1660–1700 Faint Meaning: Dryden and Restoration Censorship
This chapter uses Dryden’s poetry as a case study through which to explore the practical dynamics and literary consequences of censorship across the Restoration period (1660–1700). Though normally seen as a securely established Stuart loyalist—the right place to start, though too crude a category for a poet of his agility, complexity, and irony—Dryden had to navigate political conditions of great instability throughout his career, and was in opposition at key points. Genres considered include elegy, panegyric, mock panegyric, topical application tragedy, fable, and classical translation; texts considered include Heroic Stanzas, Astraea Redux, Mac Flecknoe, The Duke of Guise, The Hind and the Panther, and Dryden’s translation of Juvenal with his discourse on satire. Contexts include the operation of Restoration censorship under Roger L’Estrange, clandestine printing and scribal publication, the significance of the 1679–85 licensing lapse, and the emergence of Jacobite satire from 1689.