Conclusions and Test Cases

2019 ◽  
pp. 224-250
Author(s):  
Virginia M. Lewis
Keyword(s):  
Cultural Context ◽  
Hot Springs ◽  
The Other ◽  
Test Cases ◽  
Other Hand ◽  
Two Cities ◽  
The Status ◽  
History Of ◽  
The City ◽  
The Way

Chapter 5 explores the odes for Psaumis of Kamarina and Ergoteles of Himera. After a brief survey of the history of the two cities and the cultural context for the poems, the chapter then argues that Psaumis and Ergoteles offer contrasting examples of the way that Pindar mitigates the status of hybrid citizens in Sicily by writing the victors themselves into their local landscapes and civic ideology that is bound to the landscape. As examples of an immigrant (Ergoteles) and, at least possibly, a Greek of Sikel ethnicity (Psaumis), Ergoteles and Psaumis contrast with the tyrants Hieron and Theron. The poet, it suggests, emphasizes Psaumis’ control of both the landscape and cityscape of Kamarina in Olympian 4 and Olympian 5 and converts him into a quasi-mythical benefactor of the city. On the other hand, Ergoteles, an exiled Cretan, is integrated into the civic fabric of Himera through a bath in the hot springs of the Nymphs. This chapter proposes that Pindar’s emphasis on landscape in the Sicilian odes is a feature that transcends the divide between tyrant and non-tyrant victors. As in the odes for Syracusans and Akragantines, local landscapes in the odes for Kamarina and Himera participate in the formation of civic traditions. It argues, however, that in the cases of odes for victors who are themselves establishing their civic status the victor himself becomes affiliated with the local landscape through Pindar’s poetry.

Textual Genetics and Manuscript in Word Processing. A new Definition of the Text?

2009 ◽  
Vol 23 ◽  
pp. 45-61 ◽  
Author(s):  
Irène Fenoglio
Keyword(s):  
Word Processing ◽  
Text Processing ◽  
The Other ◽  
Other Hand ◽  
The Future ◽  
The Status ◽  
Definition Of ◽  
The Way

Abstract: Very little research has been devoted to the way in which the textual genetics approaches the manuscripts in the text processing. However the future of the genetics depends, partly, on the interest which one can carry to this new materiality of the manuscript. The notion of text, the concept of what text is, have they been changed, or at least modified by the use of text processing? To write a text is to elaborate a discourse in the form of an utterance and to record it. The order of the discourse, in other words, the semiotic (the linguistic recognizable) / semantic (the meaning expressed (uttered) in the discourse) ratio should in no way be modified by the use of text processing. What changes, on the other hand, it is the materialization of the paper support of the text and consequently the status of this materialization.

al-Madīnah or la ville? An architectural & urban “clash of civilizations” – the example of the city of Algiers

2018 ◽  
Vol 54 (2) ◽  
pp. 27-34 ◽  
Author(s):  
Rafał Kobis
Keyword(s):  
Middle East ◽  
The Other ◽  
Clash Of Civilizations ◽  
French Colonialism ◽  
Left Behind ◽  
15Th Century ◽  
Other Hand ◽  
History Of ◽  
The City

Abstract The main aim of author was to present the specific features of the architecture and urbanisation of Algiers – the capital of Algeria. The history of the city was marked by two great periods: Muslim domination (especially from the 15th century) and French colonialism (in the years 1830 – 1962). Both of these have left behind numerous traces of architectural and urbanistic thought. The material effect of French domination is the architecture of modern Algiers, which took the form of a French ville, similar to Paris, Lyon or Marseille. On the other hand, the architecture of Algiers also includes the old Arab district – Casbah, that resembles the cities of the Middle East (Madīnah in Arabic), like Istanbul, Cairo or Damascus. Both architectural traditions give the city of Algiers a cosmopolitan and universal character. The threat to the peculiar coexistence of these traditions is the progressive migration from the countryside to the city, which results in the expansion of area of slums, called bidonvilles.

scholarly journals Evolution of Lyrical Image in Ballets of Azerbaijani Composers

2021 ◽  
Vol 4 (2) ◽  
pp. 179-187
Author(s):  
Lala Huseynli
Keyword(s):  
Cultural Context ◽  
The Other ◽  
Musical Culture ◽  
Specific Content ◽  
Historical Approach ◽  
Historical Method ◽  
Other Hand ◽  
History Of ◽  
First Time

This article is devoted to the study of the evolution of the lyrical image in the ballets of Azerbaijani composers. The presented article emphasizes that the Azerbaijani ballet on the extension of the history of the Azerbaijani school of composition functioned indefinitely as an important component of the Azerbaijani musical culture. The theme of this article is actualized in the aspect of the historical approach, as each ballet of Azerbaijani composers, on the other hand, reflected the significant features of the artistic, historical and cultural context. On the other hand, the study of the evolution of the lyrical image in the Azerbaijani ballets reflects the dynamics of the development of the Azerbaijani school of composition. Moreover, the figurative system in Azerbaijani ballets represents the slender line of artistic connections of Azerbaijani culture. The purpose of the research is to study the role of the lyrical image in the evolution of the Azerbaijani ballet. The research methodology is based is based on the use of a historical approach to determine the basic definitions of the study. The expediency of the historical method is due to the fact that the development in the space of historical time should be based on certain basic categories that would reflect the school of composition, its national specifics. The scientific novelty of the research is that for the first time the peculiarities of the evolution of the lyrical image in Azerbaijani ballets – from its origin to modern functioning – are analyzed; the nuances of style creation in the Azerbaijani school of composers in the specified aspect are considered, and also certain art processes are systematized. Conclusions. It is proved that the combination of deep lyricism with dramatic emotions is characteristic of the transfer of lyricism in the drama of ballets at all historical stages of development, in different stylistic contexts. Lyrical images in the ballets of Azerbaijani composers have similar features and are due to the specific content of the national worldview.

The Cities of Kerma and Pnubs-Dokki Gel

2021 ◽  
pp. 200-212
Author(s):  
Charles Bonnet
Keyword(s):  
External Input ◽  
The Other ◽  
Archaeological Research ◽  
The South ◽  
Long Period ◽  
Other Hand ◽  
Two Cities ◽  
Main Development ◽  
Development Phases ◽  
The City

The two cities of Kerma and Dokki Gel represent the center of an independent Nubian kingdom that stood up to Egyptian hegemony over a long period of time. Archaeological research carried out in Kerma has enabled us to trace the main development phases of the capital and to identify its main institutions, often influenced by Egypt. On the other hand, the city of Dokki Gel is different in nature, and its unusual architecture, displaying oval or circular monuments, leads us to consider an external input from neighboring countries, probably from the south, like Punt or ancient powers of Darfur. One can thus suggest that the armies of neighboring kingdoms took part in the defense of the territory in the form of coalitions mentioned in some sources contemporary with the conquest of Kerma by the pharaoh’s armies. The establishment of a menenu (fortress) by Thutmose I at Dokki Gel marks a breach that lasted three centuries, and the start of the Egyptianization of the city of Pnubs.

Film Style

2020 ◽  
pp. 131-156
Author(s):  
Patrick Colm Hogan
Keyword(s):  
The Other ◽  
Film Adaptation ◽  
As I Lay Dying ◽  
Other Hand ◽  
The Status ◽  
Film Style ◽  
Literature And Film ◽  
The Way

The fourth chapter of Style in Narrative turns from literature to cinema. Since a great deal of style is common to both literature and film, this chapter is necessarily shorter than its counterpart (chapter 1). Moreover, it focuses on the differences between literary and film style, thus what is not common to the two. The areas of divergence are principally a matter of the medium or perceptual interface. In consequence, the chapter focuses particularly on the visual and aural aspects of film. On the other hand, these aspects are more encompassing than is sometimes recognized, including for example aspects of narration. It also addresses differences in the authorship of films, and the status of Hollywood “continuity editing” as a broad stylistic norm for which there is no parallel in literature. The chapter ends with some brief comments on the way James Franco, in his film adaptation of As I Lay Dying, dealt with the (relatively underdiscussed) levels of perceptual narration and cinematic emplotment.

The Photian Schism in Western and Eastern Tradition

1948 ◽  
Vol 10 (3) ◽  
pp. 310-331
Author(s):  
F. Dvornik
Keyword(s):  
Ninth Century ◽  
The Other ◽  
Early Christian ◽  
Other Hand ◽  
History Of ◽  
Great Schism ◽  
Greek Scholar ◽  
The Way

The problem of the Patriarch Photius involved one of the most tangled and bitter differences that hamper friendly relations between Eastern and Western Christianity. Since the Renaissance, Photius, a Greek scholar of the ninth century, has been venerated by philosophers and philologists alike as the genius who among others was instrumental in transmitting to later generations classical Greek and Hellenic culture. On the other hand, Photius' name has been associated with the rise of the first schism in the ninth century when, under Pope Nicholas I, Photius played a prominent part in the first clash between the papacy and the East. The result is that the same man who is venerated as a saint by the Eastern Church, and as one of the last living witnesses of the tradition of the early Christian Fathers, has been for centuries regarded by the Christian West as the father of the great schism, as a prevaricator who falsified papal letters and conciliar Acts, and as a symbol of pride and lust for ecclesiastical domination. It is evident that both views cannot be right. Hence, the history of the Patriarch still stands as the greatest stumbling block barring the way to a better understanding between eastern and western Christendom. The apparent impossibility of reconciling such contradictory estimates has left historians with the feeling that history in this case finds itself in a cul-de-sac.

scholarly journals Donner à voir : explorer et exploiter les images en histoire de ľinterprétation

Translationes ◽  
2019 ◽  
Vol 11 (1) ◽  
pp. 92-107
Author(s):  
Alina Pelea
Keyword(s):  
New Technologies ◽  
Visual Representations ◽  
The Other ◽  
The Sublime ◽  
Other Hand ◽  
Works Of Art ◽  
The Status ◽  
History Of ◽  
History Of Translation ◽  
The One

Abstract It may be too much to say that a picture is worth a thousand words, but no one can deny the informative potential of visual representations. Considering that the history of translation would also benefit from their use, we propose an intervention that will try to look at these resources in order to shed additional light on the status of the interpreter and its evolution. We analyze visual resources dating back to the 17th and 18th centuries (works of art) and others from 2018 (potentially more objective) to see how they reflect, on the one hand, the status of the dragomans of the Sublime Porte and, on the other hand, that of today’s interpreters. In conducting this research, we also look at how new technologies can contribute to the study of different media.

scholarly journals Praktik Seksualitas Menyimpang Masyarakat Muslim-Minangkabau: Kajian Neo-Historisisme terhadap Film Titian Serambut Dibelah Tujuh

2020 ◽  
Vol 4 (2) ◽  
pp. 160
Author(s):  
Dedi Arsa
Keyword(s):  
Cultural Context ◽  
Social Reality ◽  
Public Spaces ◽  
The Other ◽  
Literary Texts ◽  
Space And Time ◽  
Old Order ◽  
Other Hand ◽  
History Of ◽  
Deviant Sexuality

<p><em>This article discusses the practices of deviant sexuality in the Muslim-Minangkabau community depicted in early Indonesian films in relation to the socio-cultural context in the film as well as the socio-cultural context when the film was produced. The film in question is </em>Titian Serambut Dibelah Tujuh<em> by Asrul Sani. In this film some of the deviant practices of sexuality depicted are homosexuality, lesbianity, and hypersexuality (through the practice of rape). Using a neo-historicalism approach, which looks at the relation of literary texts (films) to their historical space and time, the narratives in this film relate to the context of their presence in the midst of Indonesian social reality and the setting of the film itself: this film exists as a critique of moral decadence The Old Order, which celebrates sexuality in public spaces and on the other hand, also describes the background society (which is also where the writer of the scenario came from) where the practices of sexuality diverged have their own traces in the history of this society.</em><em></em></p><p>Artikel ini membahas praktik-praktik seksualitas menyimpang di tengah masyarakat Muslim-Minangkabau yang digambarkan dalam film Indonesia awal dalam relasinya dengan konteks sosial-budaya dalam film maupun konteks sosial-budaya ketika film ini diproduksi. Film yang dimaksud adalah <em>Titian Serambut Dibelah Tujuh</em> karya Asrul Sani. Dalam film ini beberapa praktik seksualitas menyimpang yang digambar adalah homoseksualitas, lesbianitas, dan hiperseksualitas (lewat praktik perkosaan). Dengan menggunakan pendekatan neo-historisisme, yang melihat relasi teks sastra (film) dengan ruang dan waktu historisnya, narasi-narasi dalam film ini terkait dengan konteks kehadirannya di tengah realitas sosial Indonesia dan latar filmnya itu sendiri: <em>f</em><em>ilm ini hadir sebagai kritik atas dekadensi moral Orde Lama yang merayakan b</em><em>i</em><em>nalitas-seksualitas di ruang publik</em><em> dan d</em><em>i sisi lain,</em><em> </em>juga menggambarkan masyarakat latar (yang juga dari mana si penulis skenarionya berasal) di mana praktik-praktik seksualitas menyimpang punya jejaknya tersendiri dalam sejarah puak ini.</p>

scholarly journals ACTUALIZATION, MYTHOLOGIZATION AND TRANSFORMATION OF THE LITERARY HERO: THE STIRLITZ PHENOMENON

2020 ◽  
Vol 23 (4) ◽  
pp. 189-195
Author(s):  
Lyudmila A. Yakusheva ◽  
Keyword(s):  
Cultural Studies ◽  
Cultural Context ◽  
The Other ◽  
Literary Analysis ◽  
Artistic Value ◽  
Other Hand ◽  
History Of ◽  
The One ◽  
Logical Process

Conceptualization of artistic actions of the last XX century is a natural and logical process. In the cultural studies discourse of the Soviet cultural typology we can see a sustained interest in educational problems based on visualized acts of a semiotic and semantic range, which are defined through the cultural context of the epoch. The most recognizable sign-index of the 1970s (in terms of time, ideological system and Soviet mentality) is Maxim IsaevStierlitz. On the one hand, this is an image which artistic value was questioned even when it had appeared. On the other hand, mass popularity turned Stierlitz in a precedent phenomenon, and the consideration of canonization conditions inspired this research. The article continues the author's series of publications dedicated to «homo soveticus» and the phenomena of the Soviet era – communal apartments, shop lines, summer cottages. The author, based on her intuition and also on the synthesis of cultural and literary analysis, actualizes resources of myth-based criticism and history of memory, and reconstructs one of the most popular myth-images in literature and cinema of the second half of the XX century – the image of the popular Soviet spy. The research focuses on the reasons of Stierlitz’s mass popularity, archetypal qualities of this character, and its perception by difference cultural generations. The author analyzes vectors of this character’s mythologization.

scholarly journals The ‘Senatusconsultum Claudianum’ and the Mysterious ‘Lex’ Concerning the Status of Children Born to Free Women Cohabiting with Slaves (G. 1,86

2020 ◽  
Vol 20 (4) ◽  
pp. 53-89
Author(s):  
Agnieszka Kacprzak
Keyword(s):  
Social Problems ◽  
The Other ◽  
Roman Society ◽  
Other Hand ◽  
Starting Point ◽  
The Status ◽  
Free Women ◽  
The Way

The starting point of this article is the relation between the provision of the SC Claudianum which turned the children born to a free woman by a slave into slaves, and the analogous regulation of the mysterious lex which Gaius mentions in § 86 of Book One of his Institutiones. The fact that almost the same provision appears in two different enactments has attracted the attention of many scholars. Some have concluded that the lex in question must have applied to Latins or peregrines, but not to Roman citizens. Others on the other hand ruled out the possibility of the Senatusconsultum containing a provision on children, since their status depended directly on the lex. I claim that both of the regulations which Gaius describes are authentic and both applied to Roman citizens. Notwithstanding obvious analogies, they were not identical. Not only did they address different social problems, but they also laid down different procedures for the acknowledgement of the slave status of the children. Once we have clarified the relation between these regulations, we are in a better position to understand both the way in which the SC Claudianum functioned as a whole, and its presumable aim. I devote the last part of my article to the latter problem. I argue against with the claim that the aim of the Senatusconsultum was to punish the women and hence to stop them from cohabiting with slaves. On the contrary, such liaisons were a familiar phenomenon in Roman society, as the epigraphical material shows, and they were accepted, providing they observed well-defined conditions and were under the control of the slave’s master. Te main aim of the SC Claudianum was to delineate the bounds within which the cohabitation of free women with slaveswas admissible.

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