Perception and experience of daylight – Reflections of an architect

2021 ◽  
pp. 263497952110070
Author(s):  
Luke Lowings
Keyword(s):  
New York ◽  
Public Spaces ◽  
Human Experience ◽  
Abu Dhabi ◽  
Natural Light ◽  
Objective Structures ◽  
Design And Construction ◽  
The Way

The information contained in light from our surroundings is often taken for granted because of its ubiquity, and the subliminal nature of the way we normally use it. Revealing the richness and depth of our common human experience through the unexpected qualities of light is seen as an artistic opportunity. An architectural training enables the integration of a subjective and qualitative experience, with the ‘objective’ structures that we are surrounded by. The built space can act as a ‘neutral’ reference onto which the complexity of daylight is superimposed. The author, trained as an architect, has been involved for more than 30 years in the design and construction of non-gallery artworks that engage the experience of natural light in public and semi-public spaces. This practitioner reflection discusses the relation of the position of the observer and sources of light, and how the movement of the viewer acts as a catalyst for revealing their situation through six works of various scales that the author worked on in New York; Boston; Abu Dhabi; London; and Berlin.

scholarly journals Su te stenderà la sua ombra. Iconografia e tipologia biblica in due Annunciazioni di Filippo Lippi

1970 ◽  
Vol 28 ◽  
pp. 11-124
Author(s):  
Lasse Hodne
Keyword(s):  
New York ◽  
Natural Light ◽  
San Lorenzo ◽  
The Difference ◽  
The Church ◽  
Theological Concept ◽  
The Way ◽  
Power Of God

This study is devoted to the symbolic significance of shadow and light in two works by Filippo Lippi: The Annunciation in the Martelli Chapel in the Church of San Lorenzo in Florence and the painting of the same subject in the Frick Collection in New York. In the Renaissance, the shadow that appears in the Annunciation is often associated with the procreative power of God. The fact that Filippo Lippi makes use of this sense of the shadow is particularly evident in his Frick Annuciation. It is less well known that in the art of Filippo the shadow has a dual meaning. In fact, the contrast between light and shade in these pictures was not a result of experimentation with natural light; nor is it a difference - as some have argued - caused by the fact that the two halves of the picture were originally intended to be installed separately like the wings of an organ or an "armadio" (closet for ex voto). Instead, I believe that the difference in the way in which the two parts of these paintings are illuminated is a pun intended to emphasize the theological concept of a typological relationship between the Testaments and the realization of the prophecies about the birth of the Messiah.

Navigating stigma in neighborhoods and public spaces among transgender and nonbinary adults in New York City.

2020 ◽  
Vol 5 (4) ◽  
pp. 477-487
Author(s):  
Taylor M. Lampe ◽  
Sari L. Reisner ◽  
Eric W. Schrimshaw ◽  
Asa Radix ◽  
Raiya Mallick ◽  
...  
Keyword(s):  
New York ◽  
New York City ◽  
York City ◽  
Public Spaces

Refining Contrapuntal Pedagogy: Reflections on Teaching Warsan Shire’s “Home” and W.H. Auden’s “Refugee Blues” to First-Year Students

2020 ◽  
Vol 24 ◽  
Author(s):  
Bridget Grogan
Keyword(s):  
Racial Identity ◽  
Teaching Practice ◽  
Human Experience ◽  
First Year ◽  
First Year Students ◽  
Poetic Voice ◽  
Teaching Poetry ◽  
Approach To Teaching ◽  
The University ◽  
The Way

This article reports on and discusses the experience of a contrapuntal approach to teaching poetry, explored during 2016 and 2017 in a series of introductory poetry lectures in the English 1 course at the University of Johannesburg. Drawing together two poems—Warsan Shire’s “Home” and W.H. Auden’s “Refugee Blues”—in a week of teaching in each year provided an opportunity for a comparison that encouraged students’ observations on poetic voice, racial identity, transhistorical and transcultural human experience, trauma and empathy. It also provided an opportunity to reflect on teaching practice within the context of decoloniality and to acknowledge the need for ongoing change and review in relation to it. In describing the contrapuntal teaching and study of these poems, and the different methods employed in the respective years of teaching them, I tentatively suggest that canonical Western and contemporary postcolonial poems may reflect on each other in unique and transformative ways. I further posit that poets and poems that engage students may open the way into initially “less relevant” yet ultimately rewarding poems, while remaining important objects of study in themselves.

Redesign of protein nanocages: the way from 0D, 1D, 2D to 3D assembly

2021 ◽  
Author(s):  
Chenyan Lv ◽  
Xiaorong Zhang ◽  
Yu Liu ◽  
Tuo Zhang ◽  
Hai Chen ◽  
...  
Keyword(s):  
3D Assembly ◽  
Artificial Protein ◽  
2D To 3D ◽  
Design And Construction ◽  
The Way

This review focuses on the design and construction of artificial protein nanocages, and their assembly into highly ordered supramolecules.

The “Unspeakable Blessing”: Street Children, Reform Rhetoric, and Misery in Early Industrial Capitalism

1983 ◽  
Vol 12 (3) ◽  
pp. 303-330 ◽  
Author(s):  
Bruce Bellingham
Keyword(s):  
New York ◽  
Annual Report ◽  
Street Children ◽  
Industrial Capitalism ◽  
The Poor ◽  
Insurmountable Obstacle ◽  
The City ◽  
The Way

… surely there would be men enough, willing and glad to contribute to the regeneration of the poor outcasts of the city. It is no longer an experiment since the Children's Aid has removed of this class, in thirteen years, eleven thousand two hundred and seventy two! Who would not rejoice to aid in such an enterprise…? Money only is wanting. Shall that be an insurmountable obstacle in the way of accomplishing such an unspeakable blessing? New York Children's Aid Society, 1866 Annual Report

The Second International Meeting on Radio Aids to Marine Navigation New York and New London

1948 ◽  
Vol 1 (01) ◽  
pp. 69-75
Author(s):  
R. B. Michell
Keyword(s):  
New York ◽  
International Meeting ◽  
Radio Navigation ◽  
Marine Transport ◽  
Marine Navigation ◽  
New London ◽  
The U.S ◽  
Made In ◽  
The Way ◽  
Second International

At the first International Meeting on Radio-Aids to Marine Navigation held in London in May 1946 some 105 delegates of twenty-three maritime nations met to discuss and witness demonstrations of some of the remarkable advances made in radio-navigation during the war and to consider the progress made in relation to their peacetime uses for marine transport.At the invitation of the U.S. government a second meeting was held a year later, in New York and New London, to show the progress made in America, to illustrate, with demonstrations, the U.S. policy and to pave the way to international standardisation. The U.K. delegation was led by Sir Robert Watson-Watt.

Plantinga on warrant

2001 ◽  
Vol 37 (2) ◽  
pp. 203-214 ◽  
Author(s):  
RICHARD SWINBURNE
Keyword(s):  
New York ◽  
True Belief ◽  
Christian Belief ◽  
Alvin Plantinga ◽  
Statistical Probability ◽  
Oxford University ◽  
Cognitive Faculties ◽  
Design Plan ◽  
Cognitive Environment ◽  
The Way

Alvin PlantingaWarranted Christian Belief(New York NY: Oxford University Press, 2000).In the two previous volumes of his trilogy on ‘warrant’, Alvin Plantinga developed his general theory of warrant, defined as that characteristic enough of which terms a true belief into knowledge. A belief B has warrant if and only if: (1) it is produced by cognitive faculties functioning properly, (2) in a cognitive environment sufficiently similar to that for which the faculties were designed, (3) according to a design plan aimed at the production of true beliefs, when (4) there is a high statistical probability of such beliefs being true.Thus my belief that there is a table in front of me has warrant if in the first place, in producing it, my cognitive faculties were functioning properly, the way they were meant to function. Plantinga holds that just as our heart or liver may function properly or not, so may our cognitive faculties. And he also holds that if God made us, our faculties function properly if they function in the way God designed them to function; whereas if evolution (uncaused by God) made us, then our faculties function properly if they function in the way that (in some sense) evolution designed them to function.

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