The Architecture of Narrative Time

Author(s):  
Erica Wickerson

Time matters to all of us. It dominates everyday discourse: diaries, schedules, clocks, working hours, opening times, appointments, weekdays and weekends, national holidays, religious festivals, birthdays, and anniversaries. But how do we, as unique individuals, subjectively experience time? The slowness of an hour in a boring talk, the swiftness of a summer holiday, the fleetingness of childhood, the endless wait for pivotal news: these are experiences to which we all can relate and of which we commonly speak. How can a writer not only report such experiences but also conjure them up in words so that readers share the frustration, the excitement, the anticipation, are on tenterhooks with a narrator or character, or in melancholic mourning for a time long since passed which we never experienced ourselves? This book suggests that the evocation of subjective temporal experience occurs in every sentence, on every page, at every plot turn, in any narrative. It offers a new template for understanding narrative time that combines close readings with analysis of the structural overview. It enables new ways of reading Thomas Mann, but also suggests new ways of conceptualizing narrative time in any literary work, not only in Mann’s fiction and not only in texts that foreground the narration of time. The range of Mann’s novels, novellas, and short stories is compared with other nineteenth- and twentieth-century works in German and in English to suggest a comprehensive approach to considering time in narrative.

2018 ◽  
Vol 50 ◽  
pp. 01006
Author(s):  
Tatiana V. Akasheva ◽  
Nuria M. Rakhimova ◽  
Tatiana V. Emets

The paper is devoted to the issue of nonverbal explication of emotions in literary texts of a flash fiction. Nonverbal means of communication are studied in several directions. There are works reflecting this problem from the perspective of semiotics, linguistics, sociolinguistics and psycholinguistics. A number of scientists is engaged in lexical description of paralinguisms. The study of linguostylistic problems of paralinguisms in literary works presents a special interest. The appeal to this problem is explained by the fact that adequate interpretation of a literary text is impossible without the corresponding reader’s understanding of nonverbal means of emotional expression since this requires nontrivial intellectual operations and a certain breadth of knowledge. The study is based on the analysis of three short stories by a famous German writer Thomas Mann: Der kleine Herr Friedemann (1898), Tobias Mindernickel (1898) and Tristan (1902). The rationale of the study is caused by the immaturity of this subject in German. The novelty is defined by the study of paralinguistic units in literary texts of T. Mann. The purpose of the paper is to describe nonverbal means and to define their functional yield in a literary text. To achieve this purpose, the paper deals with continuous sampling methods, contextual analysis and interpretation. The study showed that Thomas Mann uses paralinguisms to describe the main characters generally applying characterizing, evaluation, text-forming and forecast functions. Paralinguisms ensure text cohesion, integrity of its perception and are always aimed to implement the author’s plan and create the fictitious world of a literary work and consequently, contribute to the expression of an idea and a subject. The materials of the given paper may be used in theoretical courses of German lexicology, stylistics and in practical classes on literary text interpretation.


Popular Music ◽  
2005 ◽  
Vol 24 (2) ◽  
pp. 193-206
Author(s):  
COLIN SYMES

Music and literature have long-standing links. Music has drawn on literature, and vice versa. The advent of the phonograph transformed the condition of music in myriad ways. It made music more accessible and more portable. It also created a new industry of music makers: record producers and engineers, recording artists and record journalists. In this paper I examine the literary responses to the phonograph, and argue that novelists such as Jules Verne, Sinclair Lewis, Bram Stoker and Thomas Mann were among the first to respond to the phonograph, helping to demystify many of the fears that accompanied a machine that was able to preserve sound. I suggest that novelists and short stories, well in advance of phonographic historians and analysts, identified the ways in which records and recordings were incorporated into the day-to-day lives of individuals.


Author(s):  
Alison James

This book studies the documentary impulse that plays a central role in twentieth-century French literature. Focusing on nonfiction narratives, it analyzes the use of documents—pieces of textual or visual evidence incorporated into the literary work to relay and interrogate reality. It traces the emergence of an enduring concern with factual reference in texts that engage with current events or the historical archive. Writers idealize the document as a fragment of raw reality, but also reveal its constructed and mediated nature and integrate it as a voice within a larger composition. This ambivalent documentary imagination, present in works by Gide, Breton, Aragon, Yourcenar, Duras, and Modiano (among others), shapes the relationship of literature to visual media, testimonial discourses, and self-representation. Far from turning away from realism in the twentieth century, French literature often turns to the document as a site of both modernist experiment and engagement with the world.


2021 ◽  
Vol 30 (1) ◽  
pp. 45-61
Author(s):  
Jill Felicity Durey

This article illuminates two short stories by John Galsworthy through examining them with the help of his diaries and letters, a handful of unpublished letters by his nephew from an internment camp and secondary historical sources. It argues that the stories, when read in conjunction with these sources, are highly revealing about human nature during Second World War and also about Galsworthy’s prescient fears concerning a second twentieth-century world war, which he did not live to see.


2021 ◽  
Vol 1 (1) ◽  
pp. 8-13
Author(s):  
Patricia Wulandari

A good literary work can provide information about various kinds of community life,including life related to religiosity. Literary works are closely related to religisiutas,because of that, various works appearing showing the religiosity of society, one ofwhich is the Javanese. Modern Indonesian literary works that illustrate this are thecollection of short stories from Umi Kalsum by Djamil Suherman, the lyrical prosePengakuan Pariyem by Linus Suryadi AG, and the novel Ronggeng Dukuh Paruk byAhmad Tohari. Each of these works represents the diversity of Javanese society. Thecollection of short stories from Umi Kalsum shows the religious side of the communitycalled the santri who are so obedient in carrying out their worship. The lyrical proseof Pariyem's confession provides information on how a babu is so resigned to seeinglife, but in her soul holds the wisdom of Kejawen. Meanwhile, Ronggeng Dukuh Parukdescribes the Javanese people who worship the spirits of their ancestors. Even thoughthey have different religions, they basically want harmony. Javanese people who livein santri enjoy harmony when they live with strong Islamic values. The Javanesepeople of the Gunung Kidul area live in harmony if they are always nrimo and see lifeas it is according to its Javanese nature. The Dukuh Paruk community attainsharmony that originates from the worship of the spirit of Ki Secamenggala.


2021 ◽  

The book is devoted to the works of James Baldwin, one of the most compelling writers of the twentieth century. The authors examine his most important contributions – including novels, essays, short stories, poetry, and media appearances – in the wider context of American history. They demonstrate the lasting importance of his oeuvre, which was central to the Civil Rights Movement and continues to be relevant at the dawn of the twenty-first century and the Black Lives Matter era.


2002 ◽  
Vol 75 (4) ◽  
pp. 330-339
Author(s):  
Keith Soothill

Somerset Maugham's writings had huge audiences in the first half of the twentieth century. In much of his work the focus is on people behaving badly. What effect did his work have on his readers? This article examines his short stories, of which approximately one-fifth of the major ones have murder as their theme. Focusing on the murders that Maugham ‘creates’, the claim is that Maugham is subversive, challenging some readily made assumptions. In Maugham's scheme of things, the criminal justice system is usually inappropriate, irrelevant or produces injustice, with ‘rough justice’ usually the best that is on offer. The resourceful can get away with murder. Murder is not the most serious crime for many. Instinct rather than rationality is the best judge. Maugham also emphasises the importance of fate, thus implying we are not in control of our destinies. The article argues that popular authors, such as Maugham, may have contributed much more than is generally recognised to the developing unease about the ‘status quo’ that ultimately led to the landslide victory of the Labour government in 1945.


ALAYASASTRA ◽  
2021 ◽  
Vol 17 (2) ◽  
pp. 279-293
Author(s):  
Mega Fransiska Ariani ◽  
Eggy Fajar Andalas

ABSTRAKPenelitian ini bertujuan untuk mengungkap suara-suara masyarakat yang dimarginalkan dalam kumpulan cerpen Orang-Orang Pinggiran karya Lea Pamungkas. Penelitian ini menggunakan teori sosiologi sastra dengan metode penelitian deskripsi kualitatif hermeneutik. Sumber data penelitian ini adalah karya sastra berupa kumpulan cerpen Orang-Orang Pinggiran karya Lea Pamungkas. Data pada penelitian ini berupa teks yang memperlihatkan suara-suara masyarakat pinggiran. Hasil penelitian ini berupa marginalisasi terhadap perempuan dan kelompok masyarakat. Marginalisasi pada perempuan, yaitu perempuan dianggap hanya sebagai subjek pemuas nafsu kaum laki-laki. Marginalisasi terhadap kelompok masyarakat ini berupa suara yang diabaikan dalam memenuhi kebutuhan sehingga menyebabkan kemiskinan Indonesia.Kata kunci: kumpulan cerpen, marginal, masyarakat pinggiran, sosiologi sastra ABSTRACT This study aims to reveal the voices of the marginalized in a collection of short stories Orang-Orang Pinggiran by Lea Pamungkas. This research uses sociology of literature theory with hermeneutic qualitative description research method. The Source of this research is a literary work in the form of a collection of short stories from Orang-Orang Pinggiran by Lea Pamungkas. The data in this study are in the form of texts that show the voices of marginalized communities. The result of this research is the marginalization of women and community groups. Marginalization of women, women are considered only as a subject to satisfy the lust of men. The marginalization of this community groups is in the form of their a voice that is ignored in meeting their needs, causing poverty in Indonesia.Keywords: a collection of short stories, marginal, marginal societ, literary sociology


2003 ◽  
pp. 203-222
Author(s):  
Aleksandar Miljkovic

This essay discusses Grigorije Bozovic's literary and publicistic work and the degree to which it offers factography for anthropogeographical anthropological (that is, related to racial features), ethnographic ethnopsychological, sociological and characterological studies of our nation living in the regions discussed in his literary and publicistic works. The author particularly analyses his traveller's reports Sa sedla i samara (From the Saddle and Pack-Saddle), Crte i reze (Lines and Bars), Po Drenici (In Drenica) and others; it also analyses the short stories published in Srpska Knjizevna Zadruga (Serbian Literary Cooperative) (Rodjak / A Relative) and in the collections with the titles Roblje Zarobljeno (Captured Slaves) and Neizmisljeni Likovi (Nonfictional Characters). On the basis of the reviews and analyses of Grigorije Bozovic's publicistic and literary works in this essay, one could make a conclusion that they represent a significant scientific material and more than just that, the material relevant for the study of our and other nations in these Balkan regions.


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