Forgiveness and the Romantic Novel: Contesting the Beautiful Soul

2001 ◽  
pp. 94-121
Keyword(s):  
Romantic Novel

scholarly journals Educación ante la muerte en personas mayores a través del análisis de la novela romántica "Sab" = Education in the death in major persons through the analysis of the romantic novel "Sab"

2018 ◽  
pp. 149
Author(s):  
Alena Kárpava ◽  
Nazaret Martínez Heredia
Keyword(s):  
Nineteenth Century ◽  
Literary Works ◽  
Social Pedagogy ◽  
The Social ◽  
Romantic Novel

Resumen: En la Educación Social, en el programa del Aula Permanente de Formación Abierta de la Universidad de Granada, no suele impartirse el análisis de obras literarias, desde la perspectiva de la Ciencia de la Filología. El análisis de novelas clásicas literarias puede ayudar a educar en la muerte, partiendo por el interés de la lectura y la reflexión crítica de la visión hacia lo leído y su aplicación práctica en la construcción de una nueva actitud y un nuevo modo de afrontar el tema de la muerte. En este artículo planteamos desde una visión interdisciplinar desde la Pedagogía Social y la Filología Hispánica un acercamiento hacia la muerte a través del análisis de la novela romántica Sab a través de la reflexión y la crítica a la libertad, al género y la muerte romántica en la sociedad decimonónica.Abstract: In the programme of the Opened Training at University of Granada, where the education would be given in the Death, there is not the habit of being given the analysis of literary works, from the perspective of the Philology Science. The analysis of classic literary novels can help to educate in the death, dividing for the interest of the reading and the critical strance of the vision towards the well-read thing in the construction of a new attitude and a new way of confronting the topic of the death. In this article we propose a contribution to interdiscipline, constructed to departing the Social Pedagogy and Hispanic Philology an approximation to the Education in the Death through the analysis of text of the romantic novel Sab, as tool of reflection the freedom, the genre and the romantic death, in the nineteenth-century society. 

Jesuit Pulp Fiction: The Serial Novels of Antonio Bresciani in La Civilta Cattolica

2012 ◽  
Vol 48 ◽  
pp. 385-396
Author(s):  
Oliver Logan
Keyword(s):  
Society Of Jesus ◽  
Periodical Press ◽  
Secret Societies ◽  
Pulp Fiction ◽  
Romantic Novel ◽  
The Face ◽  
Serial Novels ◽  
1848 Revolution ◽  
The Devil ◽  
The Revolution

The successful and highly authoritative Jesuit opinion-journal La Civiltà Cattolica was founded in 1850 to assert Catholic values in the face of ‘the Revolution’, an allegedly nefarious process that had begun with the Revolution of 1789 and was seen by the Jesuit writers as continuing with the 1848 revolution in Italy and the ongoing Risorgimento movement; this called the temporal power of the papacy into question and also entailed wider issues of secularization. For these writers, the periodical press was a dangerous new force and the only way to combat it effectively was on its own ground. The serial novels which ran in the fortnightly journal from 1850 until 1927 were evidendy written in the belief that the devil should not be left with all the most gripping yarns. The dangers to morality posed by romantic novels were constantly emphasized in the journal’s own fiction. The dominant tone of this fiction was polemical. The villains represented the forces of Jacobinism, the secret societies of the early Risorgimento, and Freemasonry. Conspiracy was a constant theme. Indeed, the leitmotifs of anti-Jesuit polemic depicting the Society of Jesus as an occult conspiratorial organization were in turn deployed by the Jesuit writers against Freemasonry. In the present study, however, the emphasis will be primarily on what the works of Antonio Bresciani (1798–1862), the pioneer Jesuit novelist between 1850 and 1861, had to say about Christian life and values. This, in fact, has most relevance to the genre of the romantic novel.

The Ends of Kinship in the French Romantic Novel

2019 ◽  
pp. 126-151
Author(s):  
Jeanne M. Britton
Keyword(s):  
Paul Et Virginie ◽  
Romantic Novel ◽  
Fathers And Sons

René and Atala by François-René de Chateaubriand and Paul et Virginie by Jacques-Henri Bernardin de Saint-Pierre each specify a novelistic version of sympathy that arises when stories of forbidden sibling attachment that threaten incest pass between figurative fathers and sons. These texts did not begin as novels, and their internal stories of textual genesis suggest that a particular model of sympathy shapes the transformation of narrative episode into stand-alone novel. In each of these novels, which were popular after the French Revolution’s critique of paternity and its cry of fraternité, siblinghood poses problems of extreme resemblance, a stymied present, and a resistance to the representation and transmission of narrative. Kinship metaphors in scenes of narrative transmission suggest that in order to become independent works of fiction, these extracted episodes rely in part on the accommodated differences, temporal progression, and narrative channels that figurative relationships of paternity offer.

scholarly journals The Translation of English Figures of Speech Found in the Novel Temperatures Rising into Indonesian

HUMANIS ◽  
2018 ◽  
pp. 598
Author(s):  
I Putu Pebri Pranata ◽  
Sang Ayu Isnu Maharani ◽  
I Made Netra
Keyword(s):  
Qualitative Method ◽  
The Novel ◽  
Note Taking ◽  
Translation Strategies ◽  
Figures Of Speech ◽  
Translation Strategy ◽  
Romantic Novel

This study is entitled The Translation of English Figures of Speech Found in the novel Temperatures Rising into Indonesian. It was formulated two problems; types of figures of speech found in the novel entitled Temperatures Rising and the translation strategies implemented by translator to translate English figures of speech. It is aimed to find the types of figures speech in the novel and analyze the translation strategies implemented by the translator in the translation of the English figures of speech. The data which were used for this study were taken from an English romantic novel entitled Temperatures Rising in 1989 and its translation Hasrat Membara published by PT Gramedia Pustaka Utama in 2104. Documentation method was used in this study by reading attentivelt and doing note-taking. Qualitative method was used to analyze the data. Besides, the result of analysis is explained descriptively. Two theories proposed by Larson were applied in this study. The first theory that mentions the type of figures of speech was used to discuss the first problem. The second theory that explains the translation strategy was used to discuss the second problem. The study showed that there were six types of English figures of speech found in the novel. Based on the second formulated problem in this study, it showed that there were only two strategies  implememted by the translator to translate the English figures of speech.

Commentary: Necromance

2019 ◽  
Vol 31 (4) ◽  
pp. 829-839
Author(s):  
Irvin J Hunt
Keyword(s):  
Nineteenth Century ◽  
Social Movements ◽  
Political Theory ◽  
American Culture ◽  
Romantic Novel ◽  
History Of ◽  
The Common ◽  
The Dead ◽  
Cooperative Economy ◽  
The Revolution

Abstract This article reconsiders the recent turn in political theory to love as a countercapital affect, helping us endure when hope has lost its salience. The article offers the concept of “necromance” to attend to the ways the popular configuration of love as life-giving often overlooks how in the history of slavery and liberal empire love operates as life-taking. Distinct from necromancy, necromance is not a process of reviving the dead but of bringing subjects in ever closer proximity to the dead. Grounded in a reading of W. E. B. Du Bois’s romantic novel The Quest of the Silver Fleece (1911), particularly its vision of a cooperative economy and its response to the evolving meaning of love in American culture at the end of the nineteenth century, necromance is both a structure of feeling and a form of writing. As a resource for activism indebted to the creative powers of melancholic attachments, necromance contests the common conception that in order for grievances to become social movements or collective insurgencies they must be framed to create feelings of outrage, not of grief. By working inside existing conditions of irrevocable loss, necromantic love registers the feeling that the revolution is already here.

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