The Problem of a Courtly Literature

This chapter analyses the seventeenth-century shift from aristocratic forms of literary evaluation to the book market as a key source of prestige—from a courtly to a commercial model of literary judgment and value. Setting the literature of the Caroline court within larger debates about the monarchy’s authority over an increasingly powerful commercial sector, it argues that English courtly culture crystalized in response to the challenges to royal authority posed by market growth and autonomy. It thus returns to a Marxist interpretation of the causes of the English Revolution, while using recent research on the book market, print censorship, and coterie literary circulation to draw new connections between socioeconomic change and literary history.

Realisierte Tropen in Wolframs ›Parzival‹

This article negotiates the immense poetical potential inherent in the rhetorical operation of the ›epische Realisierung‹ of tropes, which is paradigmatically used by Wolfram von Eschenbach in his ›Parzival‹. This technique not only presents prevalent literary topoi of courtly culture in an innovative way, but also provides the possibility to unfold the text’s metaphors, which are habitually restricted to a specific moment, within the entire narrative framework. Furthermore, Wolfram applies this technique, arguably, to connect text passages, which otherwise diverge widely from the linear of the narrative, by the virtue of their corresponding metaphorical or visual logic. Through these established ana- and cataphoric intratextual references, even distant episodes are brought into a dialogue that discloses both analogies and differences as well as new levels of meaning.

The ship in the shop: An art history of late medieval ship models

This contribution represents an attempt at a first outline of an art history of late medieval ship models and their contexts of use. Focusing on the mid-thirteenth through early sixteenth centuries, an age of rapidly expanding horizons, this study examines the design and role of miniature vessels at the intersection between devotional practices, courtly culture, modes of patronage and technological change. It explores three categories of ship models in particular: ex-voto ships that were presented to a specific shrine after a miraculous rescue at sea or naval victory; nefs, which served as princely table decorations and containers of commodities such as salt and spices; and nefs that, subsequent to their use as banqueting props, were repurposed as devotional vessels that either contained relics or possibly functioned as ex-votos.

The Eufemiaviser and the Reception of Courtly Culture in Late Medieval Denmark – Die dänischen Eufemiaviser und die Rezeption höfischer Kultur im spätmittelalterlichen Dänemark

This book presents texts which are a unique testimony in Danish literature between the Late Middle Ages and the Early Modern period: the so-called Eufemiaviser (Eufemia poems), courtly verse romances, translated into Danish via Old French and Old Swedish sources in the later part of the 15th century. These texts have hardly been studied in Scandinavian research so far.

Imagining Indian Medicine

In 1923, the Presidency of Madras published The Report of the Committee on the Indigenous Systems of Medicine, the first of many Indian policy documents to regulate indigenous medicine. At first glance, the report seems to offer more evidence of the increasing entrenchment of religious nationalist positions within medical networks in the colonial period. Scholars have analyzed its main text, and a significant “Memorandum” associated with it, and found them emblematic of the formation of Hindu science in the early twentieth century. In this article, drawing on the methods of intellectual and cultural history, I conduct a close analysis of the unstudied Urdu-language sections of the report, which suggest a different interpretation. I argue that within the Urdu-language testimonies written by Hindu men, one finds a continuity with early modern medical courtly culture, whose resonances in the colonial period have largely been elided by modern historiography.

The Changing Perception of the Five Senses

This article examines the changing approach towards the representation of the senses in 17th-century Flemish painting. These changes are related to the cultural politics and courtly culture of the Spanish sovereigns of the Southern Netherlands, the Archdukes Albert and Isabella. The 1617–18 painting-series of the Five Senses by Jan Brueghel the Elder and Peter Paul Rubens as well as the pendant paintings on the subject are analyzed in relation to the iconography of the five senses, and in regard to Flemish genre themes. In this context, the excess of objects, paintings, scientific instruments, animals, and plants in the Five Senses are read as an expansion of the iconography of the senses as well as a reference to the courtly material culture of the Archdukes. Framing the senses as part of a cultural web of artifacts, Brueghel and Rubens refer both to elite lived experience and traditional iconography. The article examines the continuity between the iconography of the senses from 1600 onwards, as developed by Georg Pencz, Frans Floris, and Maerten de Vos, and the representation of the senses in the series. In addition, the article shows how certain elements in the paintings are influenced by genre paintings of the courtly company and collector’s cabinet, by Frans Francken, Lucas van Valckenborch and Louis de Caullery. Through the synthesis of these two traditions the subject of the five senses is reinvented in a courtly context

On the road: The novice munshi’s view of inter-imperial North India

This article analyses the diary entries made by a Persographic secretary (munshī), Aḥmad ʿAlī, who was employed by a retiring East India Company official to write an account of the journey they made together in 1780 across North India from Lucknow to the Mughal imperial capital in Delhi and back. Much of the landscape that they traversed—including a cluster of qasbahs, river passes, forests and fields—was formerly governed by a confederacy of Rohilla Afghans from 1737 to 1774. By 1780, however, this region was marked by the absence of well-defined, enduring state structures and witnessed an abundance of overlapping political claims. Under such conditions, Aḥmad ʿAlī, a novice secretary from this region who lacked access to major scholarly networks or courtly circles, found himself uniquely placed to observe and document the micro-level political and historical changes that he had lived through. Unlike his courtly counterparts, he witnessed transformations at a remove from both imperial politics and the regional courts that had developed through the eighteenth century. Rather than to a state or a single political project, his locus of service was aligned with the world of independent military entrepreneurs and their households, which were strewn across a region that he knew well. Questioning the view that secretaries were primarily cyphers of courtly culture or bureaucratic imperatives, the following pages demonstrate that while Aḥmad ʿAlī served his individual employer, he could imagine politics and history outside the constraints that came with corporate political affiliations, as a figure who was new to the work of secretarial penmanship and a seasoned bearer of textured regional knowledge.