scholarly journals Mózg jako nowy wszechświat – wokół Incepcji Christophera Nolana

2021 ◽  
Vol 28 (37) ◽  
pp. 207-220
Author(s):  
Marcin Kowalczyk
Keyword(s):  
Human Brain ◽  
Science Fiction ◽  
Real World ◽  
Paradigm Shift ◽  
Space Travel ◽  
The Real ◽  
Main Thesis ◽  
Christopher Nolan ◽  
The Mind ◽  
The Brain

The article shows the growing interest of science fiction cinema in the human brain and related concepts, such as mind or consciousness. Nowadays, when distant space travel seems unreachable, artists find the exploration potential of the brain very promising. Thus, the main thesis of this analysis says that the brain has become for science fiction cinema the new universe. An excellent example of this paradigm shift is Inception (dir. Christopher Nolan, 2010). In the movie, the mind is depicted as a physical and accessible place, where we can find a lot of mysteries to solve. The characters travel to the deepest parts of subconsciousness because the processes inside the brain are the key to understanding and changing the real world. The article also shows how the director uses the achievements of science fiction cinema and, at the same time, that he postulates a new way of considering the issues relevant to modern neuroscience.

scholarly journals Fantasy in Literature: A Symbiotic Relation to the Real

Pravaha ◽  
2020 ◽  
Vol 26 (1) ◽  
pp. 119-123
Author(s):  
Lekha Nath Dhakal
Keyword(s):  
Twentieth Century ◽  
Science Fiction ◽  
Real World ◽  
Fairy Tales ◽  
External Reality ◽  
The Real ◽  
Fantasy Fiction ◽  
Fantastic Fiction ◽  
Artistic Representation ◽  
Symbiotic Relation

This article attempts to explore the use of fantasy in literature and how it has attained the position of a literary category in the twentieth century. This work also concerns how as the form literature, it functions between wonderful and imitative to combine the elements of both. The article reveals that wonderful represents supernatural atmospheres and events. The story-telling is unrealistic which represents impossibility as it creates a wonderland. In the imitative or the realistic mode, the narrative imitates external reality. In it, the characters and situations are ordinary and real. Fantasy in literature does not escape the reality. It occurs in an interdependent relation to the real. In other words, the fantastic cannot exist independently of the real world that limits it. The use of fantastic mode in literature interrupts the conventional artistic representation and reproduction of perceivable reality. It embodies the reality and transgresses the standards of literary forming. It normally includes a variety of fictional works which use the supernatural and actually natural as well. The developers of fantasy fiction are fairy tales, science fiction about future wars and future world. A major instinct of fantastic fiction is the violence threatened by capitalist violation of personality that is spreading universally.

scholarly journals On The Verge of the Hybrid Mind

2021 ◽  
Vol 1 (1) ◽  
pp. 30-43
Author(s):  
Surjo Soekadar ◽  
Jennifer Chandler ◽  
Marcello Ienca ◽  
Christoph Bublitz
Keyword(s):  
Human Brain ◽  
Natural Environment ◽  
The Body ◽  
The Self ◽  
Cognitive Systems ◽  
Privacy And Security ◽  
Technological Artifacts ◽  
Mind And Body ◽  
The Mind ◽  
The Brain

Recent advances in neurotechnology allow for an increasingly tight integration of the human brain and mind with artificial cognitive systems, blending persons with technologies and creating an assemblage that we call a hybrid mind. In some ways the mind has always been a hybrid, emerging from the interaction of biology, culture (including technological artifacts) and the natural environment. However, with the emergence of neurotechnologies enabling bidirectional flows of information between the brain and AI-enabled devices, integrated into mutually adaptive assemblages, we have arrived at a point where the specific examination of this new instantiation of the hybrid mind is essential. Among the critical questions raised by this development are the effects of these devices on the user’s perception of the self, and on the user’s experience of their own mental contents. Questions arise related to the boundaries of the mind and body and whether the hardware and software that are functionally integrated with the body and mind are to be viewed as parts of the person or separate artifacts subject to different legal treatment. Other questions relate to how to attribute responsibility for actions taken as a result of the operations of a hybrid mind, as well as how to settle questions of the privacy and security of information generated and retained within a hybrid mind.

Materialism or Nothing

2015 ◽  
Vol 1 (2) ◽  
Author(s):  
Arthur Cody
Keyword(s):  
Information Technology ◽  
Human Brain ◽  
Brain Research ◽  
Human Brain Project ◽  
The Mind ◽  
The Brain

Brain research is intended to produce valuable results in medicine and information technology. All to the good. Nevertheless, the contentions made by both the BRAIN Initiative and the Human Brain Project are not only unproven, but indefensible. Their most egregious error lies in a doctrinal misconception of what the mind does. The mind is a matter of memory, belief, intention, desire, will, and the like—mentalities.

The real world- or science fiction

AIHAJ ◽  
1982 ◽  
Vol 43 (10) ◽  
pp. 717-721 ◽  
Author(s):  
HERVEY B. ELKINS
Keyword(s):  
Science Fiction ◽  
Real World ◽  
The Real

Musical Illusions and Phantom Words

2019 ◽  
Author(s):  
Diana Deutsch
Keyword(s):  
Music Perception ◽  
Musical Ability ◽  
Art And Science ◽  
Brain Organization ◽  
Early Form ◽  
The Real ◽  
Musical Patterns ◽  
Psychology Of Music ◽  
The Mind ◽  
The Brain

In this groundbreaking synthesis of art and science, Diana Deutsch, one of the world’s leading experts on the psychology of music, shows how illusions of music and speech – many of which she discovered - have fundamentally altered thinking about the brain. These astonishing illusions show that people can differ strikingly in how they hear musical patterns - differences that reflect both variations in brain organization and influences of language on music perception. They lead Deutsch to examine questions such as: When an orchestra performs a symphony, what is the ‘real’ music? Is it in the mind of the composer, or the conductor, or different members of the audience? Deutsch also explores extremes of musical ability, and other rare responses to music and speech. Why is perfect pitch so rare? Why are some people unable to recognize simple tunes? Why do some people hallucinate music or speech? Why do we hear phantom words and phrases? Why are most people subject to stuck tunes, or ‘earworms’? Why do we hear a spoken phrase as sung just because it is presented repeatedly? In evaluating these questions, she also shows how music and speech are intertwined, and argues that they stem from an early form of communication that had elements of both. Many of the illusions described here are so striking and paradoxical that you need to hear them to believe them. So the book enables you to listen to the sounds that are described while reading about them.

scholarly journals Making Science Fiction Real: Neoliberalism, Real-Life and Esports in Eve Online

2018 ◽  
Vol 10 (3) ◽  
Author(s):  
Mark Richard Johnson ◽  
Robert Mejia
Keyword(s):  
Science Fiction ◽  
Virtual Worlds ◽  
Real World ◽  
Free Market ◽  
Real Life ◽  
Physical World ◽  
The Real ◽  
Contemporary World ◽  
Neoliberal Capitalism ◽  
Political Economic

In this paper, we argue that EVE Online is a fruitful site for exploring how the representational and political-economic elements of science fiction intersect to exert a sociocultural and political-economic force on the shape and nature of the future-present. EVE has been oft heralded for its economic and sociocultural complexity, and for employing a free market ethos and ethics in its game world. However, we by contrast seek not to consider how EVE reflects our contemporary world, but rather how our contemporary neoliberal milieu reflects EVE. We explore how EVE works to make its world of neoliberal markets and borderline anarcho-capitalism manifest through the political economic and sociocultural assemblages mobilized beyond the game. We explore the deep intertwining of  behaviors of players both within and outside of the game, demonstrating that EVE promotes neoliberal  activity in its players, encourages these behaviors outside the game, and that players who have found success in the real world of neoliberal capitalism are those best-positioned for success in the time-demanding and resource-demanding world of EVE. This thereby sets up a reciprocal ideological determination between the real and virtual worlds of EVE players, whereby each reinforces the other. We lastly consider the “Alliance Tournament” event, which romanticizes conflict and competition, and argue that it serves as a crucial site for deploying a further set of similar rhetorical resources. The paper therefore offers an understanding of the sociocultural and political-economic pressure exerted on the “physical” world by the intersection of EVE’s representational and material elements, and what these show us about the real-world ideological power of science fictional worlds.

scholarly journals The nuclear taboo,Battlestar Galactica, and the real world: Illustrations from a science-fiction universe

2016 ◽  
Vol 47 (4) ◽  
pp. 348-365 ◽  
Author(s):  
Marco Fey ◽  
Annika E Poppe ◽  
Carsten Rauch
Keyword(s):  
Science Fiction ◽  
Real World ◽  
The Real ◽  
Battlestar Galactica

Different Engines

2017 ◽  
Author(s):  
Gary Westfahl
Keyword(s):  
Science Fiction ◽  
Real World ◽  
The Real ◽  
Alternate History ◽  
Film Version ◽  
Bruce Sterling ◽  
Song Lyrics ◽  
The Difference ◽  
First Offers

This chapter examines William Gibson's The Difference Engine, a collaboration with Bruce Sterling, as well as his screenplays, poetry, song lyrics, and nonfiction. Sterling used an irresistibly marketable concept for The Difference Engine: a novel by what he could describe as the two leading cyberpunk authors that would appealingly blend three popular subgenres of science fiction—cyberpunk, alternate history, and “steampunk” literature. Despite the prominence of cyberspace in his Sprawl trilogy, Gibson claimed that he has “never really been very interested in computers themselves.” This chapter first offers a reading of The Difference Engine before discussing Gibson's screenplays written for Hollywood in the late 1980s, including one for a proposed Alien 3 film and another for the film version of Johnny Mnemonic. It also considers Gibson's poems such as “The Beloved: Voices for Three Heads,” his ventures into writing song lyrics, and the approach he used in some of his later nonfiction works: looking at the real world in terms of science fiction, conveying that we indeed live in a science fiction world.

scholarly journals Utopia, determinismo tecnologico, ingegneria sociale: la dianetica tra scienza e fantascienza

2019 ◽  
Author(s):  
Giulio Argenio
Keyword(s):  
Human Brain ◽  
Science Fiction ◽  
Engineering Culture ◽  
New Man ◽  
Utopian Thinking ◽  
The Creation ◽  
The Mind ◽  
The Relationship

In May 1950 L. R. Hubbard published in a science fiction magazine “Dianetics: The Evolution of a Science”, which would later form the basis of Scientology. Emerging from the technocratic mindset typically associated with the periodical, the article considered the human brain as a computer in need of rewiring, giving birth to a peculiar kind of utopian thinking whose aim was not the creation of a ‘new man’, but the return to an original perfection of the mind. Through an examination of this text and its context, I propose to investigate the relationship between engineering culture and literary fictions, trying to understand how the mind-computer analogy shaped the vision of a regenerated society.

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