If You Can't Fly Your Own Fucking Flag in Your Own Country Then There's Something Fucking Wrong, Isn't There?: National Belonging, Everyday Life and the Status of the Ethnic Majority in England

2011 ◽  
Author(s):  
Michael Skey
Keyword(s):  
Everyday Life ◽  
National Belonging ◽  
The Status

"MOTHER, SHOWING NO SPECIAL AFFECTION FOR YOU, WRITES TO YOU VERY FRIENDLY". COUNT V.A. MUSIN-PUSHKIN'S PRE-WEDDING LETTERS TO HIS BRIDE

2020 ◽  
pp. 59-75
Author(s):  
Yuliya V. Kim ◽  
Keyword(s):  
Everyday Life ◽  
Family Life ◽  
Married Couple ◽  
State Archive ◽  
Human Relations ◽  
Russian State ◽  
The Family ◽  
The Status ◽  
Traditional Patterns ◽  
Power Hierarchy

The article presents two letters from V.A. Musin-Pushkin which he wrote to his bride shortly before the wedding in 1828 (the letters are kept in the Russian State Archive of Ancient Acts). The text of the letters reflects the context of the time and everyday life, the system of views and the peculiarities of the worldview of a young aristocrat, the specific features of intra-family interaction in the field of feelings, marriage, human relations which inevitably turn out to be associated with the concepts of the family honor, family duty, the need to preserve the status of a noble family. The author traces how the power hierarchy is manifested at the level of relations within a close circle of relatives, as well as how traditional patterns are combined with new elements. Vladimir Alekseevich Musin-Pushkin, the youngest son of the archaeographer Count A.I. Musin-Pushkin, was arrested in connection with the case of the Decembrists, transferred from the Guards to the army and exiled to serve in Finland, where he met his future wife, Emilia Karlovna Shernval von Wallen. The article provides details of the family life of this married couple, as well as private facts from the biography of some other members of the Musin-Pushkin family.

scholarly journals Critique and Renewal in the Sociology of Music: Bourdieu and Beyond

2011 ◽  
Vol 5 (1) ◽  
pp. 121-138 ◽  
Author(s):  
Nick Prior
Keyword(s):  
Everyday Life ◽  
Social Relations ◽  
New Work ◽  
Sociology Of Culture ◽  
Sociology Of Music ◽  
Critical Engagement ◽  
Potential Problems ◽  
The Status ◽  
The Uk ◽  
Status Position

This paper reviews the status, position and legacy of Bourdieu in the sociology of music, the waxing and waning of his influence and the recent move away from Bourdieu towards something like a post-critical engagement with musical forms and practices. The idea is to show the reaction to and treatment of Bourdieu’s ideas as a gauge of where we are in the sociology of culture, the various strands of influence that emanate from his work, and to assess what is at stake in a ‘post-Bourdieu’ moment when a position once considered progressive and critical now acts as the foil against which new work is being conducted. The article engages with some recent contributions to the music/society debate from figures in the UK and France, and points to the ways these contributions move debates on musico-social relations into territories more sensitive to the complex mediating qualities of music. Such work is better placed, it is argued, to represent music as an animating force in everyday life, including its specific mediating qualities ‘in action’. At the same time, however, the construction of a new sociology of music is not without its perils. The article will conclude with some potential problems with these approaches, and take stock of what might be lost as well as gained by adherence to them.

Textiles and perishable materials

2018 ◽  
Author(s):  
Johanna Banck-Burgess
Keyword(s):  
Experimental Data ◽  
Everyday Life ◽  
Iron Age ◽  
Raw Materials ◽  
Visual Representations ◽  
Detailed Knowledge ◽  
Textile Production ◽  
Funerary Rituals ◽  
The Status

This chapter challenges traditional views on Iron Age dress. Recent research has greatly enhanced our understanding of how textiles were manufactured in Iron Age Europe. The variety of qualities, textures, techniques, raw materials, colours, and cuts give insights into the detailed knowledge of the craftspeople involved. Textiles used for dress, blankets, or furniture fittings were appreciated not only for their appearance, but also for the quality of the work. In everyday life, their optical qualities were used to express and signal gender, social roles and status, while the labour expended on textiles found in wealthy burials underlines both the status of the deceased and the extent of conspicuous consumption in funerary rituals—for instance, for wrapping grave furniture and goods. The chapter also looks at experimental data showing how labour-intensive textile production was, and the types of clothing and accessories found in different archaeological contexts or depicted in visual representations.

scholarly journals Whom is political science for?

2001 ◽  
Vol 1 ◽  
pp. 4-8
Author(s):  
Andrea Theocharis ◽  
Marcus Graetsch
Keyword(s):  
Everyday Life ◽  
Political Science ◽  
State Of The Art ◽  
Status Quo ◽  
The State ◽  
Research And Teaching ◽  
The Everyday ◽  
The Status ◽  
Internet Discussion

We all study political science, but - what do we actually do here anyway? This essay expresses our thoughts about our subject. The everyday life in University doesn’t seem to give enough space for questioning what is this all about. Maybe a debate on that issue does not exist extensively because of fears of the loss of entitlement. The aim of this essay is to support the heightening of student’s awareness about the status quo of research and teaching in political science as we can judge it from our modest experiences. Trying to get to the basis of such a problem is not easy. The things here written are surely not the state of the art, but they could shine a better light on the problem what had been called the 'politics of political science' in an earlier Internet discussion on the IAPSS website. This paper should be understood as a start for a discussion, where we all can express our surely different experiences and ideas.

Israel

2018 ◽  
pp. 193-272
Author(s):  
Michèle Lamont ◽  
Graziella Moraes Silva ◽  
Jessica S. Welburn ◽  
Joshua Guetzkow ◽  
Nissim Mizrachi ◽  
...  
Keyword(s):  
National Identity ◽  
Social Exclusion ◽  
Metropolitan Area ◽  
Race And Ethnicity ◽  
National Belonging ◽  
Group Boundaries ◽  
Tel Aviv ◽  
The Status ◽  
Ethiopian Jews

This chapter examines the experiences and responses of Arab Palestinians, Ethiopian Jews, and Mizrahi Jews in Israel to stigmatization and discrimination. It first explains the historical and socioeconomic context for the three groups, taking into account the legacy of Zionism that shapes their experiences, the status of Arab Palestinians in the Jewish polity, and questions of ethno-national identity, exclusion, and inclusion affecting Mizrahim and Ethiopians in Israel. It then provides an overview of the Tel Aviv–Jaffa metropolitan area, the research site, before discussing the role of national belonging, race, and ethnicity in the formation of groupness among the respondents, with emphasis on self-identification and group boundaries. It also analyzes the groups' experiences of stigmatization and discrimination, and especially assault on worth, before concluding with an assessment of their reactions to such incidents as well as their views about the best ways to deal with social exclusion.

“The Unnatural History and Petticoat Mystery of Boulton and Park”: A Victorian Sex Scandal and the Theatre Defense

2013 ◽  
Vol 57 (4) ◽  
pp. 135-156 ◽  
Author(s):  
Michelle Liu Carriger
Keyword(s):  
Everyday Life ◽  
Status Quo ◽  
British Society ◽  
Truth Telling ◽  
The Status ◽  
Cross Dressing

The 1870–71 tabloid trial of cross-dressers Ernest Boulton and Frederick Park revealed Victorian society wrestling with the concept of “theatricality” in everyday life. The prosecution sought to expose that the traditionally unspeakable act of sodomy was (paradoxically) encoded in cross-dressing; while the defense employed the “theatre defense”—a systematic insistence that the defendants were just amateur actors. But within British society theatre was both part of the status quo and a haven for a disturbing doubleness—“conspiracies of meaning” that troubled Victorian obsessions with truth-telling and the “natural.”

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