The Bowery and Its Bars

Author(s):  
Richard E. Ocejo

This chapter provides a brief social history of the Bowery as told through the transformation of its bars and nightlife. It first examines how bars and nightlife corresponded to and helped along the Bowery's eventual gentrification before discussing how new bars and contemporary nightlife development have shaped community life in downtown neighborhood bars. A vignette of the people at Milano's Bar, a bar that has evolved alongside the changes occurring in the Bowery and the nightlife scene, is presented. Through an analysis of its multiple generations of customers, its bartenders, and its owners, the chapter reveals the tensions that have arisen from the bar's own transformation as a refuge for the homeless to a public gathering place for residents to a “dive bar” for young visitors. The reactions of the people at Milano's to these changes illustrate how urban forces have shaped a fundamental aspect of life for people in these downtown neighborhoods, namely, community socializing.

2021 ◽  
Vol 5 (1) ◽  
pp. 104
Author(s):  
Rudolf Panggabean

The tithe offering to God shows the repentance of the people to Him. Obedience in giving a true tithe offering is a practice of covenant between God and His people, but n its implementation, people break their covenants against God's decree.  people still practice the wrong practices of worshipping God, especially regarding things. The real tithe is not of how much the people give to God, but rather a form of obedience to Him. This condition was conveyed by Malachi to the people of Israel. This study aims to analyze the text of Malachi 3:6-12 to gain an understanding of the spirit of reform of post-exile offerings. The method used in this study is qualitative by applying descriptive methods through the analysis of the social history of the text. In terms of the spirit of reform of the people after the exile according to the text of Malachi 4:6-12, it is obtained an understanding of the spirit of reform of the offering of the people as obedience through thanksgiving to God and to the common welfare.AbstrakPersembahan persepuluhan kepada Allah menunjukkan pertobatan umat kepada-Nya. Ketaatan dalam memberikan persembahan persepuluhan yang benar merupakan salah satu praktik perjanjian antara Allah dan umat-Nya, namun pada pelaksanaannya, umat melanggar perjanjian mereka terhadap ketetapan Allah itu. umat masih saja melakukan praktik peribadatan yang salah kepada Allah, khususnya mengenai persembahan perse-puluhan. Kondisi ini disampaikan Nabi Maleakhi kepada umat Israel. Penelitian ini bertujuan untuk menganalisa teks Maleakhi 3:6-12 untuk mendapatkan pemahaman semangat reformasi persembahan umat pasca pembuangan. Metode yang dipakai dalam penelitian ini adalah kualitatif, dengan menerapkan metode deskriptif melalui analisis sejarah sosial teks. Dalam hal semangat reformasi persmbahan umat pasca pembuangan  menurut teks Maleakhi 4:6-12, maka didapatkan pemahaman mengenai semangat reformasi persembahan umat sebagai ketaatan melalui ucapan syukur kepada Allah dan untuk kesejahteraan bersama


2016 ◽  
Vol 10 (2) ◽  
pp. 259-292
Author(s):  
Bo-wei Chiang (江柏煒)

Quemoy is a famous overseas Chinese hometown in modern China. Since the 17th Century, Western colonial power expanded to South Asia, Southeast Asia, China and Japan, and drew these areas into the network of the global economy. The Quemoy Islands, situated outside Xinmen (Amoy)-port, were influenced by external and internal factors that shaped the region’s history of overseas migration. Emigrants from Quemoy brought radical changes back to their hometown, including social, economic, cultural and architectural impacts. These historical phenomena, usually described as expressions of “transnationalism,” are important foci of current research. This research tries to study the modernization of one overseas Chinese native hometown by investigating “Shining,” a monthly publication of Jushan village in Quemoy. “Shining” is one of the most comprehensive overseas Chinese publications and news reports in the world, however, it has received little academic attention. “Shining” published its first issue in September 1928, but publication was interrupted by the Second Sino-Japan War, between 1937–45. In April 1946, the publication resumed until the kmt retreated to Taiwan in 1949. The monthly publication had 21 volumes in total and recorded many historical materials, such as social life, overseas Chinese remittances, events, cultural changes and architectural activities during the 1920s–30s. It also reported political conditions and made criticisms of political issues between 1945–49. “Shining” conveyed progressive ideas and values to the people of Quemoy at that time. This paper will use “Shining” to study social change in the native hometown, including the economic connection between Quemoy and overseas areas, the formation and characteristics of overseas Chinese families, the interaction between folk society and colonial culture, the modification of everyday life and values, the changes in landscape and architecture. I attempt to examine the use of overseas Chinese newsletters to develop a new field of social history in the study of modern overseas Chinese native hometowns. 閩粵為近代中國著名的僑鄉,海外移民及歸僑眾多。華僑的出洋主要是經濟上的因素,他們匯款返鄉支持了家鄉家眷生計、教育、剬益、實業等層面的發展,促成了僑鄉社會的近代化。在昔日交通不便捷的情況下,海外僑居地與僑鄉之間的聯繫,經常必須仰賴僑刊或鄉訊的報導。這些刊物一般由各僑鄉宗族所辦,刊行於海外,讓華僑得以了解家鄉動態與相關事聞。不過由於國共戰爭、文化大革命之故,多數僑刊沒有保存下來。 本文擬以保存完整的僑刊福建金門珠山《顯影》(Shining)為例,一方面深入分析1928至1949年間(1937–45年間因戰爭停刊)《顯影》史料,一方面也從刊物內容中理解1920s–40s年代金門社會生活、治安狀況、海外鄉僑事蹟、僑匯經濟、實業發展、政治時局、文化變遷等主題。最後,進一步探究《顯影》的史料價值及其侷限,說明其對於僑鄉研究的重要性。 (This article is in English.)


1980 ◽  
Vol 62 (1) ◽  
pp. 177
Author(s):  
Carol Herselle Krinsky ◽  
Nathaniel Burt

2020 ◽  
Vol 65 (3) ◽  
pp. 975-989
Author(s):  
Yurii V. Latysh ◽  

The article deals with the main trends and debatable issues in the Ukrainian historiography of Perestroika. The author establishes a connection between the prevailing ideas about the place of Soviet statehood in the history of Ukraine and the role of Perestroika in it. The totalitarian paradigm dominant in Ukrainian historiography is analyzed, according to which: 1) the reforms were unable to correct the Soviet communism whose collapse was imminent; 2) as a result of the collapse of the Soviet empire the peoples were given the opportunity to create national states and return to the “road of civilization” — to a market economy based on private property. The concepts of the system crisis of the Soviet model of socialism and the transformation of perestroika as a “revolution from above” into the national revolution during the Ukrainian national revival are considered. The article pays a particular attention to the coverage of the role of Ukraine in the disintegration of the USSR in the historiography since the position of the situational union of sovereign communists and nationalists at the time of the conclusion of the Belovezhsky agreements rested on the will of the people — the AllUkrainian referendum. Russia and Belarus did not conduct referendums on independence. It has been established that Ukrainian historians have concentrated on studying certain aspects of Perestroika, mainly related to Ukraine. They concern the Ukrainian national, linguistic, cultural and ecclesiastical revival, the activities of the national-democratic opposition. Many aspects of Perestroika (economic reforms, foreign policy, social history, the history of everyday life) in Ukraine are almost not researched at all.


2021 ◽  
Vol 38 (2) ◽  
pp. 141-182
Author(s):  
Andrew A. Cashner

Church ensembles of Spaniards across the Spanish Empire regularly impersonated African and other non-Castilian characters in the villancicos they performed in the Christmas Matins liturgy. Although some scholars and performers still mistakenly assume that ethnic villancicos preserve authentic Black or Native voices, and others have critiqued them as Spaniards’ racist caricatures, there have been few studies of the actual music or of specific local contexts. This article analyzes Al establo más dichoso (At the happiest stable), an ensaladilla composed by Juan Gutiérrez de Padilla for Christmas 1652 at Puebla Cathedral. In this performance his ensemble impersonated an array of characters coming to Christ’s mangers, including Indian farm laborers and African slaves. The composer uses rhythm to differentiate the speech and movement of each group, and at the climax he even has the Angolans and the angels sing together—but in different meters. Based on the first edition of this music, the article interprets this villancico within the social and theological context of colonial Puebla and its new cathedral, consecrated in 1649. I argue that through this music, members of the Spanish elite performed their own vision of a hierarchical and harmonious society. Gutiérrez de Padilla was himself both a priest and a slaveholder, and his music elevates its characters in certain ways while paradoxically also mocking them and reinforcing their lowly status. Building on Paul Ricoeur’s concept of the “three worlds of the text,” the article compares the representations imagined within the musical performance with archival evidence for the social history of the people represented and the composer’s own relationships with them (the world behind the text). Looking to the world projected “in front of” the text, I argue that these caricatured representations both reflected and shaped Spaniards’ attitudes toward their subjects in ways that actively affected the people represented. At the same time, I argue that Spanish representations mirrored practices of impersonation among Native American and African communities, especially the Christmastide Black Kings festivals, pointing to a more complex and contradictory vision of colonial society than what we can see from the slaveholder’s musical fantasy alone.


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