Charles Ives and the Reformed Tradition

The American composer Charles Ives (1874–1954) was rooted in New England Congregationalism, the Puritan wing of the Reformed tradition. Although he is often seen as an innovative composer identified with New England transcendentalism, he never abandoned his Reformed evangelical faith but rather expressed it in some of his greatest music, particularly the Third and Fourth Symphonies.

GIBRAN'S THE PROCESSION IN THE TRANSCENDENTALIST CONTEXT

The aim of this article is to examine Gibran Kahlil Gibran's ideas, as articulated in The Procession (Al-Mawākib), in the context of New England Transcendentalism, in particular Emerson's and Thoreau's. Even though critics recognize Ralph Waldo Emerson (and less frequently Henry David Thoreau) as an influence on Gibran, the precise nature of the influence has not been spelled out clearly. In this study, I shall attempt to do so. To the end of establishing the New England Transcendentalist influence on Gibran more firmly and coherently, I locate, explain, and highlight some of the striking echoes, similarities, and analogies (linguistic, philosophic, as well as structural) in Gibran's The Procession, on the one hand, and Emerson's essays and Thoreau's Walden, on the other hand. Such an examination of the relationship will certainly enrich the meanings of Gibran's poem, shed a new light on his ideas, and suggest an angle from which his philosophy is best viewed.

To Heaven in A Swing: The Transcendentalism of Cyrus Bartol

Among the many popular descriptions of New England Transcendentalism which ran current in its own day, the most usual and least malicious were those which stressed its ethereality. Transcendentalism means “a little beyond,” said Emerson's friend with a wave of her hand. A meeting of the Club was like going to heaven in a swing, according to one earth-bound observer. And for many Bostonians “the model Transcendentalist,” as O. B. Frothingham pointed out, was not Emerson or Parker but Cyrus Bartol, minister of the West Church. For Bartol appeared to fit the public preconception. “He seems a man who lives above the clouds,” Frothingham remarked, “— not always above them, either.”