“The Lightest Ones of the World and the Greatest Ones of the World” in the Palestinian Traditions of the Mishnaic and Talmudic Periods

This article discusses the development of a rabbinic tradition that draws on verses from Samuel’s speech dealing with the authority of leaders (1 Sam 12:6–11) against the backdrop of rabbinic political circumstances. In its earliest manifestations, this tradition is integrated into a story describing one of the confrontations concerning the determination of the Jewish calendar. These confrontations occurred in the Beit Midrash in Yavne under the leadership of Rabban Gamliel. The article traces the changes the confrontation underwent during the transitions between the different literary genres and suggests that these changes were influenced by the character of the social tension that existed when each genre was redacted. This article deals with the question of authority, power, and leadership in Palestine in the period of the Sages.

Greek Migrant Literature in the Early Roman Empire

This article argues that the concept of migrant literature, developed in postcolonial studies, is a useful tool for analysing Greek literature of the Early Roman Empire (27 BC-AD 68). The city of Rome attracted huge numbers of migrants from across the Mediterranean. Among them were many writers from Hellenized provinces like Egypt, Syria and Asia, who wrote in Greek. Leaving their native regions and travelling to Rome, they moved between cultures, responding in Greek to the new world order. Early imperial Greek writers include Strabo of Amasia, Dionysius of Halicarnassus, Nicolaus of Damascus, Timagenes of Alexandria, Crinagoras of Mytilene, Philo of Alexandria and Paul of Tarsus. What connects these authors of very different origins, styles, beliefs, and literary genres is migrancy. They are migrant writers whose works are characterized by in-betweenness, ambivalence and polyphony.

The Popularity of The Wattpad Application in Increasing Millennial Generation’s Literacy Through Literary Works.

Background: Nowadays, people's enthusiasm for reading literature is getting lower. On the other hand, we can use technological development to look for literary works. Purpose: Based on this problem, researchers are interested in researching how Wattpad applications can increase literacy in literary work. Method: Researchers use quantitative and qualitative methods. Quantitative methods through surveys online, and the resulting population consists of 75 respondents from the millennial generation. The sample criteria in this study were Wattpad users with an age range ranging from 13 years to 25 years. Then, researchers used interview methods using 15 informants to strengthen survey results online. Result: Wattpad is a platform that provides literary work. It helps the reader to access the story freely. This application offers many variations of literary genres. Wattpad has a function to entertain and give knowledge through stories supplied by authors. It shows that Wattpad has a vital role in increasing literary interest, especially millennials. Recommendation: This research should be carried out long before the due date. But, this incident is out of reach for researchers because we have to prepare anything before doing research. Furthermore, sampling that is used must have more limited scope to get specific result data. For example, we use sample respondents from East Java residents. Limitation: This research has limited research time to meet the expected number of respondents. The source data is from a user Wattpad range between 13 and 25 years old.

The Stylistics of ‘You'

This book takes 'you', the reader, on board an interdisciplinary journey across genre, time and medium with the second-person pronoun. It offers a model of the various pragmatic functions and effects of 'you' according to different variables and linguistic parameters, cutting across a wide range of genres (ads, political slogans, tweets, news presentation, literary genres etc.), and bringing together print and digital texts under the same theoretical banner. Drawing on recent research into intersubjectivity in neuropsychology and socio-cognition, it delves into the relational and ethical processing at work in the reading of a second-person pronoun narrative. When 'you' takes on its more traditional deictic function of address, the author-reader channel can be opened in different ways, which is explored in examples taken from Fielding, Brontë, Orwell, Kincaid, Grimsley, Royle, Adichie, Bartlett, Auster, and even Spacey's 'creepy' 2018 YouTube video, ultimately foregrounding continuities and contrasts in the positioning of the audience.

GENDER AND SEXUAL RIGHTS IN EARLY ISLAM

When early Islamic jurists outlined the marriage law, they codified a gendered model of conjugal rights and duties that privileged men over women. A similar development also took place regarding sexual rights as women’s pleasure and sexual gratification became secondary to those of men. Specialists in this period of Islamic history have argued that the gender ideologies prevalent in the early Abbasid society, which enabled an androcentric definition of Islam, should be seen as the primary cause for the inequality within the Islamic marriage system. This paper aims to show that Abbasid gender ideologies, contrary to popular descriptions, were not homogenous. Two major trends in understanding female sexuality during the early Abbasid period will be discussed. The first, androcentric trend that focused primarily on male sexual gratification was in conflict with a more women-friendly attitude; the latter was advocated in a number of literary genres, including medical handbooks, popular stories, educational and ethics literature. These works accentuated the importance of female sexual health and favoured female pleasure as a necessary element for mutual sexual satisfaction and marital happiness. The paper illustrates that some aspects from this more women-friendly approach to sexuality were adopted in later legal opinions that sought to correct the most visible cases of inequality in the social institution of marriage.

Translating Semiotic “Polyphony” of Texts as a Culture-Formative Creation

“The Master and Margarita” is generally considered Mikhail Bulgakov’s literary masterpiece. It is a “melting pot” of literary genres, motives, themes, imagery and intertextual references. All these elements cooperate in creating a “polyphonic” novel, in Bakhtin’s sense of the word, not only when it comes to the different nature and “voice” of single characters but also with reference to the “poly-structured” construction of the text itself. The paper will illustrate the peculiarity of Bulgakov’s novel and the semiotic and semiosic character of his creation. The adjective “semiosic” derives from “semiosis” as defined, among others, by C.S. Peirce, who stresses the meaning-making “power” of some semiotic processes. The paper aims also at answering the question why this novel has been translated several times into Polish and Italian since 1967 (when the first edition of the novel was published in Western Europe). Due to the very specific construction of the plot and of the formal aspects of the novel, translators had to deal with a significant number of problems of “untranslatability” that they could solve only by using their creative potential. It was Roman Jakobson who through his linguistic analysis reached the conclusion that for the untranslatable—poetry for example—“Only creative transposition is possible”. Using creativity translators were also able to discover further interpretations of Bulgakov’s literary work and to perform a culture-formative act as their efforts offer new points of view on reality and its perception, wider knowledge of the social life not only in Soviet times but in a more universal perspective as well as new models of text and literariness. That’s why a novel like Bulgakov’s masterpiece has been translated so many times and it is still translated in the two languages selected for the purposes of this research and all over the world. And this is also the reason why it can be considered a meaning-generative and culture-formative text even if its first edition appeared in 1940.

Morpho-Semantic Evidence of Emerging Subjectivity in the Language of the Nahḍah — A Proposal

This article reviews some key concepts of the Arab(ic) Nahḍah with the aim of highlighting the usefulness of a more genuinely linguistic, i.e., grammar- and etymology-oriented approach for a deeper understanding of some basic features of the foundational period of Arab modernity. My contention and starting-point is that the Nahḍah was, among other things, an era in which the Arab subject came to sense its own agency. This is reflected not only in the many phenomena we are used to associate with the Nahḍah — the emergence of the intellectual, of critical journalism, of historicism, sentimentalism, new literary genres, etc. — but also in the morpho-semantics of key Nahḍah terminology. I argue (a) that the self-referential t-morpheme that features in many words signifying important Nahḍah concepts, such as taraqqī, taqaddum, or tamaddun, can and should be seen in the same light, i.e., as an indicator of a new emphasis on the self. Moreover, I argue that both the grammatical form of the new vocabulary (e.g., the -iyyah suffix for abstracts, verbal nouns, the causative patterns of form II and IV) and its “original”, “basic” (root) meanings underline (b) secularisation and the concomitant centrality of the human being, as well as (c) proactivity, energetic verve, and creativity, i.e., the subject’s being a cause of change in time (hence history). Thus, each new conceptual term is a little ‘Nahḍah in a nutshell,’ containing the very essence of Nahḍawi thought and the actual experience of feeling “modern”.

IN SEARCH OF LITERARY SOURCES OF DIALOGUE «DE CONSOLATIONE PHILOSOPHIAE» BY SEVERIN BOETHIUS

The paper examines the literature basic of Severin Boethius work «The Consolation of Philosophy». The author starts with the historical context of the appearance of the text and then goes to consider its variety of literary genres and forms. Main of them are satura Menippea, consolation, protreptic, soliloquy and dialogue. Textual and conceptual analyses have relieved the connection between Boethius’s «The Consolation» and the works of other famous authors of Antiquity among them there are Plato, Aristotle, Seneca, Cicero, and St. Augustine. As a connoisseur of Antiquity, Boethius uses literature to explain his philosophical ideas. In addition, the author of the article suggests an analytical review of the image of the Lade Philosophy in «Consolation». The genealogy of this literary character refers to the Greek mythology, Plato’s «Symposium» and «Crito» dialogues, Martianus Capella’s work «On the Marriage of Philology and Mercury» and Augustine’s the literary image of St. Monika. The article reconstructs an epistemological methodology of Boethius’s Neoplatonic dialogue that consists of five stages and describes a therapeutic role of philosophy in the traditions of Plato and Stoics. The essence of this role is a mind therapy. Philosophy teaches us to see the world as a whole, to describe it in clear notions and judgments. According to the text of «Consolation», Boethius takes us to make an intellectual Neoplatonic climbing from practical (ethic) to theoretical (metaphysic) philosophy – from vita activa to vita speculativa. The main aim or the top of this Neoplatonic meditation is a contemplative life or reminding own Ego. The great ideas of this work have the significant influence on Medieval and Renaissance philosophy and literature.

Les manuscrits islandais médiévaux dans les romans islandais contemporains : l’exemple de L’Énigme de Flatey

In the rich history of Icelandic literature, the most famous literary genres are undoubtedly the medieval sagas and the contemporary criminal novels. However, those genres are as not as far from each other as one may think, since masterpieces of Icelandic medieval literature are sometimes summoned by contemporary authors, as is shown in The Flatey Enigma (Icelandic: Flateyjargáta), a criminal novel by Viktor Arnar Ingólfsson which is built around the story and the contents of the Book of Flatey, a famous fourteenth Icelandic manuscript. The present article provides an analysis of the place and function of the manuscripts and the medieval texts it contains: the results obtained show that their main function is to help the development of the plot, although some intertextual references also have a didactic dimension, whereas others provide information about the relations between the characters and the Book of Flatey.

L'uso di epos nella letteratura latina Questioni testuali ed esegetiche (Lucilio, Orazio, Ovidio, Stazio, Marziale) e la definizione in Diomede (GLK III 483.27 ss.)

The contribution explores the use of epos in Latin literature, a very rare and often uncertain term in the manuscript tradition, in contrast with its later fortune. Starting from the examination of the detailed definition of it in Diomedes' Ars grammatica, all the five attestations of epos in Latin poets (Lucilius, Horace, Ovid, Statius and Martial) are examined, evaluating readings and conjectures in the search for the more reliable text, on the basis of the context and parallel passages. Research shows that the term in the Greek-Latin world had a partly different meaning from the current one, suitable for other literary genres, in addition to the epic poetry.