»A Dream of a Dream«

Author(s):  
Joanna Nowotny

Artikelbeginn:[English title and abstract below] In Franz Hohlers Tschipo (1978), dem ersten Teil einer Trilogie, erlebt ein Schweizer Junge Abenteuer auf seltsamen Inseln. Und in Maggie Stiefvaters Serien The Raven Cycle (2012 – 2016) und The Dreamer Trilogy (2019 – ) bekämpft ein amerikanischer junger Erwachsener mit Namen Ronan Lynch magische Gefahren. Was haben Tschipo und Ronan gemeinsam? Eine seltsame Gabe: Von ihren Träumen bleibt am Morgen etwas zurück.   »A Dream of a Dream«Dreaming as a Metafictional Device in Children’s and Young Adult Literature This article analyses the relationship between dreaming, art and identity in Franz Hohler’s Tschipo (1978) and Maggie Stiefvater’s The Raven Cycle (2012 – 2016) and The Dreamer Trilogy (2019 – ). At the centres of their fictional universes lies the fantastic ability of specific characters to take things out of their dreams; an ability which is both a plot element and a narrative principle. In Tschipo, dreaming is used in analogy to storytelling, with the storyteller inventing worlds that are so vibrant that the audience is unable to discern what is ›real‹ and what is ›just‹ invented or dreamed. In Stiefvater’s books, the character of the dreamer is revealed to be a kind of artist who thrives on the thrill of creation and transgression. In all the texts, the concept of taking things out of dreams is transgressive on two levels: Formally, it is used to subvert traditional storytelling and to question the role of the narrator. In terms of plot, it is employed in order to articulate nonnormative identities, lifestyles and desires. By using dreaming as a central narrative device, Tschipo, The Raven Cycle and The Dreamer Trilogy are therefore highly metafictional, revealing that literature addressed to younger audiences participates in a cultural conversation about fact and fiction, and draws on narrative strategies similar to those employed in literature addressed to adults.

Author(s):  
Rebekah Sheldon

In the conclusion of The Child to Come, the book asks, ‘What happens when the life figured by the child--innocent, self-similar human life at home on a homely Earth--no longer has the strength to hold back the vitality that animates it?’ This chapter looks at two kinds of texts that consider this question: Anthropocene cinema and Young Adult Fiction. By focusing on the role of human action, the Anthropocene obscures a far more threatening reality: the collapse of the regulative. In relation, both children’s literature and young adult literature grow out of and as disciplinary apparatuses trained on that fraught transit between the presumptive difference of those still in their minority and the socially necessary sameness that is inscribed into fully attained adulthood.


2019 ◽  
Vol 28 (2) ◽  
pp. 156-174
Author(s):  
Vandana Saxena

Young adult fiction has emerged as a crucial pedagogical tool for Holocaust education. According to scholars and writers, it promotes empathy and also encourages the readers to become a part of the process of remembering. However, this field of storytelling also grapples with the dilemma of traumatic subject matter and its suitability for young readers. The humanist conventions of young adult fiction are often in conflict with the bleak and horrifying core of Holocaust literature. Young adult novelists have tried to deal with these problematic aspects by using multiple narrative strategies to integrate the memories of genocide and human rights abuse with the project of growth and socialisation that lies at the heart of young adult literature. This paper examines the narrative strategies that make young adult fiction an apt bearer and preserver of the traumatic past. Specifically, these strategies involve fantastical modes of storytelling, liminality and witness testimonies told to the second- and third-generation listeners. These strategies modify the humanist resolution of young adult narratives by integrating growth with collective responsibility.


In chapters devoted to individual television programs, adult and young adult literature, and comics, the authors collected in The Woman Fantastic in Contemporary American Media Culture discuss feminist negotiation of today’s economic and social realities through the image of the fantastic female. Senior scholars and rising academic stars address figures from Wonder Woman and She-Hulk to Talia Al Ghul and Martha Washington; from Battlestar Gallactica’s female Starbuck to Game of Thrones’ Sansa; and from Carrie Vaughn’s Kitty Norville to Cinda Williams Chima’s The Seven Realms.


Author(s):  
Ingrida Eglė Žindžiuvienė

The aim of this article is to examine the representation of the events in Cyprus in the middle and second half of the twentieth century as depicted in Andrea Busfield’s novel Aphrodite’s War (2010). The article discusses the methods and narrative strategies of disclosing collective trauma and considers the fact-fiction dimension, arguing the presence of it in a trauma narrative. Narrative strategies in trauma fiction are discussed and the author’s approach to the restatement of the national trauma is analysed. It is debated whether the novel can be described as a post-trauma testimony and whether the narrative is constructed on unified memory concepts. Postmemory is viewed within the framework of transgenerational trauma and the role of collective memory in the transmission of trauma is emphasised. Based on the ethical charge of the narrative, the reader’s status in the relationship with a trauma novel is questioned.


2019 ◽  
Vol 20 (4) ◽  
pp. 246-263 ◽  
Author(s):  
Mai Thi Tuyet Nguyen ◽  
Linh Hoang Nguyen ◽  
Hung Vu Nguyen

Purpose Nowadays, the issues related to pro-environmental, sustainable and green consumption behaviors are attracting significant attention from both scholars and practitioners. However, in the context of emerging countries, less research effort has been invested in this topic, especially in investigating young consumer purchase behavior. The purpose of this study is to investigate factors driving young adult Vietnamese consumers’ purchase intention toward green apparel products with emphasis on the role of materialistic values. Design/methodology/approach In this research, a conceptual framework is proposed integrating the theory of planned behavior (TPB) model with an important consumer value, materialism. To test the research model and hypotheses, a survey of a sample of 245 young adults (under 25 years old) was conducted in Hanoi, the capital city and one of the two most populous cities in Vietnam. All the scales used in this study were established in the literature, and the scales’ reliability and validity were assessed through Cronbach’s alpha and confirmatory factor analysis. The structural equation modeling (SEM) was used to test the proposed model and hypotheses. Findings In this study, six hypotheses were tested and five out of six received support from the data. Specifically, the results of SEM showed that all three antecedents from the TPB model (i.e. attitude, subjective norms and perceived behavioral control) were positive contributors to green apparel purchase intention, of which subjective norms were found to be the most influential predictor of purchase intention. With regard to the roles of the three components of materialism, the findings provided empirical evidence for supporting the positive impact of “success” and the negative impact of “centrality” on the attitude toward green apparel purchase, while “happiness” component was not found to have a significant impact on attitude. In this study, income as a control variable was found to be positively related to purchase intention toward green apparel products. Originality/value There is a little research on the relationship between specific values and environment-friendly behaviors, especially in the context of emerging economies such as Vietnam. In addition, it has been suggested that the relationship between materialistic values and green purchase behavior is still unclear. Thus, it is important to have a deeper understanding of the role of materialistic values in green apparel purchase among young adult consumers in the context of Vietnam, an Asian emerging country where only modest research effort has been given to explore this important topic.


2021 ◽  
pp. 3-29
Author(s):  
Marilisa Jiménez García

This chapter places the book’s scholarly conversation in a framework of postcolonial, decolonial, critical race, American Studies, Latinx/Puerto Rican Studies, and children’s literature scholarship. The chapter elaborates on the role of youth, both as objects and participants, and youth literature in formation of Latinx studies, particularly in the formation of the historical and current ethnic studies movements and the history of Latinx literature in relationship to a “canon” of children’s and young adult literature.


Author(s):  
Evangelia Moula ◽  
Konstantinos Malafantis

Taking L. Myracle’s Internet Girls novel series as a starting point, this article tries to investigate and hopefully unveil the reasons behind the censorship imposed on the series by the “gatekeepers of canonicity and morality.” The article is a literature review and semi-content analysis. After a brief discussion about the term Young Adult literature and the subversion of the argumentut forws pard as a justification of the banning of the books, we examine the relationship between the epistolary novelistic form and the female voice. Finally, we focus on the most distinctive feature of the novels: the exclusive use of online chatting to advance the narrative. The role of digital communication in Y.A. literature and the youth’s idiomatic language on the net are also discussed. Our main argument is that the root causes triggering the adult censors’ distress and challenging their standards are not the controversial sexuality and attitudes of the characters. Rather, it is their language and writing in internet chatting. Digital communication is imbued with webspeak. It becomes a field of intergenerational tension, a vehicle of undermining pedagogical censorship. This type of communication evades the absolute control of some adults not savvy in webspeak. A number of these individuals -possibly a social group that is over-represented in the teaching and school librarian professions- perceive digital communication as a threat to traditional language codes. Their reaction to the Internet Girls concerns not only the content of the books but –first and foremost– the style and the code these books are written. What is more, the girls’ “digital” conversations allow for free self- expression. Prescribed boundaries of politically correct female attitude are transgressed leading to harsher adult public outcry.


2018 ◽  
Vol 29 ◽  
pp. 114-119 ◽  
Author(s):  
Idia B. Thurston ◽  
Robin Hardin ◽  
Rebecca C. Kamody ◽  
Sylvia Herbozo ◽  
Caroline Kaufman

2021 ◽  
Vol 19 (1) ◽  
pp. 32-41
Author(s):  
Anne Sechin

The Hunger Games trilogy, an international commercial success, enables us to question the relationship between sales records and literary quality as well as to think critically about the literary status of Young Adult Literature. Are there some objective criteria that make it possible to establish a literary status, and can they be applied to Young Adult literature, especially as those works are usually perceived as “popular culture”?


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