The Compilation Film of the Mexican Revolution: History as Catalogue and Monument

Cinesonidos: Film Music and National Identity During Mexico’s Época de Oro is the first book-length study concerning the function of music in the prominent genres structured by the Mexican film industry. Integrating primary source material with film music studies, sound studies, and Mexican film and cultural history, this project closely examines examples from five significant film genres that developed during the 1930s through 1950s. These genres include the prostitute melodrama, the fictional indigenista film (films on indigenous themes or topics), the cine de añoranza porfiriana (films of Porfirian nostalgia), the revolutionary melodrama, and the comedia ranchera (ranch comedy). The musics in these films helped create and accentuate the tropes and archetypes considered central to Mexican cultural nationalism. Distinct in narrative and structure, each genre exploits specific, at times contradictory, aspects of Mexicanidad—the cultural identity of the Mexican people—and, as such, employs different musics to concretize those constructions. Throughout this turbulent period, these tropes and archetypes mirrored changing perceptions of Mexicanidad manufactured by the state and popular and transnational culture. Several social and political agencies were heavily invested in creating a unified national identity to merge the previously fragmented populace owing to the Mexican Revolution (1910–ca.1920). The commercial medium of film became an important tool in acquainting a diverse urban audience with the nuances of national identity, and music played an essential and persuasive role in the process. In this heterogeneous environment, cinema and its music continuously reshaped the contested, fluctuating space of Mexican identity.

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The Politics of US Latino Literature and American Realism

The Oxford Handbook of American Literary Realism ◽

10.1093/oxfordhb/9780190642891.013.14 ◽

2019 ◽

pp. 231-248

Author(s):

Ramón J. Guerra

Keyword(s):

United States ◽

Social Justice ◽

Mexican Revolution ◽

The United States ◽

Spanish American ◽

Spanish American War ◽

Men And Women ◽

Latino Literature ◽

The Common ◽

Racial Ethnic

This chapter examines the development of Latino literature in the United States during the time when realism emerged as a dominant aesthetic representation. Beginning with the Treaty of Guadalupe Hidalgo (1848) and including the migrations resulting from the Spanish-American War (1898) and the Mexican Revolution (1910), Latinos in the United States began to realistically craft an identity served by a sense of displacement. Latinos living in the United States as a result of migration or exile were concerned with similar issues, including but not limited to their predominant status as working-class, loss of homeland and culture, social justice, and racial/ethnic profiling or discrimination. The literature produced during the latter part of the nineteenth century by some Latinos began to merge the influence of romantic style with a more socially conscious manner to reproduce the lives of ordinary men and women, draw out the specifics of their existence, characterize their dialects, and connect larger issues to the concerns of the common man, among other realist techniques.

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The Mexican Revolution Corridos

Journal of American Folklore ◽

10.2307/541490 ◽

1999 ◽

Vol 112 (446) ◽

pp. 540

Author(s):

Michael C. Stone ◽

Guillermo E. Hernandez

Keyword(s):

Mexican Revolution

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From Globalisation to Revolution? The Porfirian Political Economy: An Essay on Issues and Interpretations

Journal of Latin American Studies ◽

10.1017/s0022216x09005598 ◽

2009 ◽

Vol 41 (2) ◽

pp. 347-368 ◽

Cited By ~ 7

Author(s):

PAOLO RIGUZZI

Keyword(s):

Political Economy ◽

Mexican Revolution ◽

Future Research ◽

The Political ◽

Economic Relations ◽

Future Research Agenda ◽

Current State ◽

International Economic Relations ◽

Economic Strategies ◽

State Finance

AbstractThis essay evaluates the political economy of Mexico during the Porfirian period (1876–1911), with the aim of discussing advances in scholarship and presenting an outline of the elements for a future research agenda. To this end, the essay examines the current state of knowledge on four crucial aspects of the Mexican economy: growth and its dimensions; the state, finance and economic strategies; the construction and functioning of the internal market; and the international economic relations of Mexico during the first period of globalisation. In particular, it assesses the arguments that link features of Porfirian economic organisation with the outbreak of the Mexican Revolution in 1910.

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