scholarly journals Creating Outside the Box

2020 ◽  
Vol 11 (1) ◽  
pp. 5-12
Author(s):  
Sara L. Benson

This paper shares my journey from rigid, self-doubting, and strict to fluid, confident, freedom of thinking as I created, moved, thought, and philosophized my way through an arts-based and community-based research course. In that course, I created a photography piece, “Bluff City Merger.” Through the creation of this project my view of who I was as a researcher and as a person began to shift and an unmasking began to take place by the end of this project. Bluff City Merger created a space that would allow for the individual to construct their own meaning and understanding of all that took place in Memphis, Tennessee (US). The purpose of this piece was to spark conversation and conceptualization surrounding the bussing controversy of the early 70’s in the city of Memphis while also contemplating the current state of the school system by merging photographs from the past with those from the present.

2015 ◽  
Vol 24 (2) ◽  
pp. 3-15
Author(s):  
Judith Laister ◽  
Anna Lipphardt

Over the past decades, ‘participation’ has evolved as a key concept in a multitude of practice fields and discursive arenas, ranging from diverse political and economic contexts, through academic research, education and social work, urban planning and design, to arts institutions and artistic projects. While participation originally is a political concept and practice, it has long set out as a ‘travelling concept’ (Bal 2002). This special issue focuses on its travels between three fields of practice: the city, the arts and qualitative empirical research. Each of these practice fields over the past decades has yielded distinct understandings, objectives and methods in respect to participations, yet they also increasingly intersect, overlap and fuse with each other within specific practice contexts. What is more, many of the individual actors engaging in these initiatives on behalf of the city – from temporary projects to long-term collaborations – are not situated in one practice field only. Along with Jana König and Elisabeth Scheffel we understand them as ‘double agents’ (König and Scheffel 2013: 272–3) or even ‘multiple agents’, with simultaneous entanglements and commitments in more than one practice field.


2014 ◽  
Vol 42 (118) ◽  
pp. 51-68 ◽  
Author(s):  
Judith Schwarzbart ◽  
Kristine Samson

Within recent years, art and urbanism have gradually moved closer to each other and come together around socially engaged, dialogical projects. Participation and the creation of urban publics are topics that often concern artists as well as urban planners and activists. Based on a record of this recent conjunction between art and urbanism, the article examines practices, fractures, and conflicts in the aftermath of the social turn. With a point of departure in the coalescing public programme of the Istanbul Biennial and Occupy Gezi at Taksim Square in 2013, the article questions the art of participation. What type of public is created in the participative art? And is an artistic social turn towards the city even possible beyond the art institution? The article concludes that precisely in the conflict between the two different rationales of art and urbanism a participatory, urban public can emerge; a public, however, which lie beyond the intention and rationales of the individual actor.


2016 ◽  
Vol 75 (4) ◽  
pp. 447-468 ◽  
Author(s):  
Ayala Levin

In the 1960s, Addis Ababa experienced a construction boom, spurred by its new international stature as the seat of both the United Nations Economic Commission for Africa and the Organization of African Unity. Working closely with Emperor Haile Selassie, expatriate architects played a major role in shaping the Ethiopian capital as a symbol of an African modernity in continuity with tradition. Haile Selassie's Imperial Modernity: Expatriate Architects and the Shaping of Addis Ababa examines how a distinct Ethiopian modernity was negotiated through various borrowings from the past, including Italian colonial planning, both at the scale of the individual building and at the scale of the city. Focusing on public buildings designed by Italian Eritrean Arturo Mezzedimi, French Henri Chomette, and the partnership of Israeli Zalman Enav and Ethiopian Michael Tedros, Ayala Levin critically explores how international architects confronted the challenges of mediating Haile Selassie's vision of an imperial modernity.


Polar Record ◽  
2020 ◽  
Vol 56 ◽  
Author(s):  
Julia Olsen

Abstract Throughout the past two decades, the number of studies examining the adaptive capacity of Arctic communities in the context of climate change has been increasing; however, little is known about Arctic communities’ ability to adapt to certain emerging changes, such as increased shipping activity. To address this knowledge gap, this study systematically analyses published scientific articles on community adaptive capacity in circumpolar Arctic, including articles published in Russian which may not be captured in English-only reviews. Throughout this review, the study focuses on three areas: the development of the adaptive capacity framework; the conditions that enable community adaption abilities; and the extent to which shipping developments are addressed in the literature. This study demonstrates that the adaptive capacity framework has been significantly developed both theoretically and methodologically and is broadly used to address new types of climatic and non-climatic changes. Though the impacts from the shipping development are discussed in some studies, there is a clear need for further examination of coastal communities’ ability to adapt to such changes. Additionally, the study reveals limitations in the application of the Western conceptual terminology when exploring community-based research by Russian scholars.


Lateral ◽  
2017 ◽  
Vol 6 (1) ◽  
Author(s):  
Tania Lizarazo ◽  
Elisa Oceguera ◽  
David Tenorio ◽  
Diana Pardo Pedraza ◽  
Robert McKee Irwin

This article outlines the digital storytelling methods used for a community based research project focused on issues of sexuality among California farmworkers: Sexualidades Campesinas (http://sexualidadescampesinas.ucdavis.edu/). We note how our process of collaboration in the creation and production of digital stories was shaped by the context and our envisioned storytellers. We then offer a critical analysis of our own unique experience with digital storytelling in this project, focusing on a handful of concepts key to understanding the nature of our collaborative production process: community, affect and collaboration, storytelling, performance, and mediation, with an eye to the problem of ethics.


2021 ◽  
Vol 16 (3) ◽  
pp. 18-31
Author(s):  
Cara Bradley

Objective – The goals of this study were to 1) characterize the quantity and nature of research outputs created by or in cooperation with community-based research units (CBRUs) at Canadian universities; 2) assess dissemination practices and patterns with respect to these outputs; 3) understand the current and potential roles of institutional repositories (IRs) in disseminating community-based research (CBR). Methods – The researcher consulted and consolidated online directories of Canadian universities to establish a list of 47 English language institutions. Working from this list of universities, the researcher investigated each in an attempt to identify any CBRUs within the institutions. Ultimately, these efforts resulted in a list of 25 CBRUs. All but 1 of these were from universities that also have IRs, so 24 CBRUs were included for further analysis. The researcher visited the website for each CBRU in February 2021 and, using the data on the site, created a list of each project that the CBRU has been involved in or facilitated over the past 10 years (2010-2020). An Excel spreadsheet was used to record variables relating to the nature and accessibility of outputs associated with each project. Results – These 24 CBRUs listed 525 distinct projects completed during the past 10 years (2010-2020). The number of projects listed on the CBRU sites varied widely from 2 to 124, with a median of 13. Outputs were most frequently reports (n=375, which included research reports, whitepapers, fact sheets, and others), with journal articles (n=74) and videos (n= 42) being less common, and other formats even less frequent. The dissemination avenues for these CBRU projects are roughly divided into thirds, with approximately one third of the projects’ results housed on the CBRU websites, another third in IRs, and a final third in “other” locations (third party websites, standalone project websites, or not available). Some output types, like videos and journal articles, were far less likely to be housed in IRs. There was a significantly higher deposit rate in faculty or department-based CBRUs, as opposed to standalone CBRUs. Conclusion – The results of this study indicate that academic libraries and their IRs play an important role in the dissemination of CBR outputs to the broader public. The findings also confirm that there is more work to be done; academic librarians, CBRU staff, and researchers can work together to expand access to, and potentially increase the impact of, CBR. Ideally, this would result in all CBRU project outputs being widely available, as well as providing more consistent access points to these bodies of work.


1988 ◽  
Vol 82 (4) ◽  
pp. 1261-1275 ◽  
Author(s):  
Arlene W. Saxonhouse

The modern language of tyranny has distorted the significance of the Greek term tyrannos. In ancient Greek the term was accorded to the new ruler in the city, one whose legitimacy did not reside in his bonds to the ancient rulers and ancient families. Tyranny thus suggested a freedom from the past. Reason, as the Greeks understood it, also entailed a breaking away from the physical world. Reason and tyranny thus work together as expressions of freedom, but it is a freedom that in its transcendence of boundaries leads to tragedy. An examination of Sophocles' Oedipus draws out both the glory and the failure of the individual attempt of the political actor to rise above the historical particular and the mere body to build a world where reason alone is power.


Author(s):  
Valeriya Kibets

Modern Ukrainian historical science faces many challenges that require a scientific solution. Exploring the life and work of famous people and the history of individual regions of Ukraine are among them. The end of 19th - the beginning of 20th centuries in the history of Ukraine is characterized by a general revolutionary exaltation that was caused by sharp contradictions, national oppression, political disenfranchisement of the population. It is a time when new creators of history enter the political scene.  Nowadays, the critical task is to rethink the role of the individual in history, to explore creative people, to fill the historical process with energetic, working people, to make this process anthropocentric. It is necessary not only to revive the forgotten names but to determine a place for each personality in the history of Ukraine. The article aims to show the features of the pre-revolutionary past of Kherson city from the perspective of Leonid Solovyov, indigenous inhabitant, engineer, the qualified worker of Kherson seaport and brilliant memoirist. In his memoirs, he described the city in pre-revolutionary times and showed the changes of Kherson during Soviet power. Memoirs (memories) are a special kind of written historical sources that reflect the author’s understanding of past reality and historical consciousness of the personality of their creator. They are about the past based mostly on a personal the memory of the author and his own impressions of those events in which he participated or which he watched by himself. In his memoirs, we see the dualistic nature of historical sources, because, on the one hand, they record information about the past and, therefore, it is its reflection. On the other hand, memoirs are part of the period in which they came on. Today Mr Solovyov’s memoirs are unexplored, and this article is the first attempt to show the role of this personality. Pre-revolutionary Kherson had a number of its features. It was a small, quiet, calm, provincial town. Mr Solovyov remembers the city since 1914. He was always interested in the history of his native city. The comparison of pre-revolutionary and Soviet Kherson from the perspective of an ordinary citizen of Kherson is particularly useful. Most of Kherson citizens worked as merchants, officials, entrepreneurs and small haggler. The workers were a minority, lived mainly in the suburbs and had their property, farm. It was a typical and traditional demonstration of the usual Ukrainian way of life. The result of long and hard work of Mr. Solovyov as an ethnographer is a significant number of photo albums, including “Kherson seaport”, “Flood in Kherson”, extracts from books, magazines, newspapers about ports of Kherson, Skadovsk, Khorly, and, of course, memoirs about his native city and the port which contains unvalued layer of interesting information about the history of our city. It is shown the role of the individual in history and the impact of circumstances and the environment in the formation of his worldview and future activities from Mr Solovyov example. It is the first time when the researcher is depicted as a citizen whose life was dedicated to the service of society. The results of his work played a significant role in today’s economic and cultural potential of our city. Mr Solovyov’s great experience in the organization of productive work in the port, the realization of his interests in studying historical characteristics of the land has not lost its practical value and is useful today.


Author(s):  
Vincenzo Zenobi

After the Rose Revolution, a process of transformation of the city begins. Very different public and private architectures from the past arise, while the strategies for the conservation of old Tbilisi are matter of discussion. To understand the factors that determine the creation of new urban spaces we first need to focus on two factors: the process of Institution Building that follows the Rose Revolution and the emergence of a political narrative that combines modernisation and nationalism. The hypothesis is that these two factors create the ground for developing the specific practices of transformation of the city and for the emergence of a new urban form.


Author(s):  
Johannes Parlindungan Siregar

The heritage of Yogyakarta is always situated in a dynamic urban environment. Heritage conservation has been challenged by a lack of understanding on the ideological process in the creation of meanings. This paper investigates the creation process of urban space that is currently appreciated as heritage. The paper uses the city of Yogyakarta as the case study because its uniqueness as a mix of traditional and colonial cities. The study uses the concept of meaning production to understand the association between the construction of urban space and ideological meanings. This concept corresponds to the creation of urban objects and the recognition of meanings in the society. This study uses data sourced from a literature study. As the result, the process of meaning production has demonstrated social and political forces in the construction of traditional and colonial buildings. Situation in the past demonstrates urban space as a tool of political hegemony of traditional court and colonialist. A different social milieu in the present day changes the conflicting ideologies into history. Therefore, the urban structure expresses political strategies of relevant authorities in proclaiming hegemony and regulating society. This study provides a basis for investigating the influence of ideologies on the meaning of heritage that corresponds to cultural significant.


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