scholarly journals Qual comparação em História das Religiões segundo Lévis-Strauss?

2011 ◽  
Vol 11 (1) ◽  
pp. 165
Author(s):  
Nicola Maria Gasbarro

Esta contribuição analisa a perspectiva atual do comparativismo a partir de pressupostos metodológicos (Pettazzoni) e das conclusões (Sabbatucci) da História das Religiões Italiana. A consciência histórica e crítica da dissolução da noção universal de “religião” interroga-se sobre as possibilidades metodológicas dadas pela Antropologia Estrutural, para repensar o objeto intelectual da comparação histórico-religiosa. A noção de “ordem das ordens” pode nos ajudar a compreender as “religiões” dos outros por conta de seu sentido simbólico e de sua função como conduta prática e existencial. A História das Religiões pode levar a uma História Comparada das Civilizações; portanto, a necessidade civil é evidente. Palavras-chave: História das religiões, Antropologia, História Comparada Abstract This paper analyzes the current comparative perspective based upon methodological presuppositions (Pettazzoni) and points of arrival (Sabbatucci) in the History of Religions in Italy. Critical and historical consciousness of the dissolution of the universal notion of “religion” reflects on the methodological possibilities provided by Structural Anthropology in order to think the subject of intellectual historic-religious comparison over. The notion of “order of orders” may help our understanding of the “religions” of others through their symbolic meaning and function of practical and existential conduct. The History of Religions may thus lead to a Comparative History of Civilizations; therefore, the need for preparedness is evident. Keywords: History of Religions; Anthropology; Comparative History.

2020 ◽  
Vol 71 (1) ◽  
pp. 90-118
Author(s):  
Douglas Estes

Abstract Modern scholarship maintains the Gospel of John is dualistic. This view is uneasily held as there is a growing move to distance the gospel from the original history-of-religions concept of dualism that reached its peak in the mid-twentieth century with expectations of incipient Gnosticism in John. Instead of further nuancing the dualistic-sounding ideas in John, this essay challenges directly the claim that John is dualistic—and it proposes that what is often understood to be a dualistic metaphysic is actually paradoxical language as part of the Gospel’s oral and literary language games. Starting with a survey of how dualism entered into the scholarly purview of John, the essay then turns to the meaning and function of paradox in the ancient world. Since scholars point to John’s ‘light’ and ‘darkness’ imagery as the most prominent example of dualism, this essay uses the paradox language of ‘light’ and ‘darkness’ as a test case to demonstrate how paradox, and not dualism, is a more accurate and historical descriptor for John’s communicative strategy.


2021 ◽  
Vol 25 (1) ◽  
pp. 91-103
Author(s):  
Konrad Kopel

The work Myśli o filozofii dziejów written by Johann Gottfried Herder contains a reconstruction of the history of mankind as well as theoretical elements. The author focuses on the first two parts of the work due to their analytical character. Theoretical solutions are treated as Herder’s instrumental background. The article is focused on the reconstruction of two concepts identified as key to the subject: “force” and “form”. The author’s thesis is that within Myśli… those terms allow the transition between superordinate, subordinate, and equivalent wholes, as well as the establishment of a conditional status of stability. The article makes it possible to identify the philosopher’s key problems, which the author considers important also in the contemporary scientific discourse.


1991 ◽  
Vol 8 (3) ◽  
pp. 409-421
Author(s):  
Ghulam-Haider Aasi

History of Religions in the WestA universal, comparative history of the study of religions is still far frombeing written. Indeed, such a history is even hr from being conceived, becauseits components among the legacies of non-Western scholars have hardly beendiscovered. One such component, perhaps the most significant one, is thecontributions made by Muslim scholars during the Middle Ages to thisdiscipline. What is generally known and what has been documented in thisfield consists entirely of the contribution of Westdm scholars of religion.Even these Western scholars belong to the post-Enlightenment era of Wsternhistory.There is little work dealing with the history of religions which does notclaim the middle of the nineteenth century CE as the beginning of thisdiscipline. This may not be due only to the zeitgeist of the modem Wstthat entails aversion, downgrading, and undermining of everything stemmingfrom the Middie Ages; its justification may also be found in the intellectualpoverty of the Christian West (Muslim Spain excluded) that spans that historicalperiod.Although most works dealing with this field include some incidentalreferences, paragraphs, pages, or short chapters on the contribution of thepast, according to each author’s estimation, all of these studies are categorizedunder one of the two approaches to religion: philosophical or cubic. All ofthe reflective, speculative, philosophical, psychological, historical, andethnological theories of the Greeks about the nature of the gods and goddessesand their origins, about the nature of humanity’s religion, its mison dsttre,and its function in society are described as philosophical quests for truth.It is maintained that the Greeks’ contribution to the study of religion showedtheir openness of mind and their curiosity about other religions and cultures ...


Author(s):  
Erik Gray

Love begets poetry; poetry begets love. These two propositions have seemed evident to thinkers and poets across the Western literary tradition. Plato writes that “anyone that love touches instantly becomes a poet.” And even today, when poetry has largely disappeared from the mainstream of popular culture, it retains its romantic associations. But why should this be so—what are the connections between poetry and erotic love that lead us to associate them so strongly with one another? An examination of different theories of both love and poetry across the centuries reveals that the connection between them is not merely an accident of cultural history—the result of our having grown up hearing, or hearing about, love poetry—but something more intrinsic. Even as definitions of them have changed, the two phenomena have consistently been described in parallel terms. Love is characterized by paradox. Above all, it is both necessarily public, because interpersonal, and intensely private; hence it both requires expression and resists it. In poetry, especially lyric poetry, which features its own characteristic paradoxes and silences, love finds a natural outlet. This study considers both the theories and the love poems themselves, bringing together a wide range of examples from different eras in order to examine the major structures that love and poetry share. It does not aim to be a comprehensive history of Western love poetry, but an investigation into the meaning and function of recurrent tropes, forms, and images employed by poets to express and describe erotic love.


2019 ◽  
Author(s):  
Tilman Venzl

In the 18th century, as many as 300 German-language plays were produced with the military and its contact and friction with civil society serving as focus of the dramatic events. The immense public interest these plays attracted feeds not least on the fundamental social structural change that was brought about by the establishment of standing armies. In his historico-cultural literary study, Tilman Venzl shows how these military dramas literarily depict complex social processes and discuss the new problems in an affirmative or critical manner. For the first time, the findings of the New Military History are comprehensively included in the literary history of the 18th century. Thus, the example of selected military dramas – including Lessing's Minna von Barnhelm and Lenz's Die Soldaten – reveals the entire range of variety characterizing the history of both form and function of the subject.


Author(s):  
Steven A. Barnes

This chapter first sets out the book's purpose, namely to explore the role played by the Gulag in the Soviet polity. It provides a close study of the camps and exiles in the Karaganda region of Kazakhstan along with a general reconsideration of the scope, meaning, and function of the Gulag in Joseph Stalin's Soviet Union. Focusing on Karaganda offers a number of benefits to an examination of the history of the Gulag. First, a concentrated look at a single locality allows for a study of the massive phenomenon of the Gulag without giving up the chronological breadth that is important to understanding shifts in its operations through the period (approximately 1930–57) when it was at its height. Second, exploring the Gulag at the local level reveals the operation of the system at the very point of contact between Soviet authority and its detained subjects. The chapter then describes the sources upon which the book is based, followed by an overview of the subsequent chapters.


Author(s):  
Beverly Bossler ◽  
Benoît Grévin

A comparative history of the social and stylistic characteristics of letter-writing in the Western Latin world and in China has yet to be written. Among other difficulties, the historical study of letter-writing in China has only recently attracted scholarly attention, and the social and intellectual contexts of epistolary culture in China and the Latin West were in many respects strikingly different. This chapter compares, in a longue durée perspective, the differing assumptions that conditioned the development of epistolary genres in China and Europe, with a particular focus on the Song period (the period of ars dictaminis in Western letter-writing culture). It concludes by proposing a variety of potential methodological frames that could be fruitful in future comparative research.


2014 ◽  
Vol 64 (1) ◽  
pp. 91-120 ◽  
Author(s):  
Simon Hornblower

The subject of this paper is a striking and unavoidable feature of theAlexandra: Lykophron's habit of referring to single gods not by their usual names, but by multiple lists of epithets piled up in asyndeton. This phenomenon first occurs early in the 1474-line poem, and this occurrence will serve as an illustration. At 152–3, Demeter has five descriptors in a row: Ἐνναία ποτὲ | Ἕρκυνν' Ἐρινὺς Θουρία Ξιφηφόρος, ‘Ennaian … Herkynna, Erinys, Thouria, Sword-bearing’. In the footnote I give the probable explanations of these epithets. Although in this sample the explanations to most of the epithets are not to be found in inscriptions, my main aim in what follows will be to emphasize the relevance of epigraphy to the unravelling of some of the famous obscurity of Lykophron. In this paper, I ask why the poet accumulates divine epithets in this special way. I also ask whether the information provided by the ancient scholiasts, about the local origin of the epithets, is of good quality and of value to the historian of religion. This will mean checking some of that information against the evidence of inscriptions, beginning with Linear B. It will be argued that it stands up very well to such a check. TheAlexandrahas enjoyed remarkable recent vogue, but this attention has come mainly from the literary side. Historians, in particular historians of religion, and students of myths relating to colonial identity, have been much less ready to exploit the intricate detail of the poem, although it has so much to offer in these respects. The present article is, then, intended primarily as a contribution to the elucidation of a difficult literary text, and to the history of ancient Greek religion. Despite the article's main title, there will, as the subtitle is intended to make clear, be no attempt to gather and assess all the many passages in Lykophron to which inscriptions are relevant. There will, for example, be no discussion of 1141–74 and the early Hellenistic ‘Lokrian Maidens inscription’ (IG9.12706); or of the light thrown on 599 by the inscribed potsherds carrying dedications to Diomedes, recently found on the tiny island of Palagruza in the Adriatic, and beginning as early as the fifth centuryb.c.(SEG48.692bis–694); or of 733–4 and their relation to the fifth-centuryb.c.Athenian decree (n. 127) mentioning Diotimos, the general who founded a torch race at Naples, according to Lykophron; or of 570–85 and the epigraphically attested Archegesion or cult building of Anios on Delos, which shows that this strange founder king with three magical daughters was a figure of historical cult as well as of myth.


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