scholarly journals Pilate as the Legal ‘Other’ in the N-Town Cycle Passion Plays

Author(s):  
Tomasz Wiącek

In the late medieval N-Town Cycle Passion Plays, the trial of Jesus is presented in the context of a medieval courtroom, where Jesus is brought by Annas and Cayphas to be judged by Pontius Pilate. However, while the priests through abuses of the legal procedures attempt to ensure Jesus’s demise, Pilate opposes their intent by remaining true to his judicial duties, which presents him as a lonely Other in the presented world of legal misconduct. This paper explores the concept of otherness in a legal context of the plays, as well as the legal and social significance of Pilate’s actions.

2021 ◽  
Vol 150 ◽  
pp. 301-326
Author(s):  
Rachel Meredith Davis

Medieval Scottish women’s seals remain largely unexplored compared to the scholarship on seals and sealing practice elsewhere in medieval Britain. This article has two chief aims. First, it seeks to demonstrate the insufficiencies of the 19th- and 20th-century Scottish seal catalogues as a mediated record of material evidence and the use of them as comprehensive and go-to reference texts within current research on late medieval Scotland. This includes a discussion of the ways in which medieval seals survive as original impressions, casts and illustrations and how these different types of evidence can be used in the construction and reconstruction of the seal’s and charter’s context. Second, this paper will explore the materiality and interconnectedness of seals and the charters to which they are attached. A reading of these two objects together emphasises the legal function of the seal and shows its distinctive purpose as a representational object. While the seal was used in con-texts beyond the basic writ charter, it remained a legally functional and (auto)biographical object, and, as such, the relationship between seal and charter informs meaning in representational identities expressed in both. The article will apply this approach to several examples of seals belonging to 14th- and 15th-century Scottish countesses. Evidence reviewed this way provides new insight into Scottish women’s sealing practice and female use of heraldic device. The deficiencies of assuming women’s design to be formulaic or that their seals can be usefully interpreted in isolation from the charters to which they were attached will be highlighted. The interconnectedness of word and image conveyed personal links and elite ambitions, and promoted noble lineage within the legal context of charter production.


2016 ◽  
Vol 134 (4) ◽  
Author(s):  
Tim William Machan

AbstractThe late-medieval Scottish–English border had a porous impermeability. Politically, there was in theory a demarcation between Scotland and England that remained relatively fixed from the thirteenth through the sixteenth centuries, though a zone of marches surrounded that demarcation, and border disputes continued throughout the period. On the English–Scottish linguistic border, such porous impermeability took several forms. The extremes would be works written primarily in either Scots or some form of English and arrayed between them is what might be called the interlinguistic marches: works written in a language neither entirely Scots nor entirely English that somehow depends on and elides any easy distinctions between the varieties. These marches, and what they say about the Scots–English linguistic border, are the focus of this paper. The paper begins by looking at several texts whose language challenges any easy pronouncements about Scots–English dialect boundaries. Originally written in one variety, they survive as well in copies wherein the text has been rewritten, in all or in part, in the other variety. These rewritings might be called ‘dialect translations’, though other terms also could apply, each of them reframing not only the rewritings but also the varieties and language dynamics they help create. From these examples the paper turns to the larger issue that is its primary concern: the medieval English linguistic repertoire, including the grammatical integrity and social significance of medieval English regional varieties in general. Language and dialect boundaries certainly do matter, but it is speakers who decide how and when.


2021 ◽  
pp. 9-23
Author(s):  
Edda Frankot

AbstractThis chapter gives a brief introduction into late medieval Kampen, the archival sources used in the study, an overview of the historical and legal background of banishment in the Low Countries and a discussion of the by-laws concerning the topic. It also includes a brief description of the images illustrating the contents of one of the manuscripts used, some of which are included in this book.


Early Theatre ◽  
2016 ◽  
Vol 19 (1) ◽  
Author(s):  
John A. Warrick

<p>This article examines the death of John Talbot in Shakespeare’s <em>1 Henry VI </em>against late medieval passion plays. It argues that Shakespeare adapted common features of medieval pageants, and particularly those representing Christ’s crucifixion, harrowing of hell, and resurrection, to enhance the tragic impact of his secular history play. Finally, it theorizes Talbot’s secular martyrdom in relation to developments unique to the reformation of saintly devotion and the <em>imitatio Christi </em>in Elizabethan England.</p>


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