‘Astray in a Dark Forest’? The Emotional Politics of Reconstruction Britain

Total War ◽  
2020 ◽  
pp. 137-156
Author(s):  
Claire Langhamer
Keyword(s):  
Public Sphere ◽  
Cultural History ◽  
Ways Of Knowing ◽  
Political Work ◽  
Additional Question ◽  
Emotional Politics ◽  
Historical Moment ◽  
Second World ◽  
Cultural Theorist ◽  
Individual Mass

Based on material generated by the British social investigative organisation Mass Observation between 1944 and 1946 this chapter maps some of the political work that emotion did in the immediate aftermath of the Second World War. It adapts cultural theorist Sara Ahmed’s question ‘What do emotions do?’ to a precise historical moment. It approaches emotion through the lens of social, as well as cultural, history by asking an additional question: ‘What did people do with emotion?’ It examines how the interlinked categories of feeling and experience were invoked by individual Mass Observers as ways of knowing a rapidly changing world and as grounds for participating in a dynamic public sphere. The chapter argues that a distinctive form of ‘emotional citizenship’ emerged out of the war; one which deployed feeling as a form of epistemology and experience as an evidential base.

Soft Force

2017 ◽  
Author(s):  
Ellen Anne McLarney
Keyword(s):  
Public Sphere ◽  
Women's Leadership ◽  
World Economic Forum ◽  
The Public ◽  
Political Work ◽  
Public Figures ◽  
Women's Participation ◽  
Global Leader ◽  
World Economic ◽  
The Public Sphere

This chapter focuses on the work of Heba Raouf Ezzat. Ranked the thirty-ninth most influential Arab on Twitter, with over 100,000 followers, voted one of the hundred most powerful Arab women by ArabianBusiness.com, and elected a Youth Global Leader by the World Economic Forum, Raouf Ezzat has articulated and disseminated her Islamic politics in a global public sphere. Her writings and lectures develop an Islamic theory of women's political participation but simultaneously address other contested questions about women's leadership, women's work, and women's participation in the public sphere. Heba Raouf Ezzat is one of the most visible public figures in the Arab and Islamic world today, a visibility that began with her book on the question of women's political work in Islam, Woman and Political Work.

Coda: Repositioning Early Modern Prague on the Global Stage

2021 ◽  
pp. 1-2
Author(s):  
Suzanna Ivanič
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Cultural History ◽  
Early Modern Period ◽  
Religious Change ◽  
Early Modern Europe ◽  
Modern Period ◽  
Musical Knowledge ◽  
Historical Moment ◽  
The City

The question that sparked this forum was to what extent we can see Prague as an important stage for Renaissance and Reformation exchange and as an internationally connected city. It is striking, though not unexpected, that all the authors have been drawn to some extent to sources and subjects in Rudolfine Prague. It must be stressed, however, that the emphasis of each of these studies is somewhat different to an older field of “Rudolfine studies.” The researchers here do not focus on the emperor's court but use it as context. It is tangential to their main focal points—on Jewish communities, religious change, and the exchange of scientific and musical knowledge—and these are first and foremost historians not of Prague but of social and cultural history, music, art, material culture, and religion. This indicates a marked shift from the historiography. For this generation of scholars, Prague is not only a city that is home to a fascinating and intriguing art historical moment but is also a city of early modern international connections. It provides a unique context for understanding communities, everyday experiences, religion, and culture in early modern Europe—a multilingual, multiconfessional, and multicultural mixing pot whose composition changed dramatically across the early modern period. Rudolf's court was certainly a catalyst for these crossings and encounters, but they did not fade away after his death in 1612, nor were they limited to the confines of the castle above the city.

scholarly journals Contested Numbers: Census Controversies and the Press in 1960s Nigeria

2021 ◽  
pp. 1-19
Author(s):  
Gerardo Serra ◽  
Morten Jerven
Keyword(s):  
Public Sphere ◽  
Political Culture ◽  
Cultural History ◽  
The State ◽  
Population Census ◽  
The Public ◽  
The Press ◽  
Distribution Of Resources ◽  
The Public Sphere

Abstract This article reconstructs the controversies following the release of the figures from Nigeria's 1963 population census. As the basis for the allocation of seats in the federal parliament and for the distribution of resources, the census is a valuable entry point into postcolonial Nigeria's political culture. After presenting an overview of how the Africanist literature has conceptualized the politics of population counting, the article analyses the role of the press in constructing the meaning and implications of the 1963 count. In contrast with the literature's emphasis on identification, categorization, and enumeration, our focus is on how the census results informed a broader range of visual and textual narratives. It is argued that analysing the multiple ways in which demographic sources shape debates about trust, identity, and the state in the public sphere results in a richer understanding of the politics of counting people and narrows the gap between demographic and cultural history.

Karl Friedrich Schinkel

2021 ◽  
Keyword(s):  
French Revolution ◽  
English Language ◽  
18Th Century ◽  
Second World War ◽  
World War ◽  
Urban Planner ◽  
Avant Garde ◽  
Personal Archives ◽  
Historical Moment ◽  
Second World

Karl Friedrich Schinkel (b. Neuruppin, 1781–d. Berlin, 1841) was a celebrated Prussian architect, theatre set designer, artist, furniture and object designer, urban planner, and civil servant. Born into modest yet respectable circumstances as the son of a deacon, Schinkel, by virtue of his talent and work ethic, rose in his own lifetime to become one of Prussia’s most celebrated cultural figures and its chief royal architect. He worked mostly in Berlin and its surrounding territories, including in some areas that are now part of Poland. His built works suffered heavy destruction during the Second World War, but important examples still survive or have been reconstructed, including the Altes Museum, the Friedrich-Werder Church, the Theatre (Schauspielhaus), and the New Guardhouse in Berlin, as well as the Charlottenhof and Glienicke Palaces in nearby Potsdam. His paintings, drawings, and personal archives can be found mostly in collections in and around Berlin, including at various departments of the Berlin State Museums. Recent debates have surrounded the potential reconstruction of Schinkel’s celebrated masterpiece, the Berlin Bauakademie (which was demolished in 1962), bringing a consciousness of Schinkel’s legacy to the fore in German public life once again. Despite his fame in Germany and his noted status as a reference-point for German avant-garde modernism, Schinkel’s work has remained under-explored in the English language (with some notable exceptions) due to difficulties accessing both his buildings and his archives in the years between the Second World War and German reunification. Since the 1990s, however, Schinkel’s international reputation has been steadily restored due to the efforts of a number of scholars and curators who have sought to disseminate his work more widely than ever before. Schinkel’s oeuvre is as eclectic as the tools and media he employed to realize it are versatile. They reveal traces of neoclassicism and the neogothic, French Enlightenment formalism, German Romanticism and Idealism, and 19th-century historicism. But at the same time, his work resists absolute categorization, by virtue of the fact that he lived and worked suspended between two epochs: he was born too late to be immersed in the worldview of the 18th-century Enlightenment and French Revolution, but nor did he live to see Germany’s development as a fully industrialized and unified nation. Occupying this ambiguous historical moment has given Schinkel’s work a versatility, a freedom, and an inquiring rigor that has assured its originality and enduring value.

scholarly journals A National Public Sphere? Analyzing the Language, Location, and Form of Newspapers in Finland, 1771–1917

2019 ◽  
Vol 4 (1) ◽  
pp. 54-77
Author(s):  
Jani Marjanen ◽  
Ville Vaara ◽  
Antti Kanner ◽  
Hege Roivainen ◽  
Eetu Mäkelä ◽  
...  
Keyword(s):  
Public Sphere ◽  
Cultural History ◽  
Public Discourse ◽  
Mass Medium ◽  
Historical Knowledge ◽  
The Public ◽  
Starting Point ◽  
The Press ◽  
The Public Sphere ◽  
Newspaper History

This article uses metadata from serial publications as a means of modelling the historical development of the public sphere. Given that a great deal of historical knowledge is generated through narratives relying on anecdotal evidence, any attempt to rely on newspapers for modeling the past challenges customary approaches in political and cultural history. The focus in this article is on Finland, but our approach is also scalable to other regions. During the period 1771–1917 newspapers developed as a mass medium in the Grand Duchy of Finland within two imperial configurations (Sweden until 1809 and Russia in 1809–1917), and in the two main languages – Swedish and Finnish. Finland is an ideal starting point for conducting comparative studies in that its bilingual profile already includes two linguistically separated public spheres that nonetheless were heavily connected. Our particular interest here is in newspaper metadata, which we use to trace the expansion of public discourse in Finland by statistical means. We coordinate information on publication places, language, number of issues, number of words, newspaper size, and publishers, which we compare with existing scholarship on newspaper history and censorship, and thereby offer a more robust statistical analysis of newspaper publishing in Finland than has previously been possible. We specifically examine the interplay between the Swedish- and Finnish-language newspapers and show that, whereas the public discussions were inherently bilingual, the technological and journalistic developments advanced at different pace in the two language forums. This analysis challenges the perception of a uniform public sphere in the country. In addition, we assess the development of the press in comparison with the production of books and periodicals, which points toward the specialization of newspapers as a medium in the period after 1860. This confirms some earlier findings about Finnish print production. We then show how this specialization came about through the establishment of forums for local debates that other less localized print media such as magazines and books could not provide.

British Visions, African Voices: The “Imperial” and the “Colonial” in World War II

Itinerario ◽  
2020 ◽  
Vol 44 (2) ◽  
pp. 287-315
Author(s):  
Myles Osborne
Keyword(s):  
World War Ii ◽  
Public Sphere ◽  
Military Service ◽  
Racial Segregation ◽  
Second World War ◽  
General Interest ◽  
World War ◽  
African Writers ◽  
And Shifts ◽  
Second World

AbstractThis article is focused on a magazine called Jambo, which was published by the British East Africa Command for troops in its employ between 1942 and 1945. Jambo was an agglomeration of political articles, general interest stories, propaganda, cartoons, crosswords, and more, with many of its contributions authored (or drawn) by men serving in the Allied forces. Here, I use Jambo to consider notions of the “colonial” and “imperial” during the Second World War, exploring how the realities of racial segregation in the colonies fit awkwardly with imperial service. Jambo also permits us a window into the views of some hundreds of British servicemen, who wrote extensively about the Africans with whom they served, revealing the complexities and shifts in British perceptions of African peoples during the conflict. Jambo is unique in another respect: it also provided a forum for African troops. In few other publications—and even fewer with such wide circulation—could educated (but nonelite) African peoples reach thousands of British readers. Though their published letters and articles were few compared to those written by Jambo's British authors, African writers used the venue to critique the conditions of their military service, argue about the sort of social ordering they desired in their home communities, and create an alternate narrative of the war. Like most colonial publications, Jambo had intended audiences, but also voracious, additional, alternate publics that mediated the articles which appeared in its pages. All this suggests that we might think of the colonial public sphere as both local and global, inward and outward looking, personal and communal, and situated along a continuum between colonial and imperial contexts.

scholarly journals Political Engines: The Emotional Politics of Bells in Eighteenth-Century England

2020 ◽  
Vol 59 (3) ◽  
pp. 555-581
Author(s):  
William Tullett
Keyword(s):  
Eighteenth Century ◽  
Material Culture ◽  
Public Sphere ◽  
Political Culture ◽  
Central Place ◽  
Status Quo ◽  
British Identity ◽  
Political Status ◽  
Emotional Suffering ◽  
Emotional Politics

AbstractThis article asks how and why bells maintained their central place in political culture between 1660 and 1832, a question that can best be approached from the perspective of histories of the emotions and senses. Such a consideration of bells allows us to extend the concept of “emotives” to encompass material culture. Often believed to “speak,” bells were fundamental to a binary emotional regime: the joy and sorrow they expressed and created were essential to perceptions of deference, community, and national feeling. But they could also be inverted and used a form of resistance. For those outside the religious or political status quo, bells could instantiate forms of emotional suffering. Tracing the “listening public” of which bells were part demonstrates the importance of the freedom to hear in the eighteenth-century public sphere. In this context, the ascription of material and emotional agency to bells was a useful rhetorical tool. Its deployment in newspaper reports of ringing, which served to encourage certain ways of listening, points to the importance of both text and sound in creating a “listening public.” But this listening public was also marked by forms of emotional suffering and exclusion that trouble the place of practices of celebration in any nascent “English” or “British” identity.

scholarly journals A lost war in living memory: Japan’s Second World War

2003 ◽  
Vol 11 (4) ◽  
pp. 573-593 ◽  
Author(s):  
HARUKO TAYA COOK ◽  
THEODORE F. COOK
Keyword(s):  
Public Sphere ◽  
Public Discourse ◽  
Second World War ◽  
Narrative Form ◽  
World War ◽  
The Public ◽  
The Pacific ◽  
The Dead ◽  
The Public Sphere ◽  
Second World

We examine the strata of memory in Japan’s recollections of the wartime experience and explore the shaping and releasing of memory in Japan, seeking to penetrate and recover individual Japanese experience. Individual memories that seemed tightly contained, when released were told with great emotional intensity and authenticity. That there has been little public discourse does not mean that individual Japanese have forgotten that war, but that the conflict – a war with no generally accepted name or firmly fixed start or end – seems disconnected from the private memories of the wartime generation. Japan was defeated thoroughly and completely, and in the history of memory we see no well-established narrative form for telling the tale of the defeated. In Japan's public memory of the war, War itself is often the enemy, and the Japanese its victims. Such a view is ahistorical and unsatisfactory to nations and peoples throughout Asia and the Pacific. The prevailing myths during Japan's war, developed and fostered over 15 years of conflict, and the overwhelming weight of more than three million war dead on the memories of the living forged a link between a desire to honour and cherish those lost and the ways the war is recalled in the public sphere. Enforced and encouraged by government policies and private associations, protecting the dead has become a means of avoiding a full discussion of the war. The memorials and monuments to the Dead that have been created throughout Japan, Asia, and the Pacific stand silent sentry to a Legend of the war. This must be challenged by the release into the public sphere of living memories of the War in all their ambiguity, complexity, and contradiction without which Japan’s Memory can have no historical veracity. Moreover, the memories of the Second World War of other peoples can never be complete without Japan’s story.

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