Affective Disposition, or: Reading Spinoza With Foucault. Towards an Affect Theory of Subjectivation and Power

2020 ◽  
Author(s):  
Rainer Mühlhoff
Keyword(s):  
Affect Theory ◽  
Affective Disposition

The Homeland, Imprisoned and Illegal: The Impact of Marginalisation on Views of the Homeland in Kanafānī's and Khalīfa's Work

2019 ◽  
Vol 13 (1) ◽  
pp. 1-18
Author(s):  
Jedidiah Anderson
Keyword(s):  
Affect Theory ◽  
The Sun ◽  
Minor Literature ◽  
War Machine ◽  
Ghassan Kanafani ◽  
The Impact

This paper deals with the concept of Al-Waṭan, or ‘the homeland’, in Arabic in The Shell (Al-Qawqʿa) by Muṣṭafā Khalifa and Men in the Sun (Rijāl fīsh-Shams) by Ghassān Kanafānī. Analysis of how alienation from this concept has affected both Khalifa's and Kanafānī's characters is carried out through the lenses of Deleuze and Guattari's theories of rhizomatic associations and minor literature, as well as through the lens of affect theory. The paper also examines parallels between definitions of Al-Waṭan/the homeland in Ibn Manẓūr's classical dictionary Lisān al-ʿArab and Deleuze and Guattari's concepts of the war machine and the apparatus of capture.

How the Bible Feels

2017 ◽  
Vol 8 (1-2) ◽  
pp. 27-37 ◽  
Author(s):  
Dorina Miller Parmenter
Keyword(s):  
Affect Theory ◽  
Material Object ◽  
Bodily Harm ◽  
The Bible ◽  
History Of ◽  
The Senses ◽  
Christian Leaders ◽  
Christian History

Despite Christian leaders’ insistence that what is important about the Bible are the messages of the text, throughout Christian history the Bible as a material object, engaged by the senses, frequently has been perceived to be an effective object able to protect its users from bodily harm. This paper explores several examples where Christians view their Bibles as protective shields, and will situate those interpretations within the history of the material uses of the Bible. It will also explore how recent studies in affect theory might add to the understanding of what is communicated through sensory engagement with the Bible.

The “Ghastly Spectacle”

2018 ◽  
Author(s):  
Ian Finseth
Keyword(s):  
Civil War ◽  
Affect Theory ◽  
Traumatic Experience ◽  
Ethical Challenge ◽  
The Dead ◽  
War Dead ◽  
Social Logic

This chapter focuses on how witneᶊes to Civil War death made sense of their traumatic experience. The ethical challenge was one of recognition: to see and know the often-anonymous dead for who and what they were. Yet the dead were invariably integrated into familiar frameworks of meaning and into the conventions of aesthetics and rhetoric. Drawing on insights from phenomenology, pragmatism, Freudian psychology, and affect theory, the chapter shows that the psychological proceᶊes of abstraction and typification underlay a social logic of necrophilic dependency that both thrived on the dead and yet resisted their complex individuality. This problem is then connected to a long-standing cultural and historical melancholia whereby the Civil War dead have been internalized and eternalized as representational artifacts within a society that remains divided and ambivalent over the meaning of the war.

Drama production and audiences as ‘affective superaddressee’ in an illiberal democracy

2021 ◽  
pp. 136754942110086
Author(s):  
Siao Yuong Fong
Keyword(s):  
Writing Process ◽  
Affect Theory ◽  
Media Industries ◽  
Media Production ◽  
Television Drama ◽  
Film Research ◽  
Production Decisions ◽  
Illiberal Democracy ◽  
History Of

There is a long history of television and film research that highlights the essential roles audiences play in everyday production decisions. Based largely on Western media industries, these studies’ investigations of producer–audience relationships have revolved predominantly around the market concerns of liberal media models. So how do producer–audience relationships work when it comes to illiberal contexts of media production? Using Singapore as a case study, this article argues that existing approaches to producer–audience relations largely based on liberal media industries like Hollywood are insufficient for thinking through audience power in everyday media production in illiberal contexts. Drawing on insights from affect theory, I examine the materials gathered during an immersive ethnography of the writing process of a Singaporean television drama and propose conceptualizing audiences as an ‘affective superaddressee’, as a productive way to think about the work that situational audiences do in everyday media production in illiberal contexts.

scholarly journals Lower Case Truth: Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect

2021 ◽  
Vol 20 ◽  
pp. 160940692199891
Author(s):  
Ellie Haberl
Keyword(s):  
Education Research ◽  
Visual Arts ◽  
Lived Experiences ◽  
Affect Theory ◽  
Western United States ◽  
Visual Method ◽  
School Practice ◽  
Lower Case ◽  
Project Participants ◽  
Grade Classroom

As education researchers increase our focus on affect as a crucial dimension of school practice and pedagogy, we also have the responsibility of taking up the paradoxical nature of seeking to represent and analyze moments of feeling that, by their very nature, evade our understanding. This article explores the question of attending to affect in education research by drawing on research conducted in a seventh grade classroom in a mid-sized city in the western United States, where students were explicitly invited to ground argumentative writing in lived experiences that were significant to them, including those experiences often deemed difficult and thus saturated with affective intensities. Invited to use visual arts-based methods of representing the felt dimension of the project, participants used both color and abstract design as a method for representing the complexity of these affective intensities. The author makes an argument for this visual method of representation that invites students to illustrate their affective experience in ways that maintain its complex, contrasting and often non-linguistic nature.

scholarly journals Father of My Soul: Reason and Affect in a Shipboard Conversion Narrative

2015 ◽  
Vol 2 (4) ◽  
pp. 641-658
Author(s):  
J. Michelle Molina
Keyword(s):  
Affect Theory ◽  
Society Of Jesus ◽  
Conversion Narrative ◽  
The World

In 1768, a young Swedish Lutheran, inspired by Voltaire, took up life as a merchant to learn more about the world and to find “true religion” based upon reason. When he boarded a ship to Corsica, his travelling companions were two hundred Mexican Jesuits recently expelled from the Americas. In close confines with these members of the Society of Jesus for the duration of his five-week journey, Thjülen chose to convert to Catholicism and, shortly after arriving in Italy, he became a Jesuit. This essay explores the nature of his conversion, utilizing affect theory to argue that he converted less to Catholicism than to the Society of Jesus, or—more precisely—Thjülen converted to remain in proximity to a particular Mexican Jesuit named Manuel Mariano (Emmanuele) de Iturriaga.

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