scholarly journals Ivan Goncharov and the Philosophy of Science of His Time (Issue of Science and Religion)

2021 ◽  
Vol 3 (1) ◽  
pp. 134-159

During the period of rapid development of science and technology among the main representatives of Russian classical literature, only Alexander Herzen and Ivan Goncharov experienced a deep and substantive interest in the philosophy of science. For the author of “The Precipice,” this interest was associated with the main issue around which the dominant problematics of his work is concentrated: this is the question of the compatibility of scientific thinking and traditional faith. This work examines mainly one aspect of the topic: the writer's interest in natural science and, above all, in astronomy. Darwinism, with its thesis on the origin of man from ape, and astronomical discoveries that activated thoughts about life on other planets, gave rise to doubts in the mass consciousness about the established religious picture of the world. Goncharov defined his attitude to these changes long before the outbreak of the crisis of religious consciousness in the 1860s. As a conservative and deeply religious person, he took scientific progress seriously, not opposing it to religion and considering it an instrument of God's Providence for humanity. The crisis of religious consciousness in Russian society of the 19th century is regarded as the main subject of Goncharov's artistic research, which binds “A Common Story,” “Oblomov” and “The Precipice” into a trilogy.

1926 ◽  
Vol 22 (1) ◽  
pp. 10-18
Author(s):  
F. Y. Chistovich

The rapid development of pathology, which began in the second half of the 19th century and continues to the present time, was the result of the improvement of the microscope and the introduction of the experimental method into scientific research. The significance of these two fundamental foundations of modern scientific progress is clear to everyone; a good illustration is the tremendous impetus that Cohnheim's pathology received in 1867.


2020 ◽  
Vol 102 ◽  
pp. 471-478
Author(s):  
Peter A. Shevchenko

The article provides a comparative analysis of the influence of L.N. Tolstoy and I.I. Sergiev (John of Kronstadt) on the formation of personal worldview in Russian society. The analysis is based on the testimonies of the contemporaries and the previously not reissued publication of “Novy Put” (“New Way”) journal on the subject. In the context of the declared problematics, special attention is paid to the question of transformation of religious consciousness in the course of the personality formation in relation to the period under consideration (the beginning of the 20th century). The author reveals and analyzes the main components of the life stand of Tolstoy and Father John of Kronstadt in the context of their influence on contemporaries. The results of the study allow to reveal the following antitheses that characterize Tolstoy and John of Kronstadt, respectively: doubt - faith, search for oneself – following the once chosen path, preaching of non-resistance as part of the philosophy of not-doing (not doing evil) – preaching of active upholding of faith (doing good), “simple living” – real life with and for common people.


Author(s):  
Peter Miksza ◽  
Kenneth Elpus

This chapter introduces the reader to basic characteristics of science and situates the design and analysis considerations presented throughout the book within the context of scientific inquiry. A brief description of key historical developments regarding the philosophy of science is provided. An overview of the fundamental aspects of inductive and deductive scientific reasoning and the importance of falsification to scientific progress is presented. In addition, the values of objectivity and transparency as well as the importance of scientific community are stressed. The usefulness of statistical tools for helping researchers clarify their questions, establish criteria for their judgments, and communicate evidence for their claims is also discussed.


2017 ◽  
Vol 21 (4) ◽  
pp. 308-320 ◽  
Author(s):  
Mark Rubin

Hypothesizing after the results are known, or HARKing, occurs when researchers check their research results and then add or remove hypotheses on the basis of those results without acknowledging this process in their research report ( Kerr, 1998 ). In the present article, I discuss 3 forms of HARKing: (a) using current results to construct post hoc hypotheses that are then reported as if they were a priori hypotheses; (b) retrieving hypotheses from a post hoc literature search and reporting them as a priori hypotheses; and (c) failing to report a priori hypotheses that are unsupported by the current results. These 3 types of HARKing are often characterized as being bad for science and a potential cause of the current replication crisis. In the present article, I use insights from the philosophy of science to present a more nuanced view. Specifically, I identify the conditions under which each of these 3 types of HARKing is most and least likely to be bad for science. I conclude with a brief discussion about the ethics of each type of HARKing.


Author(s):  
Boris Yu. Aleksandrov ◽  
Olga Ye. Puchnina

The ideas of conservative modernization of Russian society are currently very relevant. However, the concept of «conservatism» in modern discourse is very ambiguous, and most importantly, not fully relevant to the complex of domestic socio-political and religious-philosophical ideas that have developed since the existence of the Old Russian state. A much more precise definition in this regard is the concept of “Khranitel’stvo”, which organically developed in the Russian tradition almost until the end of the 19th century and which is a unique and original phenomenon of the intellectual culture of Russia. On the basis of large historical and theoretical material, the authors of the monograph study the ideological origins, essence and evolution of «Khranitel’stvo» as a specific socio-political direction of Russian thought.


Author(s):  
И.Н. Куксин ◽  
В.Д. Хода

Современный период развития российского общества характеризуется укоренным развитием цифровизации, которая позволяет повысить эффективность производства и улучшить качество жизни населения страны. Вместе с тем интенсивное внедрение информационно-телекоммуникационные технологии и, в частности, искусственного интеллекта влечет не только благо, но и новые вызовы, риски, угрозы для общества. Авторы видит их минимизацию в совершенствовании нормотворческой и правоприменительной практики. The modern period of development of Russian society is characterized by the rapid development of digitalization, which allows increasing production efficiency and improving the quality of life of the country's population. At the same time, the intensive introduction of information and telecommunication technologies


2020 ◽  
Vol 27 (1) ◽  
pp. 56-72
Author(s):  
Tatiana A. Isachenko

<p>&nbsp;The motif of &ldquo;the escape from paradise&rdquo; has recently become one more time the subject of historical poetics. This motif is opposed to &ldquo;the expulsion from paradise&rdquo; accepted in Western literature. In the perception of scholars the motif of &ldquo;the escape from paradise&rdquo; in 19th century literature took a paradoxical form of &ldquo;loneliness&rdquo; (Dmitriev, Pushkin, Ostrovsky and Batyushkov) and then was designated as a &ldquo;moving&rdquo; model of a Russian man&rsquo;s life who escapes from Paradise&nbsp;&mdash; a &ldquo;homeostatic&rdquo; society (L.&nbsp;N.&nbsp;Gumilev). The transformation of the motif from a &ldquo;stable&rdquo; model to a &ldquo;moving&rdquo; one led to formation of a new Russian character&nbsp;&mdash; a &ldquo;homeless wanderer&rdquo; mentioned by F.&nbsp;M.&nbsp;Dostoevsky in his &ldquo;Pushkin Speech&rdquo;. The article puts forward a thesis that under the influence of wandering a part of Russian society feel inclined for Old Russian forms of world outlook that incites person&rsquo;s searches for life paradise in his own soul. This trend appears in the pilgrimage and theological literature of the 19th century. The transformation of the ratio between the &ldquo;stable&rdquo; and the &ldquo;moving&rdquo; towards the Old Russian ideal of wandering brings man to the saving paths of evangelical commandments. The theme of &ldquo;escape in the desert&rdquo; is closely related to the theme of &ldquo;Mental Paradise&rdquo;. In this regard, the key plot of the popular collection &ldquo;Mental Paradise&rdquo; popular in the 17th century and released in Wallay Iversky Monastery in 1658&ndash;1659 is considered. Based on the manuscripts the article shows how the motives of &ldquo;Paradise&rdquo; and &ldquo;escape in the desert&rdquo; having preceded the trends and having been developed in the 19th century leading to the prosperity of pilgrimage literature, are presented in literature of pre-Peter Russia.</p>


2021 ◽  
Vol 27 (3) ◽  
pp. 92-101
Author(s):  
Valeria G. Andreeva

The article examines the concept of an epic novel – a special historical genre phenomenon that arose as a result of the successful implementation by Russian classics of the second half of the 19th century. The author discusses the pseudo-names that appeared in Soviet literary criticism due to its politicisation and ideologisation back in the 1920s –30s and she shows that the terms of epic novel and epopee novel were used at the indicated time for the sake of the Communist party tasks, but contrary to their true meanings. As noted in the article, this required a rejection of the traditions of Russian classical literature, a rejection of the genetic memory of the universal vision of the world and human inherent in the epic novel. Analytical comprehension of the polemics of literary critics of different generations made it possible to show that a number of researchers who rightly saw the problem, forgot to “rehabilitate” the above concepts and transferred the line of denial of Soviet ideology to the terms themselves. The author of the article explains the importance of using the concept of an epic novel in its true meaning, in relation to the voluminous works of Russian classical literature.


2021 ◽  
Vol 7 (1) ◽  
pp. 12-25
Author(s):  
Ahmadi Ahmadi ◽  
Afroh Nailil Hikmah ◽  
Agus Yudiawan

This paper aims to understand the two basic concepts that are the focus of the discussion, namely science and religion through a philosophy of science approach. This approach assumes seeing the foundation that allows the development of theoretical arguments about the nature of science (knowledge, science) and religion studied in the basic concepts of Philosophy of Science. The Philosophy of Science that is meant must have been formulated in a contextual-humanist-sociological manner that is social salvation. So that it can make a significant contribution to humanity as a whole. Thus, the Philosophy of Science will dynamically always be in line with the main mission of Islam, namely rahmatan Lil 'ālamīn.  


2019 ◽  
Vol 11 (4) ◽  
pp. 68-77
Author(s):  
Valery Milydon

The essay explores lexical coincidences in the works of Yuri Tynianov and Osip Mandelshtam coincidences which appeared in different time periods, independently of each other.In the second half of the 1920s, Tynianov wrote the novel Death of the Vazir-Mukhtar which, while dealing with events of the 1820s, anticipated the soon-tobe disappearance of free artistic speech.Ten years later, Tynianov's anticipation became a reality reflected in Mandelstam's poem Lamarck. Freedom of creative activity did not disappear completely but became, in many respects, a thing of the past. Even if the hope for the return of free expression still existed, no one imagined when this event would take place. Loyalty to the regime and assentation were the signs of the times. Studies of Soviet artistic life in that period reveal the extreme degree of the unnatural selection aimed at creating unwavering servants of the regime. One of such servants wrote: In today's situation, genius and villainy are two compatible things: the killing of a Mozart may assist history.Such assistance to history became a Soviet norm and, according to independent Russian migr observers, led to a situation in which Soviet literature lost the position within world literature obtained by the Russian classical literature of the 19th century and acquired unmistakably provincial traits. As Shigalev declared in Dostoyevsky's Demons, All are slaves and equal in their slavery.Analogous processes were taking place in cinema, where pro-regime servilism due to cinema's ability to influence the audience more rapidly and more powerfully than literature acquired its most dangerous form. This was fully understood by the Bolshevik regime which held cinema in high regard. Creating art? No, doing what you were told to do, this was how Soviet filmmaker Leonid Trauberg later described those times.


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