scholarly journals THE MOVEMENT OF HISTORICALLY INFORMED PERFORMANCE IN THE CONTEXT OF THE CULTURE OF THE XX–XXI CENTURY

2020 ◽  
pp. 68-71
Author(s):  
M-M. Ljubiva

The hermeneutical method is the basis for performing interpretation, because the author's musical text is the initial condition for its implementation. Over the last century, new musical forms and performing practices have emerged, where there is a synthesis of the heritage of many stylistic eras. Modern trends in performance art can be divided into three global independent areas – actualization, authenticity and avant- garde. The orientation in modern performance is directed both at the historical authenticity of the performance and at the questions of the subjective potency of musical creativity. There is an affirmation of a new paradigm, which consists in increasing the role of the intellectual principle, in striving to study a musical work in the context of the epoch that created it, in clearing the traditions of performance from later layers. Due to the growing interest of musicians in Renaissance and Baroque music, the number of soloists and groups performing Western European works written before the middle of the XVIII century is increasing. Over the course of the century, there has been a change in the status of authentic performance from individual to universal and social, because it not only organizes the experience of the community of musicians, but also forms the consciousness of a whole generation of culture. Due to the fact that a person is aware of the loss of the integrity, traditional art forms undergo transformations and destruction, which caused the need to appeal to the Baroque culture. The reception of the Baroque culture promotes the restoration of cultural identity, warns against multicultural fragmentation, and creates conditions for establishing links between cultural eras. The Baroque aesthetic is becoming one of the defining markers of popular culture. Attempts to adequately reproduce musical impressions of past eras among performers and interest in them among the public is a significant characteristic of modern society. A comprehensive study of authentism as a direction allows us to understand the context and functions of music for the cultural types of that time.

2006 ◽  
Vol 13 (4) ◽  
pp. 61-75
Author(s):  
Lars Hulgård

Lars Hulgård: Civil Society or Social Capital? An institutional critique of theories of civil society inspired by Habermas and Putnam. There have been two main approaches to theory about the relations between civil society and democracy and the welfare state. One is the approach by Habermas that emphasizes the role of the public sphere as mediator between civil society and representative democracy. The other is an approach inspired by Putnam that emphasizes the importance of social capital. Putnam focuses on how civil involvement and voluntary associations raise the effectiveness of institutions in modern society. Both approaches have met with considerable criticism from different points of view. However the article argues that a similar criticism can be made of both approaches although they seem so different. It argues that the crucial challenge is to include an institutional perspective in whichever perspective one employs in the study the status of civil society as a democratic or welfare impulse in modern society. The article reviews the various criticisms of the two approaches and shows how an institutional perspective can be employed to both approaches.


Author(s):  
Aga Skrodzka

This article argues for the importance of preserving the visual memory of female communist agency in today’s Poland, at the time when the nation’s relationship to its communist past is being forcefully rearticulated with the help of the controversial Decommunization Act, which affects the public space of the commons. The wholesale criminalization of communism by the ruling conservative forces spurred a wave of historical and symbolic revisions that undermine the legacy of the communist women’s movement, contributing to the continued erosion of women’s rights in Poland. By looking at recent cinema and its treatment of female communists as well as the newly published accounts of the communist women’s movement provided by feminist historians and sociologists, the project sheds light on current cultural debates that address the status of women in postcommunist Poland and the role of leftist legacy in such debates.


2021 ◽  
pp. 1-11
Author(s):  
Miladin Kovačević ◽  
Katarina Stančić

Modern society is witnessing a data revolution which necessarily entails changes to the overall behavior of citizens, governments and companies. This is a big challenge and an opportunity for National Statistics Offices (NSOs). Especially after the outbreak of COVID-19, when the public debate about the number of mortalities and tested and infected persons escalated, trusted data is required more than ever. Which data can modern society trust? Are modern societies being subjected to opinion rather than fact? This paper introduces a new statistical tool to facilitate policy-making based on trusted statistics. Using economic indicators to illustrate implementation, the new statistical tool is shown to be a flexible instrument for analysis, monitoring and evaluation of the economic situation in the Republic of Serbia. By taking a role in public policy management, the tool can be used to transform the NSO’s role in the statistical system into an active participant in public debate in contrast to the previous traditional, usually passive role of collecting, processing and publishing data. The tool supports the integration of statistics into public policies and connects the knowledge and expertise of official statisticians on one side with political decision makers on the other.


2016 ◽  
Vol 5 (1) ◽  
pp. 5-23
Author(s):  
Miomir Jakšić

Abstract The article discusses the status and role of regulatory bodies and the aftermaths of their independence and accountability to the public and the parliament. The author analyses different legal statuses of regulatory bodies in Montenegro and Serbia in the central banking and energy sectors and concludes that it is necessary that national constitutions, as the highest legal acts in each state, prescribe in a separate article that “Regulatory bodies are independent and accountable to Parliament”. Relevant separate legal acts should closely define the procedures for establishing, enforcing, and sanctioning of possible breaching of: 1) independence of regulatory bodies, 2) accountability of regulatory bodies to the parliament, and 3) transparency of their activities.


Author(s):  
Damir Khamitovich Valeev ◽  
Anas Gaptraufovich Nuriev

The research analyses the implementation of the role of maximizing the level of security in the administration of justice in the context of the digital economy. Methodologically, the documentary observation research technique and, to process sources, sociological-dialectical analysis were used. Digitization as a transformational factor of many branches of social relations implies dependence on the implementation of a series of interdependent legal facts with digital technologies so that the action has a legal and concrete result. The digital level as a new platform for the implementation of a number of public functions posing new challenges for the public administration system and also determines the status of new functions that can provide a "digital future" with a positive development dynamic. Conclusion mode everything indicates that, these new functions can be austable in order to maximize security in the implementation of public functions in response to new threats. Particularly sensitive is the area of justice administration, which is also actively introducing many digital tools into the case-resolution process.


Author(s):  
Mariya Viktorovna Kudryavtseva

The article shows the role of the development of information and computer technologies and the process of digitalization in various spheres of public life. It is noted that in such conditions information becomes one of the key resources. It is emphasized that for the modern society in the context of accelerating scientific and technological progress, it is becoming more and more difficult to critically comprehend the constantly increasing information flows. Virtual space offers tremendous opportunities for influencing public consciousness. In the context of the issue under consideration, some negative consequences are noted, including for the evolution of the mental sphere of the population. The article demonstrates important strategic directions for the development of the information society in modern Russia. It is emphasized that the processes of digitalization of the public life spheres and the new risks associated with it pose special tasks for modern social policy, in particular, in matters of purposefully increasing the level of information culture of the population, the quality of human capital and preparing society for global technological changes.


Chapter One deals with several central issues with regard to understanding the role of religious motifs in contemporary art. Besides being a repetition of imagery from the past, religious motifs embedded in contemporary artworks become a means to problematise not only the way different periods in the history of art are delimited, but larger and seemingly more rigid distinctions as those between art and non-art images. Early religious images differ significantly from art images. The two types are regulated according to different sets of rules related to the conditions of their production, display, appreciation and the way images are invested with the status of being true or authentic instances of art or sacred images. Chapter One provides a discussion of the important motif of the image not made by an artist’s hand, or acheiropoietos, and its survival and transformation, including its traces in contemporary image-making practices. All images are the result of human making; they are fictions. The way the conditions of these fictions are negotiated, or the way the role of the maker is brought to visibility, or concealed, is a defining feature of the specific regime of representation. While the cult image concealed its maker in order to maintain its public significance, and the later art image celebrated the artist as a re-inventor of the old image, contemporary artists cite religious images in order to reflect on the very procedures that produce the public significance and status of images.


2018 ◽  
Vol 11 (2-3) ◽  
pp. 195-221 ◽  
Author(s):  
Mirella Klomp ◽  
Marten van der Meulen ◽  
Erin Wilson ◽  
A. Zijdemans

This article analyses the public significance of The Passion—a televised retelling of the Passion of Jesus, featuring pop songs and celebrities in the Dutch public sphere. Using a multidisciplinary approach, the authors demonstrate how performances like The Passion offer spaces in which the Dutch can reflect publicly on important identity issues, such as the role of Christian heritage in a supposedly secular age. The article contributes to deeper knowledge of how Dutch late-modern society deals with its secular self-understanding.


2000 ◽  
Vol 18 (2) ◽  
pp. 83-100
Author(s):  
Gary A. Wagner ◽  
Russell S. Sobel

Abstract We provide new evidence regarding the role of interest groups in influencing the size and growth of government spending. Using data on the change in individual legislators’ total voted and sponsored spending from the status quo, we explore this relationship in a manner closer to the public choice tradition. Examining the impact diat interest groups have on individual legislators’ preferences for new spending, we find that interest groups within a legislator’s district exhibit more influence on the short-run growth of the budget than do Political Action Committees.


2016 ◽  
Vol 59 (4) ◽  
pp. 1133-1155 ◽  
Author(s):  
NICK WITHAM

ABSTRACTThis article examines the status of Richard Hofstadter's classic work The American political tradition (1948) as a ‘popular history’. It uses documents drawn from Hofstadter's personal papers, those of his publisher Alfred A. Knopf, Inc., as well as several of his contemporaries, to pursue a detailed reconstruction of the manner in which the book was written, edited, and reviewed, and to demonstrate how it circulated within, and was defined by, the literary culture of the 1940s and 1950s. The article explores Hofstadter's early career conception of himself as a scholar writing for audiences outside of the academy, reframes the significance of so-called ‘middlebrow’ literature, and, in doing so, offers a fresh appraisal of the links between popular historical writing, liberal politics, and the role of public intellectuals in the post-war United States.


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