article addresses this lacuna, exploring how war invited a reassessment of the relative merits of art and popular music. Perhaps the most iconic British singer of the period, Vera Lynn provides a case study. Focusing on her first film vehicle,We'll Meet Again(1942), I explore how Lynn's character mediated the highbrow/lowbrow conflict – for example, by presenting popular music as a site of community, while disparaging art music for its minority appeal. In so doing, I argue, the film not only promoted Lynn's star persona, but also intervened in a broader debate about the value of entertainment for a nation at war.

The Etappe Kanaren: A case study of the secret supply of the German Navy in Spain during the Second World War

2018 ◽  
Vol 30 (3) ◽  
pp. 472-487 ◽  
Author(s):  
Juan J. Díaz Benítez
Keyword(s):  
Active Role ◽  
Second World War ◽  
Primary Sources ◽  
World War ◽  
The One ◽  
Intense Activity ◽  
German Navy ◽  
Second World

The secret supply of the German Navy during the Second World War has scarcely been studied until now. The goal of this article is to study one of the more active supply areas of the Etappendienst at the beginning of the war, the one known as Etappe Kanaren, as part of the Grossetappe Spanien-Portugal. In this research primary sources from German Naval War Command have been consulted. Among the main conclusions, it should be pointed out, on the one hand, the intense activity to support the Kriegsmarine during the first years of the war, despite the distance from mainland Spain and the British pressure, which finally stopped the supply operations. On the other hand, we have confirmed the active role of the Spanish government in relation to the Etappendienst: Spanish authorities allowed the supply operations, but pressure from the Allies forced the Spanish government to impede these activities.

Can Events Facilitate Intercultural Understanding?

2021 ◽  
pp. 218-237
Author(s):  
Karen Davies ◽  
Caroline Ritchie
Keyword(s):  
Second World War ◽  
Ethnographic Case Study ◽  
Intercultural Understanding ◽  
World War ◽  
Time And Space ◽  
Cultural Events ◽  
Physical Spaces ◽  
Second World

The founding philosophy of many cultural events established after the Second World War was to enhance the dynamics of peace through supporting and developing multicultural understanding. Over 50 years after their establishment, this chapter investigates the potential of such iconic events to achieve this aim and contribute to the concept of peace through tourism, based on a longitudinal ethnographic case study of Llangollen International Musical Eisteddfod. The results show that this aim can be achieved by such events if they provide enough time and space for participants (performers and audiences) to interact. However, the study also identifies current cultural, political, and fiscal challenges in providing these temporal and physical spaces.

scholarly journals The Massigli Affair and its Context: Turkish Foreign Policy after the Molotov–Ribbentrop Pact

2019 ◽  
Vol 55 (2) ◽  
pp. 271-296
Author(s):  
Onur Isci
Keyword(s):  
Foreign Policy ◽  
Soviet Union ◽  
Second World War ◽  
World War ◽  
Turkish Foreign Policy ◽  
The Soviet Union ◽  
Second World ◽  
English I

This article examines Turkey's wartime diplomacy between the Molotov–Ribbentrop Pact and Hitler's unleashing of Operation Barbarossa. Rather than a survey of Turkish foreign policy as a whole, it takes a critical episode from July 1940 as a case study that – when put in context – reveals how fear of Nazi power and even greater fear of the Soviet Union created in Turkey a complex view of a desired outcome from the Second World War. Juxtaposing archival materials in Turkish, Russian, German, and English, I draw heavily on the hitherto untapped holdings of the Turkish Diplomatic Archives (TDA). Overall, this article demonstrates both the breadth and limits of Nazi Germany's sweeping efforts to orchestrate anti-Soviet propaganda in Turkey; efforts that helped end interwar Soviet-Turkish cooperation. Against previously established notions in historiography that depict Soviet-Turkish relations as naturally hostile and inherently destabilizing, this article documents how the Nazi–Soviet Pact played a key role in their worsening bilateral affairs between 1939 and 1941. The argument, then, is in keeping with newer literature on the Second World War that has begun to compensate for earlier accounts that overlooked neutral powers.

scholarly journals Propaganda Music in Second World War Britain: John Ireland's Epic March

2014 ◽  
Vol 139 (1) ◽  
pp. 137-175 ◽  
Author(s):  
Kate Guthrie
Keyword(s):  
Art Music ◽  
Second World War ◽  
World War ◽  
Musical Style ◽  
Art And Politics ◽  
Total War ◽  
Problematic Relationship ◽  
Music And Politics ◽  
Second World

ABSTRACTWhile biographical studies of British composers' experiences in the Second World War abound, little attention has been paid to how the demands of ‘total’ war impacted on music's ideological status. This article sheds new light on how composers and critics negotiated the problematic relationship between art music and politics in this period. John Ireland's Epic March – a BBC commission that caused the composer considerable anxiety – provides a case study. Drawing first on the correspondence charting the lengthy genesis of the work, and then on the work's critical reception, I consider how Ireland and his audiences sought to reconcile the conflicting political and aesthetic demands of this commission. With its conventional musical style, Epic March offers an example of a ‘middlebrow’ attempt to bridge the gap between art and politics.

Православізація як суспільний феномен та категорія історичної соціолінгвістики

2019 ◽  
Vol 7 ◽  
pp. 23-33
Author(s):  
Галина Мацюк
Keyword(s):  
Religious Identity ◽  
Second World War ◽  
World War ◽  
Historical Sociolinguistics ◽  
Linguistic Markers ◽  
The Third ◽  
Linguistic Approach ◽  
Second World

The purpose of the article is to introduce the concept of „conversion to Orthodoxy ” into the analysis of historical sociolinguistics for the characterization of a language situation caused by the redistribution of Ukrainian territories after the third division of Poland and during the Second World War. The objectives of the article are to reveal the meaning of the concept of „conversion to Orthodoxy” and to identify the linguistic markers of this phenomenon in contemporary religious and secular discourse. The author studies the content of the category „conversion to Orthodoxy” based on new sources that have not yet been put into circulation by sociolinguistics. Methods of analysis: case study, discourse analysis, sociolinguistic correlations, comparative and biographical method, which allowed applying socio-cultural linguistic approach to studying the database. The results related to the conversion to Orthodoxy obtained in the article prove the destruction of the national and religious identity of the Ukrainian territories in the 18th-20th centuries and illustrate intercultural communication under the scheme of integration with assimilation based on a geopolitical factor, violence and terror.

Forgotten Futures: Indian Muslims in the Trans-Islamic Turn to Japan

2013 ◽  
Vol 72 (3) ◽  
pp. 611-631 ◽  
Author(s):  
Nile Green
Keyword(s):  
East Asia ◽  
Second World War ◽  
World War ◽  
Second World

This essay casts light on the alternative but unrealized futures imagined through the Indian Muslim encounter with Japan in the inter-war period. Echoing other attempts to destabilize the empire-to-nation teleology of Indo-Pakistani independence, the essay uncovers a set of aspirations, actors, and spaces of comparison by which Indian Muslims sought an independent future for Muslim-ruled princely states such as Hyderabad. Through comparison with similar patterns in other Asian princely states, a case study of Urdu writings on Japan shows how East Asia became a place to imagine for Hyderabad a future that never came to fruition. By locating India in a trans-Islamic pattern of engaging Japan, the essay shows how, between the Russo-Japanese War and the Second World War, Japan provided newly globalized intellectuals with a template for empowering Muslim-ruled polities that either never came into existence or were subsumed by Asia's postcolonial nations.

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