The electronic editor

Book 2 0 ◽  
2014 ◽  
Vol 4 (1) ◽  
pp. 101-114
Author(s):  
Elyse Graham

This article is a study of literary mediation in the age of the e-book. It focuses on a specific editorial project being undertaken by scholarly editors in the present day, when the late age of print is giving way to the digital age. The author argues that the present moment represents a deceptively strong period for print publishing, but an uncertain and experimental period for literature, a time when the values and practices that order the literary field are no longer well-defined. The spread of digital culture is reconfiguring the make-up of the reading public, shaping readers as ‘prosumers’ who at once consume and manipulate content. Just as importantly, hyper-mediation and media convergence are forcing critics to confront an ‘unbinding of the book’ that began in practice decades before the Internet age. As professional mediators, editors occupy an ideal position to register the opportunities and the pressures of these processes, whether they are literary entrepreneurs or scholars implicated in literature as an institution. Their efforts to delimit literary texts and sell them as a particular kind of cultural institution show how the game of literature and its rules of play change shape under the pressures of new media configurations and new social worlds.

Author(s):  
Christos Boikos ◽  
Konstantinos Moutsoulas ◽  
Charalambos Tsekeris

Social media, as the heart of Web 2.0, is a relatively novel theoretical notion and social phenomenon, pertaining to a long series of academic subjects, such as digital culture, virtual communication, e-democracy, technological convergence, and online interactivity. Arguably, one of the most useful tools to adequately interpret and analyze this phenomenon is Critical Theory. The present article aims to comprehensively discuss and reflexively elaborate on the complex interrelationship between Critical Theory and Web 2.0 developments. This mainly involves the historicization of the relevant concepts and the identification of crucial sociological, philosophical and interdisciplinary issues that strongly demonstrate the essential ontological complicity between the real and the virtual. In addition, the analytical emphasis on recent social movements, such as the Arab Spring, reflexively depicts the new media as critical media, a characteristic feature that somehow stands in contrast to the participation of the internet in the circulation and accumulation of the Capital. Through contemporary Web’s inherent paradoxes, it is eventually shown that the social potential of the new media can indeed be realised, so that the internet serves the people and the public good.


2014 ◽  
pp. 107-111
Author(s):  
Vladislav N. Moiseev

Is devoted to understanding of the new media. Within the context of contemporary digital culture analyses, the author criticises the virtual reality interpretation as a parallel reality. He supposes that offline paradigm loses its legitimacy as the widespread penetration of the Internet technologies results in synchronisation of a person with his/her digital profile.


Author(s):  
Giulia Evolvi

The study of religion and new media explores how the contemporary proliferation of technological devices and digital culture impacts religious traditions. The progressive mediation of religion through websites, social networks, apps, and digital devices has created new conditions for religious experiences, practices, and beliefs. From the diffusion of internet technologies in the mid-1990s, scholars have individuated four waves to describe the evolution of religion and new media: (a) The first wave (mid-1990s–beginning 2000s) is characterized by enthusiasm for the potential of the Internet and the establishment of the first websites dedicated to religion, such as the Vatican official webpage and chatrooms where Neo-Pagans celebrated online rituals. These may be considered examples of “cyber-religion,” a term that indicates religious activities in the virtual space of the Internet, usually called in this period “cyberspace.” (b) The second wave (the mid-late 2000s) involves the growth of religious online presences, and is characterized by more realistic attitudes on the potentials and consequences of internet use. For example, Muslim, Buddhist, and Jewish virtual sacred buildings have been created on the platform Second Life. At the same time, the virtual congregation Church of Fools attracted both positive reactions and criticism. In this period, scholars often talk about “religion online,” which is the online transposition of activities and narratives of religious groups, and “online religion,” a type of religion that exists mainly because of the increased interconnectivity and visual enhancements of the Internet. (c) The third wave (late 2000–mid-2010s) saw the creation of social network platforms and the proliferation of smartphones. Religious leaders such as the Dalai Lama and the Pope established social network accounts, and smartphone developed apps for reading sacred texts, praying, and performing confessions. This type of religion is usually called “digital religion,” a concept that indicates the progressive blurring of the line between online and offline religiosity. (d) The fourth wave (the late 2010s) includes online religious groups circulating narratives beyond religious institutions, and greater academic attention to elements such as gender, sexuality, race, ethnicity, politics. This is the case of veiled Muslim influencers who talk about religion in fashion tutorials, and Russian Orthodox women (Matushki) who use blogs to diffuse patriarchal values. The notion of “digital religion” is employed in this period to explore how religious identities, communities, and authorities change in the internet age. Scholars have approached these four waves through the lens of existing media theoretical frameworks, especially mediation, mediatization, and social shaping of technology, and adapted them to the field of religion and new media. While existing scholarship has often focused on Europe and North America, the study of religion and new media is expected to become increasingly global in scope.


Istoriya ◽  
2021 ◽  
Vol 12 (8 (106)) ◽  
pp. 0
Author(s):  
Anna Grishina

The article is a review of current studies of emotion transformations under the influence of the Internet and “new media”. The main approaches to this problem, including cognitive research, are considered. It is proved that a significant limitation of the most popular approach in cultural studies, which recognizes considerable differences between the “old” and “new” media, but does not absolutize this opposition, is the tendency to large-scale generalizations — a direct combination of empirical observations and broad theoretical conclusions about the nature of neoliberal society and contemporary digital culture. An important means of overcoming these superficial generalizations is turning to cognitive research, for which it is fundamentally important to verify data and clarify the framework of their correctness, depending on different types of social interaction.


2020 ◽  
Vol 16 (2) ◽  
pp. 251-262
Author(s):  
Yaroslav V. Samarin ◽  

This article examines the role of the new media and social networks as a factor in the development of deliberative democracy. In the late 1990s, it was thought that the communication revolution would be a way to overcome the crisis of representative democracy. With the development of the Internet, the transition from a hierarchical model of communications to a network was supposed to bring changes to the sphere of politics. New media and social networks should guarantee ac- cess of civil society to the political public sphere and help narrow the gap between the elite and the people. Requirements are being formulated to increase the transparency and accountability of state institutions, and to strengthen policy control. It was believed that the Internet will become a place where the principles of deliberative democracy will be embodied. But now we should admit that the new media development causes disappointment, and a times anxiety. Instead of the growth of public discussions, we may encounter “echo chambers”, a victim of the essence of information for effect, which as a result, leads to the radicalization of citizens. Governments and IT-corporations exploit the increased capabilities of social networks and Big Data to control and manipulate information, which jeopardizes the possibility of free discussion. The impact on emotions and simple slogans turned out to be more acceptable in the Internet age than a reflec- tive discussion on social issues. The communication revolution has led to changes in the public sphere, but at the same time, it can lead to the erosion of democracy.


Porównania ◽  
2020 ◽  
Vol 27 (2) ◽  
pp. 289-311
Author(s):  
Elżbieta Winiecka

This article is devoted to the transformations that literary communication has undergone on the Internet. The author describes how literary criticism and its role in the digital medium has changed, indicates the deep cultural changes resulting from the development of forms of communication in social media, and characterizes how the Internet has transformed literature. New media has given rise to new literary genres; it has also altered literature itself, recasting it in a hybrid form on the border between the literature and audiovisual media. The ongoing changes do not pose a threat to printed literature, but are an expression of the strength of the Internet’s impact on literary communication and its participants. It is necessary to refrain from easy evaluations of the ongoing processes and to focus on accurately describing, analyzing and interpreting them as a new and relatively unknown part of the expanding literary field.


2016 ◽  
Vol 7 (2) ◽  
pp. 111-124
Author(s):  
Alexander Pschera

"Neben der Industrie hat die Digitalisierung auch die Natur ergriffen. Die Tatsache, dass Tausende von Tieren mit GPS-Sendern aus- gerüstet und überwacht werden, erlaubt, analog zur Industrie 4.0 auch von einer Natur 4.0 zu sprechen. Dieses Internet der Tiere verändert den Begriff, den der Mensch von der Natur hat. Er transformiert die Wahrnehmung vor allem der Natur als etwas fundamental An- deren. Neben den vielen kulturellen Problematisierungen, die das Internet der Tiere mit sich bringt, lassen sich aber auch die Umrisse einer neuen, ganz und gar nicht esoterischen planetarisch-post-digitalen Kultur aufzeigen, die die conditio humana verändert. In addition to industry, digitalization has also taken hold of nature. The fact that thousands of animals are provided and monitored with GPS transmitters allows to speak of nature 4.0 by way of analogy to industry 4.0. This internet of animals changes our idea of nature. Most of all, it transforms the perception of nature as something fundamentally other. Beside the many cultural problems that the internet of animals implies, it can also outline a new, not at all esoteric planetary post-digital culture that is about to change the human condition. "


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