scholarly journals Civic identity, municipal governance and provincial newspapers: the Lincoln of Bernard Gilbert, poet, critic and ‘booster’, 1914

Urban History ◽  
2014 ◽  
Vol 42 (1) ◽  
pp. 113-129 ◽  
Author(s):  
ANDREW J.H. JACKSON
Keyword(s):  
Significant Role ◽  
Civic Identity ◽  
First Century ◽  
Municipal Governance ◽  
Early Twenty ◽  
Regional Newspapers ◽  
Late Nineteenth ◽  
Twenty First Century

ABSTRACT:The provincial press played a significant role in forming local attitudes and senses of civic identity in the late nineteenth and early twentieth centuries. Local and regional newspapers often adopted a ‘boosterist’ language, a style that enthusiastically promoted the particular qualities of places. The persistence of boosterism into the early twenty-first century makes it a concept worthy of further exploration. This study considers just one ‘booster’, Bernard Samuel Gilbert, and his illuminating series of articles on Lincoln for the Lincolnshire Echo in 1914. His correspondence illustrates the contrasting stances towards improvement typically employed within the local press – including the boosterist alongside the more critical.

The Quartet in the Political Persona of Ida B. Wells

2017 ◽  
Author(s):  
Joy James
Keyword(s):  
Sexual Violence ◽  
First Century ◽  
The Political ◽  
Black Lives Matter ◽  
Political Analysis ◽  
Self Defense ◽  
Early Twenty ◽  
Late Nineteenth ◽  
Twenty First Century

Antilynching activism and advocacy are codified in Wells’s writings, particularly the 1892 pamphlet Southern Horrors: Lynch Law in All Its Phases. Wells presented an astute political analysis of racial-sexual violence within US democracy that remains influential from the late nineteenth to the early twenty-first century. A review of Wells’s advocacy for Afro-American autonomy and self-defense to counter racial terror and rape, and her critique of the duplicity of antirape discourse that demonizes blacks, suggests that the legacy of Ida B. Wells is discernible in contemporary analysis and activism found in organizations such as Black Lives Matter and the Black Women’s Blueprint.

Grateful Sentiment

2020 ◽  
pp. 147-167
Author(s):  
Ashraf H. A. Rushdy
Keyword(s):  
First Century ◽  
Early Twenty ◽  
Late Nineteenth ◽  
Twenty First Century

This chapter explores the first form that gratitude can take—that is, as an emotion, as something we feel in response to a gift or kindness from another. It examines different theories of what emotions are, from late-nineteenth- to early-twenty-first-century thinkers, and then offers a theory in which gratitude can be considered as a sentiment, that is, a feeling that has intention and direction similar to an emotion, but also duration and intensity somewhat resembling a mood.

Monasticism in Africa South of the Sahara

2020 ◽  
pp. 540-557
Author(s):  
Catherine Higgs
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Fifteenth Century ◽  
First Century ◽  
Late Nineteenth Century ◽  
Early Twenty ◽  
North Eastern ◽  
Late Nineteenth ◽  
Twenty First Century ◽  
Late Fifteenth

This chapter explores the intersections between European missionary outreach, political and commercial concerns, and the African reception and adaptation of Christianity south of the Sahara, beginning in the late fifteenth century ce and extending through the early twenty-first century. For the most part, missionaries, not monastics, spread the faith. The message from the outset was intertwined with political and commercial considerations—initially a trade in slaves, foodstuffs, and other commodities, and eventually, in the late nineteenth century, colonialism. Neither conquest nor evangelization proved formulaic or easy. In 1910, perhaps nine per cent of Africans were Christians, including those in the ancient north-eastern centres of Egypt and Ethiopia. By 2010, an estimated fifty per cent of Africans were Christians, most living south of the Sahara. Christianity has been redefined as an African faith, across a continuum that includes independent and indigenous interpretations, and, re-emerging in the twentieth century, a few Catholic monastics.

Continuing Visions

2018 ◽  
Author(s):  
Linda Freedman
Keyword(s):  
Social Activism ◽  
William Blake ◽  
First Century ◽  
Ridley Scott ◽  
American Novel ◽  
Early Twenty ◽  
Protest Group ◽  
Late Twentieth ◽  
Twenty First Century ◽  
Dead Man

The questions that drove Blake’s American reception, from its earliest moments in the nineteenth century through to the explosion of Blakeanism in the mid-twentieth century, did not disappear. Visions of America continued to be part of Blake’s late twentieth- and early twenty-first century American legacy. This chapter begins with the 1982 film Blade Runner, which was directed by the British Ridley Scott but had an American-authored screenplay and was based on a 1968 American novel, Do Androids Dream of Electric Sheep? It moves to Jim Jarmusch’s 1995 film, Dead Man and Paul Chan’s twenty-first century social activism as part of a protest group called The Friends of William Blake, exploring common themes of democracy, freedom, limit, nationhood, and poetic shape.

Rethinking Mahler

2017 ◽  
Keyword(s):  
Nineteenth Century ◽  
Structural Analysis ◽  
First Century ◽  
Late Nineteenth Century ◽  
Temporal Experience ◽  
Cultural Contexts ◽  
Late Nineteenth ◽  
Twenty First Century ◽  
Literature History ◽  
Historical Past

Gustav Mahler’s anniversary years (2010–11) have provided an opportunity to rethink the composer’s position within the musical, cultural and multi-disciplinary landscapes of the twenty-first century, as well as to reassess his relationship with the historical traditions of his own time. Comprising a collection of essays by leading and emerging scholars in the field, Rethinking Mahler in part counterbalances common scholarly assumptions and preferences which predominantly configure Mahler as proto-modernist, with hitherto somewhat neglected consideration of his debt to, and his re-imagining of, the legacies of his own historical past. It reassesses his engagement both with the immediate creative and cultural present of the late nineteenth century, and with the weight of a creative and cultural past that was the inheritance of artists living and working at that time. From a variety of disciplinary perspectives the contributors pursue ideas of nostalgia, historicism and ‘pastness’ in relation to an emergent pluralist modernity and subsequent musical-cultural developments. Mahler’s relationship with music, media and ideas past, present, and future is explored in three themed sections, addressing among them issues in structural analysis; cultural contexts; aesthetics; reception; performance, genres of stage, screen and literature; history/historiography; and temporal experience.

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