Wurst Storm Rising

Our subject is the legacy of Dada implicit to the Burning Man phenomenon. Animate in the provocative output of fin-de-siècle French Symbolist writer and puppeteer Alfred Jarry, and filtered through the antics of the San Francisco Cacophony Society, Dada is foundational to the cultural aesthetic of Burning Man, by which we mean the event in Nevada’s Black Rock Desert playa (Black Rock City) and a global network of “burn” events. We address the significance of the Cacophony Society expedition that inaugurated the desert phase of Burning Man in 1990, “Zone Trip # 4: Bad Day at Black Rock.” Integral to the surreal tourism ventured by Cacophonists prior to the inception of Burning Man, and pivotal to its desert phase, the Zone Trip kindled “Burner” culture on the Black Rock playa and abroad. Exploring the Dadaist impulse affecting Black Rock City and woven into a worldwide network, informed by interpretative and applied methods, the article addresses art projects (including those designed and implemented by Vitos) at three regional events—Israel’s Midburn and Germany’s Burning Bär and Kiez Burn—visited in 2018 and 2019 as part of a multisited ethnography of the Burning Man movement. As these projects illustrate, the ghost of Jarry haunts, as the spirit of Dada animates, the transnational “burnscape.”

Ephemeropolis

Foucault’s concept of heterotopia is adapted to comprehend events with intentional transformational agendas. An ephemeral community installed annually in Nevada’s Black Rock Desert, Burning Man is an exemplary evental heterotopia. With the shortcomings of the romantic-utopian “transformational festival” label identified, the article considers Black Rock City as a heterogeneous threshold and contested space. This hyperliminal weave is redolent in a complex ethos known as the “Ten Principles.” Informed by Michel Foucault’s ambiguous entry on heteroclite spatialization, the article explores the paradoxical “other space” of Burning Man in which the “default world” is simultaneously neutralized, mirrored, and resisted. If Burning Man is transformative, this is therefore an enigmatic aesthetic. Adapting Foucault’s six “principles of heterotopia” and modulating Victor Turner’s “liminality,” the article navigates the hyperliminal dynamics of Burning Man. In the process, a provisional framework is suggested for the study of transformative events.

Development of a Multispectral Albedometer and Deployment on an Unmanned Aircraft for Evaluating Satellite Retrieved Surface Reflectance over Nevada’s Black Rock Desert

Bright surfaces across the western U.S. lead to uncertainties in satellite derived aerosol optical depth (AOD) where AOD is typically overestimated. With this in mind, a compact and portable instrument was developed to measure surface albedo on an unmanned aircraft system (UAS). This spectral albedometer uses two Hamamatsu micro-spectrometers (range: 340–780 nm) for measuring incident and reflected solar radiation at the surface. The instrument was deployed on 5 October 2017 in Nevada’s Black Rock Desert (BRD) to investigate a region of known high surface reflectance for comparison with albedo products from satellites. It was found that satellite retrievals underestimate surface reflectance compared to the UAS mounted albedometer. To highlight the importance of surface reflectance on the AOD from satellite retrieval algorithms, a 1-D radiative transfer model was used. The simple model was used to determine the sensitivity of AOD with respect to the change in albedo and indicates a large sensitivity of AOD retrievals to surface reflectance for certain combinations of surface albedo and aerosol optical properties. This demonstrates the need to increase the number of surface albedo measurements and an intensive evaluation of albedo satellite retrievals to improve satellite-derived AOD. The portable instrument is suitable for other applications as well.

Civilised Tribalism: Burning Man, Event-Tribes and Maker Culture

Otherwise known as Black Rock City, Burning Man is an artistic event, that, mounted annually in Nevada’s Black Rock Desert, has become the inspiration for a global cultural movement. While it has been the subject of considerable attention from ethnographers and sociologists, Burning Man has persistently resisted classification. In this article, I undertake a tentative approach to Burning Man via a concept integral to Maffesoli’s postmodern social philosophy popular within Anglophone sociology: the neo-tribe. Ethnographic attention to Burning Man illustrates spectacular aspects of neo-tribalism. It is cyclical, immediate, sensual, enchanted, collaborative and offers multiple sites of belonging for participants, many of whom will self-identify as ‘tribal’ or ‘neo-tribal’. And yet Burning Man is also demonstrative of an optimising modernist ‘project’ complicating, if not incongruent with, postmodern tribalism. With Black Rock City theme camps, art projects and build teams echoing a design-orientated maker culture, and an organisation – the Burning Man Project – dedicated to propagating and scaling (making) the ethical, civic and progressive dimensions of this culture, this article demonstrates the paradoxical proclivities of Burning Man’s tribal character. The objective of the article is to forge a fuller understanding of Burning Man and other ‘transformational’ events illustrative of an alternative tribalism, and to explore ways the phenomenon both approximates and deviates from Maffesoli’s thesis.