�Nothing ever dies�: memory and marginal children�s voices in Rwandan and Vietnamese narratives

2021 ◽  
Vol 9s3 ◽  
pp. 157-172
Author(s):  
Ashwiny O. Kistnareddy

Memory is a highly contested notion insofar as it is claimed by the collective (Halbwachs, Young) and deployed within a variety of political and socio-cultural contexts. For Viet Thanh Nguyen, the �true war story� can be told by those who lived through it, thereby wresting power from �men and soldiers� and dominant structures (Nothing Ever Dies, Harvard UP, 2017: 243). Examining the dialectics of remembering and forgetting, this article examines narratives which reclaim memory as a personal and as a collective plea to understand the structural discrepancy at play from the child, who is victim of war. It examines the memoir of a Tutsi refugee child, Moi, le dernier Tutsi (C. Habonimana, Plon R�cit, 2019) and an autobiographical narrative by a Vietnamese refugee in Canada, Ru (K. Th�y, Liana L�vi, 2010), to gauge the extent to which such narratives create their own memorial spaces and in so doing reclaim their marginal memories and centre them, while grappling with the imperative to forget. Ultimately it tests Nguyen�s theory that memory can be just and that in this ethical recoding of memory, the humanity and inhumanity of both sides is underlined.

2004 ◽  
Author(s):  
X. T. Wang ◽  
Elena A. Savina

2010 ◽  
Author(s):  
Susan Chuang ◽  
Gena Robertson ◽  
Edith Lai ◽  
Maria Cabral

2006 ◽  
pp. 351-373
Author(s):  
Maciej Kubicki

This article describes the circumstances in which a German crew shot a film in the Warsaw Ghetto in May and June 1942. The author employs visual materials and eyewitness' accounts of Warsaw Ghetto Jews. They are an important counterpoint, revealing the background and the persuasive dimension of the Nazi message. The text is aimed at an understanding of the propagandistic intention, rooted in the specifically Nazi techniques of persuasion. To do this, the author refers to the sources of anti-Semitic imaginarium and the modes of depiction of the Jew as an enemy figure. The reconstruction of the image of the Jewish community in this film is reinforced by references to broader ideological and socio-cultural contexts.


2013 ◽  
Vol 1 (1) ◽  
pp. 1-4
Author(s):  
Ibrahim Sirkeci

Transnational Marketing Journal is a new scholarly, peer-reviewed journal is dedicated to disseminating high quality contemporary research into transnational marketing practices and scholarship while encouraging critical approaches in the development of marketing theory and practice. It is an exciting new venture for us and we would like to invite innovative thinking, scholarship, and current research into marketing practices and challenges crossing national borders.In Transnational Marketing and Transnational Consumers, Transnational Marketing is defined “as understanding and addressing customer needs, wants and desires in their own country of residence and beyond and in borderless cultural contexts with the help of synergies emerging across national boundaries and transfer of expertise and advantages between markets where the organization operates transnationally with a transnational mentality supported by transnational organization structures and without compromising the sustainability of any target markets and resource environment offering satisfactory exchanges between the parties involved” (Sirkeci, 2013: vii).


Sign in / Sign up

Export Citation Format

Share Document