Cognitive linguopoetics of lyric prose texts

The article examines the cognitive specificity of lyric prose texts as a product of discursive activity. The semantic space of lyric prose texts decodes images of cultural memory as an interpretive category of cognitive linguopoetics. The meaning-generating mechanisms of lyric prose texts are focused on reflecting the ego-perception of reality, which explicates the cultural and value attitudes of the author. In cognitive linguopoetics, architectonics represents the semantic essence and integrity of the lyric prose text, since it is a discursive and pragmatic manifestation of its semantic continuum. Through the prism of the architectonics of the text, the associative-figurative tonality of the semantic content of the artistic text is decoded. That is why the concept of architectonics integrates two principles: a) the creative-discursive potential of text generation and b) a multi-vector palette of discursive consciousness, which is motivated by the experience of lyrical speech thinking. The essence of lyric prose texts is determined by the lyrical architectonics of sensory-emotional and aesthetic integrity, which is motivated by poetic reflexems, representing a discursively conditioned scan of reality, passed through the prism of expressive-figurative perception of the egotope.

To Be a (M)other: A Feminist Performative Autoethnography of Abortion

This is an abortion story. A feminist story. A body story. An autoethnographic story. This is a story of learning how to story abortion in a culture unforgiving to abortion stories. A story of embodying a body deemed unworthy of embodiment. A story of enfleshment enmeshed amid silence and violence. Influenced by feminist embodied auto-epistemologies, this essay seeks to disrupt the functionality of the U.S. American abortion debate through a performative, somatic reclamation of my experience from the semantic constrictions of highly medicalized, politicized, and individualized hegemonic discourses. Engaging a feminist performative autoethnographic praxis informed by écriture feminine, I center my corporeal body as a site of epistemological value to speak back against the limiting narratives of/about abortion while illustrating the critical creative potentials of performative autoethnographic storytelling. This essay weaves theory, lyric prose, epistolary, and poetry to performatively reconstruct, reframe, and reclaim my abortion experience through an embodied autoethnographic framework, in hopes of illuminating possibilities for others to “[experiment] with how we might tell stories differently rather than simply telling different stories” (p. 16).

PENGGUNAAN GAYA BAHASA DALAM PROSA LIRIK PENGAKUAN PARIYEM KARYA LINUS SURYADI AG (KAJIAN STILISTIKA)

This study entitled Use of Language in Prose Lyrics Pengakuan Pariyem works Linus Suryadi Ag. Prose lyrics is one of the literary works in a variety of prose written and expressed by using the elements of poetry. Researchers only address two problems in this study, the comparison of style and stylistic contradictions. The theories used in this study is about stilistika, between the concept of stylistic comparisons that include, imagery, personification, metaphor, depersonifikasi, allegory, antithesis, redundancy and tautology, perifrasis, anticipation or prolepsis and correction or epanortosis. While the conflict style covers, hyperbole, litotes, irony, oxymoron, paralepsis, Zeugma and silepsis. The method used in this research is descriptive qualitative method because the data produced in the form of words in the form of quotations, not a number. Thus, the research report will contain excerpts sentences contained in lyric prose rich. Prose Lyrics Pengakuan Pariyem works Linus Suryadi Ag. Data uncovered by researchers in comparative form of citation style lyric Prose Lyrics Pengakuan Pariyem like words bak, ibarat, bagaikan, bila, pohon pohon mendengarkan, mentari nongkrong. While stylistic contradictions within quote the words of a sentence like menikam tajam ubun-ubun saya, gelinya setengah mati. The results of this study indicate that the use of force in the study of language stilistika a stylistic comparison and stylistic contradictions.

Analisis Intertekstual antara Prosa Lirik Calon Arang: Kisah Perempuan Korban Patriarki dan Novel Janda dari Jirah

The title of the research of “Intertextual Analysis between Lyric Prose Calon Arang: Kisah Perempuan Korban Patriarki and Novel Janda dari Jirah”. This research purpose are to know the structure and the intertextual relationship between lyric prose Calon Arang: Kisah Perempuan Korban Patriarki and novel Janda dari Jirah. There are two theories used in this research, which are structural theory by A. Teeuw and intertextual theory by Julia Kristeva. The metod use in data collection are literature study method which completed by technique note. Then, continue using formal methods and descriptive analysis methods to analyze the data. Furthermore, in the presentation of data analysis result used descriptive method using Indonesian scientific variety, quantitative method, and informal method. There are some revelation obtained based on the analysis against these two work of literature. Firstly, in structural analysis which cover element of plot in lyric prose that is conventional and plot on a complex novel, background on lyric prose and novel is Kadiri, characterization consisting of antagonists and protagonists, and the theme on lyric prose is grudge and anger and theme dissatisfaction on novel show that these two works of liteterature has a relationship. Secondly, the relationship of the second theme of the literary work show that between lyrical prose and novel there is a relationship. This relationship is called an intertextual relationship. This intertextual relationship shows that lyric prose Calon Arang: Kisah Perempuan Korban Patriarki is a previously published work, while the novel Janda dari Jirah is a response or the next work who has expansion, modification, conversion, and ekserp.