Religious education in Russia and Europe in the twentieth century: historical experience and transfer of values

The twentieth century was a time of trial for the Christian Churches of Europe and Russia. Their clash with a new type of state could not but affect the system of religious education. In almost all countries, it has faced state intervention, which has led to its significant transformation, and sometimes even a complete ban. At the same time, there was a search for new forms of religious education aimed at a wide variety of groups: from future priests and lay students to teenagers and preschoolers. This collection of articles provides reviews of these trends, as well as reviews of current discussions about the future of religious education. For historians, teachers and anyone interested in the history of religious education.

2021 ◽  
Vol 4 (6) ◽  
pp. 4-9
Author(s):  
Omonulla Salikhov ◽  

The article analyzes the features of the formation of the school of painting in Uzbekistan in the twentieth century, the harmony of painting with modern urban planning, analysis of the work of greatpainters. In particular, in the works of B. Jalolov, one of the most prominent artists in the field of monumental painting, we see that he skillfully combined the strong traditions of the academic school, the aesthetics of Western and Eastern art. His work can be seen in a series of frescoes. The interior of theTurkiston concert palace in Tashkent contains analytical information about the work of Umar Khayyam on oriental lyrics, “Nobody said why I was born” at the National Bank of Uzbekistan, as well as about his monumental works in many other regions. On the example of Samarkand, A. Isaev was one of the most versatile artists in the field of monumental painting, he also wrote “The Great Silk Road” on the walls of the foyer of the Institute of Foreign Languages and “Friendship of Peoples” for the foyer of the academic lyceum of the Institute, Examples “History of Samarkand” for the hotel “ Afrosiyab ", at the Samarkand Agricultural Institute, such as" The Generosity of Mother Earth ", 41 ceramic panels on Tashkent Street and many other monumental paintings. By the colors in the artist's works, one can imagine that the artist played the melody in a lyrical tone. The article notes that almost all compositions are characterized by a description of the artist's work, such as the observation ofwarmth, a set of warm colors, oriental colors, a patriotic mood, which is typical for all artists


Author(s):  
Victoria L. Evans

Since every stage of Ron Kirby and Carey Scott's relationship is marked by alterations in their domestic environments, Chapter 6 ("Back to the Future: Modernist Architecture and All That Heaven Allows") explores some of the conflicting social and cultural connotations that have been encoded into their respective dwellings. For instance, Ron's progressive renovation of the Old Mill recapitulates the history of twentieth-century Modernist architecture in reverse. The final incarnation of this structure evokes Le Corbusier's Machine Age villas of the 1920s rather than Frank Lloyd Wright's more organic mid-century Modernist aesthetic, which dissents from the dominant 1950s American view of the ideal home by suggesting a less materialistic way of life. By contrast, Carey's suburban Colonial Revival residence represents the negation of the freedom from traditional conventions that Ron's living space ultimately implies.


2020 ◽  
pp. 434-450
Author(s):  
Simon J. Potter

This chapter examines the twentieth-century British press in its imperial and transnational contexts. It demonstrates how Britain's imperial press system, which developed during the nineteenth and early twentieth centuries to allow news to flow around the British empire, increasingly failed to serve British geopolitical interests from the mid-twentieth century onwards. It considers the relationship between the British government and the news agency Reuters, and the role of the Empire Press Union. It argues that although contemporary journalists often emphasised the importance of the ideal of press freedom when talking about their profession, state intervention in the affairs of news agencies represents a significant thread in the history of the twentieth-century British press.


2002 ◽  
Vol 71 (3) ◽  
pp. 585-599 ◽  
Author(s):  
Hartmut Lehmann

One hundred years ago, the discipline of church history was well established within institutions of higher learning in Western societies. The heirs of Leopold von Ranke and Philip Schaff were well versed in the range of topics that church history comprised. Church history was an integral part of the study of theology. Church historians published handbooks and had their own journals. All church historians—those with a Catholic and those with a Protestant affiliation, the members of state churches, and those belonging to church bodies, built on the principle of voluntarism—seemed to have a common agenda. This was the story of Christian churches throughout the centuries.


AJS Review ◽  
1993 ◽  
Vol 18 (1) ◽  
pp. 29-37
Author(s):  
Robert Chazan

The impact of Salo Wittmayer Baron on the study of the history of the Jews during the Middle Ages has been enormous. This impact has, in part, been generated by Baron's voluminous writings, in particular his threevolume The Jewish Community and–even more so–his eighteen-volume Social and Religious History of the Jews. Equally decisive has been Baron's influence through his students and his students' students. Almost all researchers here in North America currently engaged in studying aspects of medieval Jewish history can surely trace their intellectual roots back to Salo Wittmayer Baron. In a real sense, many of Baron's views have become widey assumed starting points for the field, ideas which need not be proven or irgued but are simply accepted as givens. Over the next decade or decades, hese views will be carefully identified and reevaluated. At some point, a major study of Baron's legacy, including his influence on the study of medieval Jewish history, will of necessity eventuate. Such a study will have, on the one hand, its inherent intellectual fascination; at the same time, it will constitute an essential element in the next stages of the growth of the field, as it inevitably begins to make its way beyond Baron and his twentieth-century ambience.


1982 ◽  
Vol 15 (1) ◽  
pp. 3-25 ◽  
Author(s):  
David C. Lindberg

Roger Bacon has often been victimized by his friends, who have exaggerated and distorted his place in the history of mathematics. He has too often been viewed as the first, or one of the first, to grasp the possibilities and promote the cause of modern mathematical physics. Even those who have noticed that Bacon was more given to the praise than to the practice of mathematics have seen in his programmatic statements an anticipation of seventeenth-century achievements. But if we judge Bacon by twentieth-century criteria and pronounce him an anticipator of modern science, we will fail totally to understand his true contributions; for Bacon was not looking to the future, but responding to the past; he was grappling with ancient traditions and attempting to apply the truth thus gained to the needs of thirteenth-century Christendom. If we wish to understand Bacon, therefore, we must take a backward, rather than a forward, look; we must view him in relation to his predecessors and contemporaries rather than his successors; we must consider not his influence, but his sources and the use to which he put them.


2005 ◽  
Vol 4 (2) ◽  
pp. 173-213
Author(s):  
Kerry Soper

Many fans and scholars of newspaper comics have observed that an excellent way to chart a social history of American culture in the twentieth century is to look at the mainstream comic strip page. This may be especially true of the first half of the twentieth century when comic strips were avidly followed by readers from almost all age, class, and ethnic demographics. Because of this breadth of popularity, the comics page was a fairly accurate reflector (and occasionally, shaper) of fashions, fads, humor, politics, and racial prejudices. Early cartoonists' ability to place their fingers on the American pulse can largely be attributed to the industry's eagerness to please readers: as a lowbrow entertainment that targeted broad audiences through street corner sales, and later, national syndication, it tried to anticipate the characters, comedy, and ideological content that would attract and retain devoted readers. A few iconoclastic cartoonists such as Al Capp (Li'l Abner) and George Herriman (Krazy Kat) challenged readers with topical satire or appealed to niche audiences with quirky humor and aesthetics; but even the most innovative work in the medium relied on a sort of call and response between core readers, syndicates, editors, and artists—a back and forth that insured that the cartoonist's work resonated with, or spoke for, its fans.


Author(s):  
Judite Primo

The notion of social started to take shape as an object of study of museology from the 70 years of the twentieth century. The social, political, cultural, educational and economic transformations that have been unleashed throughout the second half of the twentieth century were engines for the changes in the theoretical-methodological field of Museology. The New Museology Movement gained strength in almost all of the Western world, proposing and carrying out actions and interactions that aimed to transform the museum-Temple to the consolidation of the Museum-Forum (Cameron, 1971), calling on social subjects to withstand determinism history of heroes and glorious past and actively intervene in favor of a social and culturally transformative present. Keywords: New Museology; Museum; Heritage; Identity; Comunity


2008 ◽  
pp. 17-24
Author(s):  
Oleh S. Kyselov

Characteristic features of Christianity of the twentieth century were the consolidation of his denominations around social problems and holding inter-Christian theological and missionary conferences. These components of Christian history of the last century are connected with ecumenism. Ecumenism, in turn, influenced the initiation of a dialogue between Christianity and other religions, most notably Judaism and Islam. Thus, a comprehensive study of ecumenism will not only enable us to better understand contemporary Christianity and try to predict further ways of its development, but also on the basis of it to understand the inter-religious dialogue, which largely depends on the future of the world community.


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