Openness of Comics

Author(s):  
Maaheen Ahmed

Never before have comics seemed so popular or diversified, proliferating across a broad spectrum of genres, experimenting with a variety of techniques, and gaining recognition as a rich form of art. Openness of Comics examines this trend by taking up the philosopher Umberto Eco’s notion of the open work of art, according to which the reader–or listener or viewer, as the case may be–is offered several possibilities of interpretation in a cohesive narrative and aesthetic structure. The monograph delineates the visual, literary, and other medium-specific features used by comics to form open rather than closed works, focusing on the methods through which comics generate (or limit) meaning, as well as increase the scope of reading into a text. The analysis of a diverse group of Anglo-American and European (Franco-Belgian, German, Finnish) comics from key genre categories–fictionalized memories and biographies, adventure and superhero, noir, black comedy and crime, science fiction and fantasy–demonstrate the many ways in which comics generate openness by teasing genres codes and conventions while maintaining a cohesive structure. Analyzed comics include: Will Eisner’s The Contract with God Trilogy, Jacques Tardi’s It Was the War of the Trenches, Hugo Pratt’s The Ballade of the Salty Sea, Edmond Baudoin’s The Voyage,Grant Morrison and Dave McKean’s Arkham Asylum, Neil Gaiman’s Sandman, Alan Moore and Eddie Campbell’s From Hell, Moebius’ Arzach, Yslaire’s Cloud 99 series, and JarmoMäkilä’s Taxi Ride to Van Gogh’s Ear.

Author(s):  
Andrew Nette

Rollerball, the Canadian-born director and producer Norman Jewison's 1975 vision of a future dominated by anonymous corporations and their executive elite, in which all individual effort and aggressive emotions are subsumed into a horrifically violent global sport, remains critically overlooked. What little has been written deals mainly with its place within the renaissance of Anglo-American science-fiction cinema in the 1970s, or focuses on the elaborately shot, still visceral to watch, game sequences, so realistic they briefly gave rise to speculation Rollerball may become an actual sport. Drawing on numerous sources, including little examined documents in the archive of the film's screenwriter William Harrison, this book examines the many dimensions of Rollerball's making and reception: the way it simultaneously exhibits the aesthetics and narrative tropes of mainstream action and art-house cinema; the elaborate and painstaking process of world creation undertaken by Jewison and Harrison; and the cultural forces and debates that influenced them, including the increasing corporate power and growing violence in Western society in late 1960s and early 1970s. The book shows how a film that was derided by many critics for its violence works as a sophisticated and disturbing portrayal of a dystopian future that anticipates numerous contemporary concerns, including ‘fake news’ and declining literary and historical memory. The book includes an interview with Jewison on Rollerball's influences, making, and reception.


1974 ◽  
Vol 19 (1) ◽  
pp. 47-48
Author(s):  
ALICE M. PADAWER-SINGER

2017 ◽  
Vol 56 (2) ◽  
pp. 91 ◽  
Author(s):  
Louise F. Spiteri ◽  
Jen Pecoskie

It’s always challenging and exciting to find topics for the readers’ advisory column, and professionals willing to write for them! I’ve been so thankful to the many professionals who have so generously given their time and shared their expertise for this column. From lessons learned, case studies and differing opinions on RA and its future, it is amazing how various and rich this area of librarianship is—and how rewarding and frustrating! In an effort to continue to provide a broad spectrum of thoughts and ideas, I asked Dr. Louise Spiteri of Dalhousie University to write for this issue. Spiteri recently completed two stages of research examining subject headings and user-generated content and how these connect with RA access points. Jen Pecoskie was Spiteri’s research partner in both studies.—Editor


Author(s):  
Akshay Vaidya

Viral infections remain major “worldwide” cause of morbidity and mortality.  Herbal extracts or wholesome drugs have been in use for medicinal purposes since ancient time and are known for their antiviral properties and more tolerable side effects. Thus, naturally based pharmacotherapy is a proper alternative for treating viral diseases. Hence this article describes potential antiviral properties of medicinal plants against diverse group of viruses and suggests screening the potential of plants possessing broad spectrum anti-viral effects against viral diseases. Guduchyadi Kwath is a polyherb ayurvedic preparation useful in various diseases. It is useful in pitta vikar, shleshma vikar, Jwara, Chardi, Daha, Trushna, and Agnimandya1. According to modern science it showed anti-inflammatory, antioxidant, antibacterial, antiviral, antimalarial, hepatoprotective, wound healing and immune-modulatory action. The study is aim to the effect of “Guduchyadi kashaya” on viral diseases.


Author(s):  
Robert Stern ◽  
Nicholas Walker

As an intellectual tradition, the history of Hegelianism is the history of the reception and influence of the thought of G.W.F. Hegel. This tradition is notoriously complex and many-sided, because while some Hegelians have seen themselves as merely defending and developing his ideas along what they took to be orthodox lines, others have sought to ‘reform’ his system, or to appropriate individual aspects and overturn others, or to offer consciously revisionary readings of his work. This makes it very hard to identify any body of doctrine common to members of this tradition, and a wide range of divergent philosophical views can be found among those who (despite this) can none the less claim to be Hegelians. There are both ‘internal’ and ‘external’ reasons for this: on one hand, Hegel’s position itself brings together many different tendencies (idealism and objectivism, historicism and absolutism, rationalism and empiricism, Christianity and humanism, classicism and modernism, a liberal view of civil society with an organicist view of the state); any balance between them is hermeneutically very unstable, enabling existing readings to be challenged and old orthodoxies to be overturned. On the other hand, the critical response to Hegel’s thought and the many attempts to undermine it have meant that Hegelians have continually needed to reconstruct his ideas and even to turn Hegel against himself, while each new intellectual development, such as Marxism, pragmatism, phenomenology or existential philosophy, has brought about some reassessment of his position. This feature of the Hegelian tradition has been heightened by the fact that Hegel’s work has had an impact at different times over a long period and in a wide range of countries, so that divergent intellectual, social and historical pressures have influenced its distinct appropriations. At the hermeneutic level, these appropriations have contributed greatly to keeping the philosophical understanding of Hegel alive and open-ended, so that our present-day conception of his thought cannot properly be separated from them. Moreover, because questions of Hegel interpretation have so often revolved around the main philosophical, political and religious issues of the nineteenth and twentieth centuries, Hegelianism has also had a significant impact on the development of modern Western thought in its own right. As a result of its complex evolution, Hegelianism is best understood historically, by showing how the changing representation of Hegel’s ideas have come about, shaped by the different critical concerns, sociopolitical conditions and intellectual movements that dominated his reception in different countries at different times. Initially, Hegel’s influence was naturally most strongly felt in Germany as a comprehensive, integrative philosophy that seemed to do justice to all realms of experience and promised to preserve the Christian heritage in a modern and progressive form within a speculative framework. However, this position was quickly challenged, both from other philosophical standpoints (such as F.W.J. Schelling’s ‘positive philosophy’ and F.A. Trendelenburg’s neo-Aristotelian empiricism), and by the celebrated generation of younger thinkers (the so-called ‘Young’ or ‘Left’ Hegelians, such as Ludwig Feuerbach, David Strauss, Bruno Bauer, Arnold Ruge and the early Karl Marx), who insisted that to discover what made Hegel a truly significant thinker (his dialectical method, his view of alienation, his ‘sublation’ of Christianity), this orthodoxy must be overturned. None the less, both among these radicals and in academic circles, Hegel’s influence was considerably weakened in Germany by the 1860s and 1870s, while by this time developments in Hegelian thought had begun to take place elsewhere. Hegel’s work was known outside Germany from the 1820s onwards, and Hegelian schools developed in northern Europe, Italy, France, Eastern Europe, America and (somewhat later) Britain, each with their own distinctive line of interpretation, but all fairly uncritical in their attempts to assimilate his ideas. However, in each of these countries challenges to the Hegelian position were quick to arise, partly because the influence of Hegel’s German critics soon spread abroad, and partly because of the growing impact of other philosophical positions (such as Neo-Kantianism, materialism and pragmatism). Nevertheless, Hegelianism outside Germany proved more durable in the face of these attacks, as new readings and approaches emerged to counter them, and ways were found to reinterpret Hegel’s work to show that it could accommodate these other positions, once the earlier accounts of Hegel’s metaphysics, political philosophy and philosophy of religion (in particular) were rejected as too crude. This pattern has continued into the twentieth century, as many of the movements that began by defining themselves against Hegel (such as Neo-Kantianism, Marxism, existentialism, pragmatism, post-structuralism and even ‘analytic’ philosophy) have then come to find unexpected common ground, giving a new impetus and depth to Hegelianism as it began to be assimilated within and influenced by these diverse approaches. Such efforts at rapprochement began in the early part of the century with Wilhelm Dilthey’s attempt to link Hegel with his own historicism, and although they were more ambivalent, this connection was reinforced in Italy by Benedetto Croce and Giovanni Gentile. The realignment continued in France in the 1930s, as Jean Wahl brought out the more existentialist themes in Hegel’s thought, followed in the 1940s by Alexander Kojève’s influential Marxist readings. Hegelianism has also had an impact on Western Marxism through the writings of the Hungarian Georg Lukács, and this influence has continued in the critical reinterpretations offered by members of the Frankfurt School, particularly Theodor W. Adorno, Max Horkheimer, Herbert Marcuse, Jürgen Habermas and others. More recently, most of the major schools of philosophical thought (from French post-structuralism to Anglo-American ‘analytic’ philosophy) have emphasized the need to take account of Hegel, and as a result Hegelian thought (both exegetical and constructive) is continually finding new directions.


1972 ◽  
Vol 120 (557) ◽  
pp. 385-390 ◽  
Author(s):  
Guy Edwards

During recent years interest in transcultural psychiatry, particularly Anglo-American differences in diagnostic practice and treatment, has increased considerably. In 1965 Willis and Bannister reported the results of a questionnaire study of the opinion of 'senior’ British psychiatrists on the diagnosis and treatment of schizophrenia. Acknowledging the many disadvantages of a postal enquiry of this kind, the present author thought that their study would form the basis for a useful and relatively inexpensive Anglo-American comparison. Consequently, in 1968 an almost identical questionnaire was circulated to six hundred 'senior’ American psychiatrists.


2003 ◽  
Vol 63 (1) ◽  
pp. 310-311 ◽  
Author(s):  
William M. Tsutsui

This volume explores phenomena frequently noted (yet seldom analyzed) in the scholarly literature: the profound similarities in the industrialization processes and the contemporary political economies of Germany and Japan. These parallels—not just in the early stages of industrialization, but through the experiences of depression and war, and on to the rise of postwar “miracle” economies in both nations—are often casually ascribed to the late-developer effect, to the strategic imitation of German economic institutions in Japan, or to cultural factors, from lingering “feudal remnants” to enduring “traditional” social structures. Tagging the economic regimes which had evolved in Germany and Japan by the 1970s “nonliberal” capitalist systems, the essays in this collection seek to investigate systematically “the many similarities between the two capitalisms, the no less intriguing differences between them, and the differences between the two and Anglo-American ‘standard capitalism’” (p. xiii). More specifically, this volume examines “the origins of some of the social institutions that have constrained the spread of free markets within the capitalist economies of Germany and Japan while providing them with alternate mechanisms of economic governance” (p. 5). Throughout, the contributors argue for a more subtle, historically grounded, and systematic understanding of the distinctive practices and institutions of the German and Japanese “nationally embedded capitalisms.”


2016 ◽  
Vol 49 (2) ◽  
pp. 205-229 ◽  
Author(s):  
JIM ENDERSBY

AbstractBetween 1916 and 1927, botanists in several countries independently resolved three problems that had mystified earlier naturalists – including Charles Darwin: how did the many species of orchid that did not produce nectar persuade insects to pollinate them? Why did some orchid flowers seem to mimic insects? And why should a native British orchid suffer ‘attacks’ from a bee? Half a century after Darwin's death, these three mysteries were shown to be aspects of a phenomenon now known as pseudocopulation, whereby male insects are deceived into attempting to mate with the orchid's flowers, which mimic female insects; the males then carry the flower's pollen with them when they move on to try the next deceptive orchid. Early twentieth-century botanists were able to see what their predecessors had not because orchids (along with other plants) had undergone an imaginative re-creation: Darwin's science was appropriated by popular interpreters of science, including the novelist Grant Allen; then H.G. Wells imagined orchids as killers (inspiring a number of imitators), to produce a genre of orchid stories that reflected significant cultural shifts, not least in the presentation of female sexuality. It was only after these changes that scientists were able to see plants as equipped with agency, actively able to pursue their own, cunning reproductive strategies – and to outwit animals in the process. This paper traces the movement of a set of ideas that were created in a context that was recognizably scientific; they then became popular non-fiction, then popular fiction, and then inspired a new science, which in turn inspired a new generation of fiction writers. Long after clear barriers between elite and popular science had supposedly been established in the early twentieth century, they remained porous because a variety of imaginative writers kept destabilizing them. The fluidity of the boundaries between makers, interpreters and publics of scientific knowledge was a highly productive one; it helped biology become a vital part of public culture in the twentieth century and beyond.


1993 ◽  
Vol 3 (2-3) ◽  
pp. 239-253
Author(s):  
Ernst van Alphen

Abstract Charlotte Salomon's painted life history took shape in an extremely gruesome period: World War II. But Salomon's personal family history is also excep-tional: Almost her whole family committed suicide. This article explores the question of whether it is meaningful, or even legitimate, to refer to a work emerging from such a violent reality as a work of art. The article focuses on the many self-reflective passages in the images and text that deal with the function of art and the ways it is made. It is argued that Salomon did not provide the fate of her family and the horrible war with a deeper meaning in order to liberate herself from their horror. She did not write a realistic account of her reality, nor did she create an alternative world for it. Rather, her life history is a performance in the strictest sense: doing the work of working through her reality. (History; art criticism) A "life-testimony" is not simply a testimony to a private life, but a point of conflation between text and life, a textual testimony which can penetrate us like an actual life. (Shoshana Felman & Dori Laub, 1992, Testimony. Crises of Witnessing in Literature, Psychoanalysis, and History, p.


KronoScope ◽  
2019 ◽  
Vol 19 (2) ◽  
pp. 111-129
Author(s):  
Victoria Carpenter ◽  
Paul Halpern

AbstractAdolfo Bioy Casares’s story “The Celestial Plot” (1948) is among the best known examples of Latin American science fiction writing of the early twentieth century inspired by contemporary advances in quantum physics. Most readings of the story focus on the movements of its main protagonist, Captain Ireneo Morris, as he traverses realities while test-flying a plane. This approach overlooks the role of the story’s other protagonist, Dr. Carlos Servian, who, we argue, is the lynchpin upon which the multiple realities are dependent. We read the changes to Dr. Servian’s character from a variety of scientific and philosophical perspectives on parallel universes. By addressing variations in Servian’s character and language, and focusing on the disparate representations of the key objects in the story, we show how the story anticipates in some ways the Many Worlds notion which argues that reality bifurcates during quantum measurements, leading to near-identical copies of observers.


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