scholarly journals DIALEKTIKA KESENIAN JARANAN THEK DI PONOROGO DENGAN AGAMA ISLAM

Kodifikasia ◽  
2020 ◽  
Vol 14 (2) ◽  
pp. 339-358
Author(s):  
Ahmad Choirul Rofiq ◽  
Erwin Yudi Prahara
Keyword(s):  
Qualitative Research ◽  
Traditional Music ◽  
Musical Instruments ◽  
Conservation Strategy ◽  
Local Culture ◽  
Popular Songs ◽  
The Arts ◽  
Electric Organs ◽  
History Of ◽  
Depth Interviews

Agama Islam senantiasa berinteraksi dengan kebudayaan lokal. Di antara kesenian yang berinteraksi dan berdialektika dengan ajaran agama Islam adalah kesenian Jaranan Thek di Ponorogo. Keunikan dari kesenian Jaranan Thek ini adalah para pemain dan pawang yang memainkan Jaranan Thek menggunakan unsur magis dan kadang tidak sadar (trance), padahal mereka secara formal menganut agama Islam. Oleh karena itu, penelitian ini sangat penting dalam mengkaji fenomena Jaranan Thek yang hingga kini tetap eksis dan bagaimana para pelaku kesenian ini mendealektikakannya dengan ajaran agama Islam. Penelitian kualitatif (dengan observasi, wawancara mendalam, dan dokumentasi) ini menganalisis sejarah kesenian Jaranan Thek, strategi pelestarian, dan dialektikanya dengan Islam. Jaranan Thek di Ponorogo terkait dengan Kerajaan Kediri dan Kerajaan Bantarangin (Ponorogo). Demi pelestarian Jaranan Thek, maka komunitas kesenian ini berinovasi, yakni menyisipkan kisah Kelono Sewandono (dari Kerajaan Bantarangin) dengan Dewi Songgolangit (dari Kerajaan Kediri); menambahkan variasi lagu (shalawatan, tembang Jawa, Campursari, maupun lagu populer di masyarakat); menggunakan alat musik modern (misalnya, drum dan organ elektrik) sambil mempertahankan gamelan; menggabungkan Jaranan Thek dengan kesenian lain (misalnya, tari tayuban dan jathilan); dan menyelaraskannya dengan ajaran Islam (misalnya, doa, ayat, maupun lafadh bernuansa Islam). Dialektika Jaranan Thek dengan Islam terwujud secara mencolok dalam bentuk sinkretisme setelah unsur-unsur keislaman dimasukkan dalam pementasan Jaranan Thek. [Islam always interacts with the local culture. Among of the arts that interact and dialectic with Islamic teachings is the art of Jaranan Thek in Ponorogo. The uniqueness of this Jaranan Thek art is that the players and handlers who play Jaranan Thek use magical elements and are sometimes unconscious (trance), even though they formally adhere to Islam. Therefore, this research is very important in examining the phenomenon of Jaranan Thek, which still exists today and how the actors of this art treat it with Islamic teachings. This qualitative research (with observations, in-depth interviews, and documentation) analyzes the history of Jaranan Thek, its conservation strategy, and its dialectic with Islam. The Jaranan Thek's art in Ponorogo related to the Kingdom of Kediri and the Kingdom of Bantarangin (Ponorogo) because Jaranan Thek's art was from Jaranan art in Kediri. There are many innovations to preserve Jaranan Thek, such as inserting the story of Kelono Sewandono (from Bantarangin Kingdom) with Dewi Songgolangit (from Kediri Kingdom); performing various songs (with shalawatan, Javanese song, Campursari, and popular songs); using modern musical instruments (drums and electric organs) besides gamelan (traditional music instruments); combining Jaranan Thek with other arts (tayuban and jathilan), and synchronizing Jaranan Thek with Islam (Islamic prayers, verses, and sayings). The dialectic of Jaranan Thek with Islam appears prominently in its syncretism with Islamic elements in its performance.]

scholarly journals Strategi Konservasi Guna Mempertahankan Identitas Arsitektur Pura Situs di Desa Sibang (Pengurangan Resiko Sosial, Ekonomi, dan Arsitektural)

2019 ◽  
Vol 2 (1) ◽  
pp. 68
Author(s):  
Ni Putu Ratih Pradnyaswari Anasta Putri ◽  
I Putu Adi Widiantara
Keyword(s):  
Data Analysis ◽  
Cultural Heritage ◽  
Qualitative Data ◽  
Conservation Strategy ◽  
The Real ◽  
The Past ◽  
Depth Interview ◽  
History Of ◽  
Depth Interviews ◽  
Site Conservation

Abstract: Pura is one of Balinese architectural works that serves as a place of worship for Hindus. Pura as one of the local wisdom of the Balinese people is often associated with the identity of a region and cultural heritage. Pura is considered as one of the real proofs of the history of history from the past until now. The rolling of time and time, and the absence of adequate historical documentation regarding temples in Bali caused changes and developments that often did not match the standard. Many factors can be said to be the cause of changes or developments in a temple, including: (1) lack of documentation; (2) understanding of local people who are still minimal in the process of building a temple; (3) the absence of rules, awig-awig, or guidelines regarding the process of building a temple; (4) the people's desire to carry out practical and inexpensive temple renovation processes; and (5) people's insensitivity to the identity of their territory. Sites that have historical value are instead replaced with new or current models that are not necessarily based on original literature from previous ancestral orders. Seeing this phenomenon, researchers believe that there needs to be a preservation effort, namely a conservation strategy so that changes and developments can be overcome and controlled according to their portion. This research was carried out in an exploratory manner with qualitative data analysis, which explores data in depth through in-depth interviews.                                     Keywords : Pura, Site, Conservation, IdentityAbstrak: Pura merupakan salah satu karya arsitektur Bali yang berfungsi sebagai tempat ibadah bagi umat Hindu. Pura sebagai salah satu kearifan lokal masyarakat Bali seringkali dikaitkan dengan identitas suatu wilayah dan warisan budaya. Pura dianggap sebagai salah satu bukti nyata perjalanan sejarah dari masa lampau hingga sekarang. Bergulirnya waktu dan jaman, serta tidak adanya dokumentasi sejarah yang memadai mengenai pura-pura di Bali menyebabkan terjadinya perubahan dan perkembangan yang seringkali tidak sesuai pakemnya. Banyak faktor yang dapat dikatakan sebagai penyebab dalam perubahan ataupun perkembangan sebuah pura, antara lain : (1) tidak adanya dokumentasi; (2) pemahaman masyarakat setempat yang masih minim terhadap proses pembangunan sebuah pura; (3) tidak adanya aturan, awig-awig, ataupun guidelines mengenai proses pembangunan sebuah pura; (4) keinginan masyarakat untuk melakukan proses renovasi pura dengan praktis dan murah; dan (5) ketidakpekaan masyarakat akan identitas wilayahnya. Situs-situs yang memiliki nilai historis malah diganti dengan model kebaruan atau kekinian yang belum tentu berdasarkan sastra asli dari tatanan leluhur sebelumnya. Melihat fenomena tersebut, peneliti meyakini perlu adanya sebuah upaya pelestarian yaitu strategi konservasi sehingga perubahan dan perkembangan dapat diatasi dan dikendalikan sesuai dengan porsinya. Penelitian ini dilakukan secara eksploratif dengan analisis data kualitatif, dimana menggali data sedalam-dalamnya melalui wawancara mendalam (in depth interview).Kata Kunci: Pura, Situs, Konservasi, Identitas

scholarly journals Bentuk Penyajian Tari Sining Pada Masyarakat Gayo Aceh Tengah

2020 ◽  
Vol 3 (2) ◽  
pp. 493-505
Author(s):  
Maghfirah Murni Bintang Permata ◽  
Rika Wirandi ◽  
Berliana Denada
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
Open Field ◽  
Main Property ◽  
Traditional Music ◽  
Musical Instruments ◽  
Spontaneous Movements ◽  
Dance Movements ◽  
Revitalization Effort ◽  
Field Area

This paper aims to describe the form of presentation of the sining dance in the Gayo community of Central Aceh Regency. Sining dance is a dance whose form of movement is inspired by nature. The movements are pure and use a lot of mimitive movements. This dance is also one of the traditional dances that was extinct and was then made a revitalization effort by the Central Aceh Kuta Dance Studio. This study focuses the problem on the form of presentation of the Sining Dance. To analyze the problem, Soedarsono used the theory of presentation forms, which said that, the form of presentation in dance has an understanding of how to present a dance as a whole, including the main elements or elements that support dance. These elements consist of dance movements, floor design, make-up, costumes, performance venues, props, and accompaniment music. This research uses qualitative research methods. This study concludes that the movements contained in the sining dance are mimitive and spontaneous movements, and tend to describe balance. Using a gayo openwork costume, accompanied by traditional music and traditional Gayo musical instruments. With two adult male dancers. Using upuh ulen-ulen cloth. Using a props made of pile board measuring 1.6 meters high. The shape of the board which is used as the main property is adopted from the Bere Numah shape. Meanwhile, the sining dance performance venue is currently adjusting to the location of the show provided, both on stage and in the open field area.

scholarly journals Perkembangan Motif Sineas Film Indie dalam Menghadapi Industri Film Mainstream

2016 ◽  
Vol 7 (1) ◽  
pp. 9
Author(s):  
Yoppy Ardiyono
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Direct Contact ◽  
Time History ◽  
Independent Film ◽  
Political Pressure ◽  
History Of ◽  
The Government ◽  
Theory Research ◽  
Depth Interviews

<em>The research aims to review to review determine the effect and its impact raised by motive - a motive the ada in the hearts period travel time history of film short against cinematographer-filmmaker as principal especially filmmakers left path (indie). The used platform theory research hearts singer adopts from theory commodification media vincent mosco. Singer helped shift theory understanding the motive filmmakers working hearts differences fundamental basis of political pressure economic happens under with demands regime. The method used is descriptive qualitative research methods. Data collection techniques through observation of the environment of an independent film live and in-depth interviews with speakers including mr. Yang prayer orangutan direct contact 'with realm of research. Coupled with study to review the literature references adding insight research. And that was concluded change appears motif among indie film cinematographer it is true the situation is closely linked to the mainstream industry, konstilasi politics, and the orientation of capitalism. Necessary their one thing is clear and systematic regulation from the government to the future movement of currents sidestream (indie) more with good operates professionally arranged, the air so that the contribution of indie cinema film land for progress can feels good to yourself indie filmmakers as well as those of its main industries.</em>

scholarly journals A Research on Ethnography of Communication: Ujuban in Tahlilan in Moslem Community in Tawang Village

ASKETIK ◽  
2019 ◽  
Vol 3 (1) ◽  
pp. 103-110
Author(s):  
Moch Yusuf Zen
Keyword(s):  
Qualitative Research ◽  
Local Culture ◽  
Ethnography Of Communication ◽  
Group Activities ◽  
Using Data ◽  
Depth Interviews

This is a qualitative research with the objectives are to reveal the meanings behind Ujuban in Tahlilan and factors involved in preserving Ujuban in Tahlilan in Moslem community in Tawang village, Kediri Regency. This research is ethnography of communication with Hymes’ SPEAKING model for analyzing the data. It was collected by observing, depth interviews, participating in group activities, and testing the validity of the data by using data triangulation. After five-month research, the result shows that Ujuban in Tahlilan has deep philosophy meanings as reflections of death. It also proves that factors of beliefs and socio-cultures bond the community to preserve Ujuban in Tahlilan in which nowadays, it is very rare. The research proves that religion even has contribution to preserve the local culture descended by their ancestors, by embracing it in a beautiful acculturation.

scholarly journals Crane tunes and dances in Kalmyk traditional culture

2019 ◽  
pp. 33-44
Author(s):  
G. A. Dordzhieva
Keyword(s):  
Video Recording ◽  
Traditional Culture ◽  
Traditional Music ◽  
Musical Instruments ◽  
Rare Elements ◽  
South Siberia ◽  
Turkic Languages ◽  
History Of ◽  
Round Dance ◽  
Women And Children

The article is devoted to the documentation of music-related phenomena of the Togrun Bi (Crane dance of Kalmyks). The traditional music of Kalmyks is deeply rooted in the culture of Oirad. The new geographical and ethnic environment changed and transformed it. The most obvious shift took place in the dances and musical instruments (their organology, performing style, and tunes). At the same time, on this outskirt of the Mongolian world, some unique forms and genres have been preserved. The sources of the present research are field materials collected by author in late 1990 th in Kalmykia: non-fiarytale prose, two-string dombra tunes with singing, onomatopoeia, and round dances. The participants of Сrane praising ritual were women and children. Similar components are revealed in the ritual Togrugan biilulkhm (Force Crane to dance) and Ova täkh (a sacrifice to a host-spirit of the place). In personal stories and memoires, the mythologic idea of the curse cast by cranes made a connection to arrests, exile and other tragic events in the history of the Kalmyks in the XX century. Characteristics of Crane dances is presented in the musical notations (made by author) and their description. There are the similarities between the Kalmyk round dance with imitations of Crane movements and calls (video recording from the settlement of Yashkul) and circular dances of Evenki, Yakuts, and some other Turkic-languages peoples of Siberia. These rare elements of Kalmyk tradition trail to the regions of South Siberia and Central Asia, from where some Oirad groups brought it to Volga region.

Musical Instruments and World History: A Case Study of the Guitar in the Republic of Turkey

2019 ◽  
pp. 194-210
Author(s):  
Kevin Dawe
Keyword(s):  
World History ◽  
Musical Instruments ◽  
Music Culture ◽  
Musical Practices ◽  
History Of ◽  
Preliminary Study ◽  
The Republic ◽  
Republic Of Turkey ◽  
Depth Interviews

This chapter present a preliminary study of the emergence of the guitar in the music, culture and society of Turkey, a transcontinental Republic founded in 1923, noting also the instrument’s presence within Ottoman music culture. It argues that the rise of the guitar in Turkey constitutes a transformative moment in the history of the instrument, if not Turkish music, with the emergence and development of local playing styles and physical modifications made to suit local musical practices, aspirations and sensibilities. Crucially, in reaching back to the near past, the study employs both ethnographic and oral historical techniques of research, including in-depth interviews with key musicians, whilst also drawing attention to the importance of the past—its interpretation, negotiation, contestation and fabrication—in the present.

scholarly journals Perubahan Musik Calung Punklung Menuju Musik Modern (Parakan Muncang-Kabupaten Sumedang Tahun 2003-2010)

2020 ◽  
Vol 4 (2) ◽  
pp. 313-334
Author(s):  
Riyanti Nurina Fadillah ◽  
Widiati Isana
Keyword(s):  
Research Method ◽  
Qualitative Method ◽  
Musical Instruments ◽  
Heuristic Methods ◽  
The West ◽  
Modern Music ◽  
The Arts ◽  
Analysis Technique ◽  
History Of ◽  
Ancient Times

Calung art is one of the original arts typical of the West Java region and has existed since ancient times, and is commonly used during traditional ceremonies such as traditional ceremonies offered to Dewi Sri or better known as traditional ceremonies "seren taun". In this traditional ceremony the calung art became one of the supporting musical instruments played in the ceremonial process. However, it cannot be denied that this era which is increasingly developing into modern day more or less makes the existence of this calung experience a shift. This study aims to determine how the history of Calung Punklung's music and the process of its change to modern music. The research method used in this study is a qualitative method by collecting sources of literature coupled with sources of interviews and documentation. The analysis technique used is by using heuristic methods, criticism, interpretation and historiography. The results of this study show that the presence of the Calung Punklung music group is an effort to preserve Sundanese culture in the arts in particular. As for the changes made by the Punklung Clung group, this has only just happened in the aspect of bringing the genre of the song that was sung and how to dress when the performance.

scholarly journals The study of Seloko Adat as safety-valve to prevent religious conflict in Jambi City, Indonesia

2020 ◽  
Vol 23 (3) ◽  
pp. 223
Author(s):  
Abdul Halim ◽  
Pahrudin HM
Keyword(s):  
Qualitative Research ◽  
Social Environment ◽  
Social Conflict ◽  
Safety Valve ◽  
Religious Conflict ◽  
Family Education ◽  
Local Culture ◽  
Research Approach ◽  
The People ◽  
History Of

Jambi City has the potential for social conflict, especially religious conflict related to the establishment of houses of worship. The history of religious conflict in Indonesia notes that houses of worship have always been a source of conflict which often leads to destruction and burning. Related to this, there needs to be an effort made so that this conflict is not prolonged, one option is by revitalizing the wisdom of local culture that grows in each region.This study was conducted using a qualitative research approach. This research was conducted in Telanaipura, Alam Barajo, and Kotabaru in Jambi City. The results of this study found that as a pluralistic area, Jambi City was also not spared from the conflict of the establishment of places of worship that occurred in three regions. However, the conflict that occurred was not prolonged because the people of Jambi City still adhered to the wisdom of the local culture in the form of Seloko Adat which is internalized through family, education and social environment. This internalization forms an obedient, rule-abiding and inclusive character inherent in Jambi City society. Seloko Adat is another form of contextualization of the Coser’s concept of the Safety-Valve which proved to be able to prevent the community from anarchic conflict. Since it has a significant potential to help foster peace in communities, there needs to be an understanding of Seloko Adat through a variety of activities, such as socialization in various formats and holding social activities with the theme of increasing understanding of it.

Korean Composers in Profile

Tempo ◽  
1995 ◽  
pp. 15-21 ◽  
Author(s):  
David Babcock
Keyword(s):  
Visual Arts ◽  
Traditional Music ◽  
Music Making ◽  
The Arts ◽  
The People ◽  
Korean Composers ◽  
History Of ◽  
The Republic ◽  
The Many ◽  
The City

Ancient, ornately carved palaces in the midst of a megalopolis, the spirituality of delicate green Koryo celadon, an archaic traditional music as pungent (and delicious) as kimchi – once experienced, never forgotten. Add to these the city of Kyongju, called the ‘museum without walls’, the many reminders of a long history of suffering under Japanese oppression and the uninterrupted excellence of its poetry and visual arts, and one begins to feel Korea's special quality. The country is prosperous; education in all fields, including the arts, is given high priority. Contemporary life is vibrant and intense; the people possess a seemingly boundless capacity for hard work as well as for celebration, festivity, ceremony and mourning – and for music-making. Hardly surprising, then, that the compositional scene in the Republic of South Korea is booming, to say the least.

scholarly journals PENANAMAN NILAI-NILAI NASIONALISME DALAM PEMBELAJARAN SEJARAH DI SMA NEGERI 2 WATES, KULON PROGO

2018 ◽  
Vol 13 (2) ◽  
Author(s):  
Saefur Rochmat ◽  
Diana Trisnawati
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Student Success ◽  
School Environment ◽  
Research Method ◽  
Mutual Cooperation ◽  
Teaching History ◽  
Extra Curricular Activities ◽  
History Of ◽  
Depth Interviews

AbstractThis study aims to: (1) Outlining the history of the learning process in SMA Negeri 2 Wates, Kulon Progo, and (2) Describe efforts to inculcate nationalism in the teaching of history in SMA Negeri 2 Wates, Kulon Progo. The method used in this research is descriptive qualitative research method. The data collection is done through in-depth interviews, direct observation and recording of documents. The results showed that the teaching of history in SMA Negeri 2 Wates do in the classroom during school hours and outside the classroom takes place through extra-curricular activities. Teachers deliver material as specified in the curriculum with the methods and media that support student success. Planting the values of nationalism done in several ways, namely to integrate in subjects such as history subjects, and the subjects Civics. In addition, the values of nationalism is also implanted through habituation attitude in the school environment, such as mutual cooperation, courtesy, tolerance, and so on. Keywords: Nationalism, Teaching History, SMA Negeri 2 Wates.

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