Introduction

Demonstrating that gender representations in popular culture are intertwined with a broad range of cultural, historical, and social discourses that shape both their production and reception, the introduction outlines some of the key concerns related to the performance and policing of masculinity in pop music. It discusses the theoretical and methodological foundations that may underpin an interdisciplinary, intersectional, and interpretive approach to the study of popular music and gender, and places an emphasis on grappling with the multiple affordances elicited by pop artists’ construction of identity across several platforms. It advocates for an inclusive definition of pop music that encompasses the range of musical and cultural impulses that circulate in mainstream popular music culture. It also discusses the selection of material for a study of pop music and masculinity, and considers the benefits and limitations of an artist-centered interpretive approach.

A sociolinguistic study of address terms in a Nigerian university’s staff club

This article explores the sociopragmatic functions of address terms in social interactions at the University of Calabar Senior Staff Club. It takes into perspective the metalinguistic categories of address terms, their motivations, and the cultural and sociolinguistic parameters that determine their choice among Club members. The study is rooted in social identity theory and community of practice (CoP) analytical framework as are theorized in contemporary sociolinguistic literature. The study identifies nicknames, titles, acronyms, formulaic appellations, clipped personal names and extended personal names as the primary types of address terms in the Club, and articulates that the use of address terms is a social construction of identity that enacts intimacy, fosters collective belonging, and enhances solidarity. Conversely, address terms can also reinforce social division and inequality given the hierarchical structure of the Club which does not license reciprocal use of some address terms. The study concludes that address terms are a site of highly creative use of language which is reflexively framed through humour, clipping, lengthening, language play and other linguistic devices. Generally, address terms provide mechanisms for members to bond socially and adapt flexibly to the socio-academic environment of the Club.

Engaging students in multimodal literacy practices in a university ESP context: towards understanding identity and ideology in government debates

This paper focuses on issues of multimodal literacy practices in ESP higher education settings. In particular, the research explores how students become engaged in various literacy activities aimed at enhancing their critical-thinking skills and interpretation of images. For this purpose, two datasets consisting of video clips were extracted from a larger multimodal corpus and developed for teaching applications: one involved a UK live parliament debate and the other a US House of Representatives debate. The main objective is to identify the key verbal strategies reflecting persuasive, argumentative rhetoric and the non-verbal features accompanying these verbal utterances such as prosodic stress, body/head movements, gaze, gesture. Thus, the focus of the analysis is on how different semiotic modes of communication construct meaning, especially in terms of how they reinforce the construction of identity and ideological stance. The results were systematically categorized and applied on a practical level to a teaching unit on ‘identity and ideology’.

Ki te Taumata: a Personal Journey into the Multiple Identities of Academically High Achieving Māori Girls

<p>This thesis investigates the multiple identities of four academically high achieving, Māori girls negotiated in one English Medium mainstream schooling environment. The study sought to determine how these young women have grown to define and develop diverse understandings of what it means to “be Māori” and “high achieving” within this context. The metaphor of plotting a path from the foothills to the peak of a mountain is used to describe the journey that the participants of this study, and I as a researcher, undertook during this process. Participating in this journey were 13 travellers; four academically high achieving Māori girls, four caregivers and four of the girls’ friends. I also identify myself as a Māori female researcher as a traveller since I tell a story that has attempted to be transparent and personal. This case study was guided by Kaupapa Māori research protocols (Smith, 1999; Bishop & Glynn, 2003) and Personal Experience methodology (Clandinin & Connelly, 1994). Such protocols were useful in enabling me to tell this research story. However, this was not the research journey I expected to take when I first set off. Through this inquiry process I learned about the influence of society and colonisation on the construction of identity. I learned how pressures and stereotypes, aligned with socialisation processes, lie beneath our consciousness and inform our individual and collective identities. The conversations with fellow participants of the study highlight the limitations in our understanding of what it means to be Māori and achieve educational success “as Māori” amongst contemporary youth today. The findings of this study suggest that multiple complex Māori identities exist amongst contemporary Māori youth. Further research and discussion about what it means to “be Māori” needs to occur to ensure that we cater for the needs of all Māori learners. Recommendations include establishing a professional development programme for teachers to address the way knowledge is constructed and perpetuated in a contemporary, postcolonial society. A focus on motivation, gender, indigeneity and special/gifted abilities was not investigated in this thesis.</p>

Ki te Taumata: a Personal Journey into the Multiple Identities of Academically High Achieving Māori Girls

<p>This thesis investigates the multiple identities of four academically high achieving, Māori girls negotiated in one English Medium mainstream schooling environment. The study sought to determine how these young women have grown to define and develop diverse understandings of what it means to “be Māori” and “high achieving” within this context. The metaphor of plotting a path from the foothills to the peak of a mountain is used to describe the journey that the participants of this study, and I as a researcher, undertook during this process. Participating in this journey were 13 travellers; four academically high achieving Māori girls, four caregivers and four of the girls’ friends. I also identify myself as a Māori female researcher as a traveller since I tell a story that has attempted to be transparent and personal. This case study was guided by Kaupapa Māori research protocols (Smith, 1999; Bishop & Glynn, 2003) and Personal Experience methodology (Clandinin & Connelly, 1994). Such protocols were useful in enabling me to tell this research story. However, this was not the research journey I expected to take when I first set off. Through this inquiry process I learned about the influence of society and colonisation on the construction of identity. I learned how pressures and stereotypes, aligned with socialisation processes, lie beneath our consciousness and inform our individual and collective identities. The conversations with fellow participants of the study highlight the limitations in our understanding of what it means to be Māori and achieve educational success “as Māori” amongst contemporary youth today. The findings of this study suggest that multiple complex Māori identities exist amongst contemporary Māori youth. Further research and discussion about what it means to “be Māori” needs to occur to ensure that we cater for the needs of all Māori learners. Recommendations include establishing a professional development programme for teachers to address the way knowledge is constructed and perpetuated in a contemporary, postcolonial society. A focus on motivation, gender, indigeneity and special/gifted abilities was not investigated in this thesis.</p>

Who Do You Think You Are?: Constructing and Representing Central Otago identity

<p>As museums are increasingly looking to the local community for support and validation, so too are communities looking to the museum for affirmation of their identity. Theories of meaning making and work in the field of social inclusion have led the way in restructuring the museum into an institution that embraces its surrounding community for the mutual benefit of both sides. In attempting to represent community, museums are taking up these new theories as they build towards becoming ever more relevant institutions. This thesis explores the current literature and investigates its relevance to the museum/community relationship through a case study of the Central Otago community and its new Museum, Central Stories. The study explores the construction of identity within the community and the representation of that identity within the Museum. In order to investigate the construction of community identity in Central Otago, three discussion groups were conducted in September 2006, with each group made up of members of local community and business groups. The discussions within these groups were divided into two phases, the first of which centred on the construction of Central Otago identity and the second on the Museum's representation of Central Otago identity. In the analysis of these focus groups, common themes were identified surrounding the region's landscape, events, history, museums, and community. In the first phase, participants were particularly reliant on their 'frames of reference' (Perin, 1992) in constructing identity. In particular, the role of personal experience emerged as an important factor in constructing community identity. Comparing the first and second phases of the discussions reveals the complex interweaving of elements in the construction and representation of the community's identity. The findings of this study highlight the significance of the museum/community relationship in contemporary museology. The developing museological theories on meaning making, particularly those that address the importance of visitor frames of reference, are identified as playing a critical role in developing this relationship. While this study is focused on the Central Otago example, the findings have broader relevance to the field of museum studies through their insights into the dynamics involved in constructing and representing community identity, and the complex relationship between the museum and its community.</p>