EPITAFIES OF THE RELATIVES OF HADJI IBRAHIM AL-URADI AS A SOURCE ON THE BIOGRAPHY OF THE SCIENTIST AND ON THE HISTORY OF GIDATL

2017 ◽  
Vol 13 (4) ◽  
pp. 13-21
Author(s):  
Sh M Khapizov ◽  
M G Shekhmagomedov
Keyword(s):  
18Th Century ◽  
Medieval History ◽  
Historical Sources ◽  
The Past ◽  
Arabic Script ◽  
History Of ◽  
History Of Culture ◽  
The Look ◽  
Cultural Monuments ◽  
Written Sources

The article is devoted to the study of inscriptions on the gravestones of Haji Ibrahim al-Uradi, his father, brothers and other relatives. The information revealed during the translation of these inscriptions allows one to date important events from the history of Highland Dagestan. Also we can reconsider the look at some important events from the past of Hidatl. Epitaphs are interesting in and of themselves, as historical and cultural monuments that needed to be studied and attributed. Research of epigraphy data monuments clarifies periodization medieval epitaphs mountain Dagestan using record templates and features of the Arabic script. We see the study of medieval epigraphy as one of the important tasks of contemporary Caucasian studies facing Dagestani researchers. Given the relatively weak illumination of the picture of events of that period in historical sources, comprehensive work in this direction can fill gaps in our knowledge of the medieval history of Dagestan. In addition, these epigraphs are of great importance for researchers of onomastics, linguistics, the history of culture and religion of Dagestan. The authors managed to clarify the date of death of Ibrahim-Haji al-Uradi, as well as his two sons. These data, the attraction of written sources and legends allowed the reconstruction of the events of the second half of the 18th century. For example, because of the epidemic of plague and the death of most of the population of Hidatl, this society noticeably weakened and could no longer maintain its influence on Akhvakh. The attraction of memorable records allowed us to specify the dates of the Ibrahim-Haji pilgrimage to Mecca and Medina, as well as the route through which he traveled to these cities.

scholarly journals EARLY STAGES OF ARCHAEOLOGICAL STUDY OF THE KASHKADARYA OASIS

2021 ◽  
Vol 02 (07) ◽  
pp. 26-33
Author(s):  
Nilufar Rajabova ◽  
Keyword(s):  
18Th Century ◽  
Point Of View ◽  
Archaeological Sites ◽  
Historical Sources ◽  
Historical Monuments ◽  
History Of ◽  
Architectural Structures ◽  
The City ◽  
Shed Light ◽  
Written Sources

The article analyzes the first stages of studying the archaeological sites of the Kashkadarya oasis from a historical point of view. Beginning in the 18th century, Europeans began to record information about the Kashkadarya oasis. Their main focus is on highlighting the lifestyle of the population, as well as information on historical monuments. In particular, in memoirs, reports and brochures, A. Burns, N. Khannykov, V.V. Bartold, N. Maev, V. Krestovsky, B. Litvinov, D. Logofet, A. Validov, I. Kastane, L. Zimin, you can get a lot of information on this topic. Despite this, the first studies were mostly brief. Most importantly, the attention of architects and art critics is focused on the history of architectural structures in Shakhrisabz, built during the reign of Amir Temur and the Temurids. However, attempts to shed light on the history of the cities of Karshi and Shakhrisabz based on written sources consisted in a collection of the first archaeological observations, historical artifacts and manuscripts. Noteworthy is the information written by N. Khannykov, V.V. Bartold, N. Mayev. Subsequent studies also made extensive use of their memoirs. B. Litvinov's information about the Kashkadarya oasis was supplemented by his drawings. According to Logofet, the history of the city of Shakhrisabz is emphasized, and archaeological excavations show that its history goes back two thousand years. Logofet pays great attention to the medieval history of Karshi, cites various historical sources. It is important for I.Kastana and L.Zimin to describe the archaeological monuments preserved in the vicinity of Karshi from the point of view of that period and compare them on the basis of ancient and medieval written sources.

scholarly journals Antikvari između prirode i kulture

2017 ◽  
Vol 12 (3) ◽  
pp. 767
Author(s):  
Vladimir V. Mihajlović
Keyword(s):  
Social Theory ◽  
Scientific Revolution ◽  
Significant Contribution ◽  
18Th Century ◽  
Modern Science ◽  
Divine Intervention ◽  
The Past ◽  
European Science ◽  
History Of ◽  
Written Sources

From the second half of the 16th century to the beginning of the 18th century, the foundations of modern science were laid through the wide-ranging changes in comprehension of both nature and European societies, today labeled as “scientific revolution”. By the end of this period in the history of European science, the interpretation of universe did not necessarily include the divine intervention and, along with the objectification of nature, the past was objectified as well.The approaches articulated during the scientific revolution were applied to the investigation into the human past in the works of the antiquarians. The new ways of observation, description, and collection of antiquities were generated as a part of the wider interests in natural history. On the other hand, it may be argued that the antiquarians’ practice joined together the approaches we would today judge as opposed: the ones derived from social theory , as well as the ones based upon natural sciences. In their studies of the past, the antiquarians equally used written sources as well as “naturalistic” methods, such as careful observation, establishment of classifications, or experimental design.Taking into account the significant contribution of antiquarians to the establishment of disciplinary foundations of archaeology, the paper aims to point to some new possibilities of approaching the study of the past, primarily beyond the established dichotomy of artifacts/ecofacts, and to offer the ways of bridging the present divisions inside the discipline.

ИЗ ИСТОРИИ РУССКОГО СУНДУЧНОГО ПРОИЗВОДСТВА XVI–XVII ВЕКОВ: ПО МАТЕРИАЛАМ ОПИСЕЙ ИМУЩЕСТВА ЗНАТНЫХ ЛИЦ И МОНАСТЫРСКИХ ОПИСЕЙ

2021 ◽  
pp. 110-116
Author(s):  
Глеб Александрович Пудов
Keyword(s):  
18Th Century ◽  
Museum Collections ◽  
Historical Sources ◽  
History Of ◽  
Written Sources

В статье рассматривается один из периодов в истории русского сундучного производства, который ограничивается XVI–XVII вв. В музейных собраниях почти не сохранились сундуки и шкатулки этого времени. Поэтому большую ценность приобрели письменные источники — описи имущества частных лиц и монастырские описи. Они могут дать представление о несохранившихся сундучных изделиях. В статье не только анализируются некоторые аспекты русского сундучного производства XVI–XVII столетий, но и раскрываются особенности названных исторических источников, констатируется их ограниченность. В качестве приложения дан отрывок из описания Кирилло-Белозерского монастыря, составленного во второй половине XVIII в. The article examines one of the periods in the history of Russian chest production. It is limited to the 16th – 17th centuries. In museum collections, chests and caskets of that time are almost not preserved. Therefore, written sources – inventories of the property of individuals and monastic inventories – acquired great value. They can give an idea of the unpreserved chest products. The article not only analyzes some aspects of the Russian chest production of the 16th – 17th centuries, but also reveals the features of the named historical sources, states their limitations. As an appendix, an excerpt from the description of the Kirillo-Belozersky Monastery, compiled in the second half of the 18th century, is given.

Vyshnivetsky Castle Library of Prince Mychailo Servaty Vyshnivetsky – Historical Book Heritage and Object of Bibliological and Historical Reconstruction

2014 ◽  
Vol 3 ◽  
pp. 166-182
Author(s):  
Iryna Tsiborovska-Rymarovych
Keyword(s):  
18Th Century ◽  
Historical Analysis ◽  
Cultural Significance ◽  
Historical Sources ◽  
Cultural Images ◽  
The Enlightenment ◽  
Printed Books ◽  
History Of ◽  
Grand Duchy Of Lithuania ◽  
Definition Of

The article has as its object the elucidation of the history of the Vyshnivetsky Castle Library, definition of the content of its fund, its historical and cultural significance, correlation of the founder of the Library Mychailo Servaty Vyshnivetsky with the Book.The Vyshnivetsky Castle Library was formed in the Ukrainian historical region of Volyn’, in the Vyshnivets town – “family nest” of the old Ukrainian noble family of the Vyshnivetskies under the “Korybut” coat of arm. The founder of the Library was Prince Mychailo Servaty Vyshnivetsky (1680–1744) – Grand Hetman and Grand Chancellor of the Grand Duchy of Lithuania, Vilno Voievoda. He was a politician, an erudite and great bibliophile. In the 30th–40th of the 18th century the main Prince’s residence Vyshnivets became an important centre of magnate’s culture in Rich Pospolyta. M. S. Vyshnivetsky’s contemporaries from the noble class and clergy knew quite well about his library and really appreciated it. According to historical documents 5 periods are defined in the Library’s history. In the historical sources the first place is occupied by old-printed books of Library collection and 7 Library manuscript catalogues dating from 1745 up to the 1835 which give information about quantity and topical structures of Library collection.The Library is a historical and cultural symbol of the Enlightenment epoch. The Enlightenment and those particular concepts and cultural images pertaining to that epoch had their effect on the formation of Library’s fund. Its main features are as follow: comprehensive nature of the stock, predominance of French eighteenth century editions, presence of academic books and editions on orientalistics as well as works of the ideologues of the Enlightenment and new kinds of literature, which generated as a result of this movement – encyclopaedias, encyclopaedian dictionaries, almanacs, etc. Besides the universal nature of its stock books on history, social and political thought, fiction were dominating.The reconstruction of the history of Vyshnivetsky’s Library, the historical analysis of the provenances in its editions give us better understanding of the personality of its owners and in some cases their philanthropic activities, and a better ability to identify the role of this Library in the culture life of society in a certain epoch.

“A composItIon wrItten wIthout creatIve lImItatIons” – Wanda Landowska and concerto for harpsichord and five instruments by ManueL de Falla (1923)

2021 ◽  
Vol 1 (15) ◽  
pp. 67-107
Author(s):  
Ines R. Artola
Keyword(s):  
Strict Sense ◽  
Sonata Form ◽  
Historical Sources ◽  
Avant Garde ◽  
20Th Century Music ◽  
The Third ◽  
Word Analysis ◽  
The Past ◽  
History Of ◽  
The One

The aim of the present article is the analysis of Concerto for harpsichord and five instruments by Manuel de Falla – a piece which was dedicated by the composer to Wanda Landowska, an outstanding Polish harpsichord player. The piece was meant to commemorate the friendship these two artists shared as well as their collaboration. Written in the period of 1923-1926, the Concerto was the first composition in the history of 20th century music where harpsichord was the soloist instrument. The first element of the article is the context in which the piece was written. We shall look into the musical influences that shaped its form. On the one hand, it was the music of the past: from Cancionero Felipe Pedrell through mainly Bach’s polyphony to works by Scarlatti which preceded the Classicism (this influence is particularly noticeable in the third movement of the Concerto). On the other hand, it was music from the time of de Falla: first of all – Neo-Classicism and works by Stravinsky. The author refers to historical sources – critics’ reviews, testimonies of de Falla’s contemporaries and, obviously, his own remarks as to the interpretation of the piece. Next, Inés R. Artola analyses the score in the strict sense of the word “analysis”. In this part of the article, she quotes specific fragments of the composition, which reflect both traditional musical means (counterpoint, canon, Scarlatti-style sonata form, influence of old popular music) and the avant-garde ones (polytonality, orchestration, elements of neo-classical harmony).

Science and World Cities: Thinking Urban Knowledge and Science at Large (16th-18th century)

Itinerario ◽  
2009 ◽  
Vol 33 (1) ◽  
pp. 79-95 ◽  
Author(s):  
Antonella Romano ◽  
Stéphane Van Damme
Keyword(s):  
History Of Science ◽  
18Th Century ◽  
World History ◽  
Global Dimension ◽  
Central Position ◽  
Social Approach ◽  
The Past ◽  
History Of ◽  
Intellectual Networks ◽  
Circulation Of Knowledge

Through its focus on the question of circulation, world history attained a central position amongst the historical configurations in the last decade. Indicative of our fundamentally changing world, the past thereby reveals itself to have been shaped by commercial, human and intellectual flows of global dimension. The history of science has been particularly receptive to such methodological developments, especially with regard to works influenced by a markedly social approach to science and knowledge, which has focused for some time on the analysis of intellectual networks. From the French provincial Enlightenment to Athansius Kircher's circles—including the relationships of patronage of mathematicians and court philosophers—social, intellectual and epistemological configurations have been designed, allowing us to consider different scales in the circulation of knowledge.

Popular Literacy and the Roots of the New Writing

1986 ◽  
Vol 168 (2) ◽  
pp. 31-46 ◽  
Author(s):  
John Willinsky
Keyword(s):  
United States ◽  
20Th Century ◽  
18Th Century ◽  
Writing Programs ◽  
The Past ◽  
New Approaches ◽  
Literacy Crisis ◽  
History Of ◽  
Popular Literacy ◽  
20Th Century United States

The place of writing in the curriculum has recently increased in importance under a series of new approaches based on a processing model of how writers write. An overlooked aspect of these new programs in the schools is the degree to which they parallel aspects of an earlier, popular literacy. In a brief recounting of incidents in the history of literacy with a focus on Renaissance Europe, 17th- and 18th-century England, and the 20th-century United States, three historical elements are brought to light which now play a strong part in the new programs. In these programs literacy (a) is sociable, (b) has its roots in nonstandardized language, and (c) places a premium on performance and publication. Insofar as the new writing takes up these aspects of popular literacy, there is reason to feel that it will work to some degree in meeting the current literacy crisis. However, the traditions of popular literacy have both political and social ramifications which warrant our attention. Popular literacy in the past has been entangled in the sensational and subversive and has not always been well received. This history raises questions as to what can be expected and what is desired of this new thrust in writing. The advocates of the new writing programs need to confront the potential of this increased voice, this latest form of popular literacy, which they have begun to encourage.

Three Ages of ''Patina'' in Painting

2002 ◽  
Vol 78 (1) ◽  
pp. 86-115
Author(s):  
Randolph Starn
Keyword(s):  
Seventeenth Century ◽  
Art Market ◽  
Old Regime ◽  
The Past ◽  
Art Writing ◽  
Cultural Legacy ◽  
Modern Age ◽  
History Of ◽  
National Museums ◽  
The Look

THIS ARTICLE TRACES THE HISTORY of a byword for the look of age since the early seventeenth century in art writing, the museum, the restorer's studio, and the art market. The seemingly material fact of patina has a career in the history of taste in Old Master painting through its old regime in the seventeenth and eighteenth centuries, when it was much prized as an effect of time and as an artifice; in its modern age beginning with the formation of national museums, patina becomes an object of contention in the ''cleaning controversies'' that revolve around the obligations of the present toward the cultural legacy of the past. Postmodern patina has come to register the complex and precarious effects of age on old pictures in ways that should enable us to appreciate and to care for them more knowingly than we have been able to do before.

Kinship and Friendship: The Perception of Family by Clergy and Laity in Late Medieval London

1988 ◽  
Vol 20 (3) ◽  
pp. 369-385 ◽  
Author(s):  
Jacqueline Murray
Keyword(s):  
Middle Ages ◽  
Historical Sources ◽  
Epidemic Disease ◽  
Popular Piety ◽  
The Past ◽  
Private Lives ◽  
The Social ◽  
Personal Nature ◽  
History Of ◽  
Rural England

One of the most persistent and frustrating problems which the social historian faces is that of gaining access to private lives in the past. This is true for all periods, but it is especially so for the Middle Ages. There are some letters available, but they tend to be scarce and limited in nature. Another type of document which proves a useful means of entry into medieval life is the testament. The information it contains is often of an intensely personal nature and allows the reader to understand the testator's relationships with others.The wealth of information contained in testaments is only beginning to be fully exploited. In his article “Fifteenth and Sixteenth-Century Wills as Historical Sources,” Michael L. Zell has demonstrated the breadth of information which these documents contain and points the way to many areas of further investigation. The usefulness of testamentary evidence to trace inheritance patterns and the disposition of property is well established. Eleanor S. Riemer has used testaments from Siena to examine the economic position of women. W. K. Jordan used wills extensively in his three volume study of charity in urban and rural England. More recently, Joel T. Rosenthal employed them to study gift-giving patterns among the English aristocracy. Wills have been used as sources for the study of religious values and popular piety, as a means of investigating the patterns of epidemic disease, and of tracing the spread of literacy. Historians have also begun to use testamentary evidence in the investigation of family life. For the history of the English family, the use of testamentary evidence is just beginning.

Examination of the tale of Kerem & Aslı in terms of clothes

2016 ◽  
Author(s):  
Saliha Ozelmas Kahya
Keyword(s):  
Cultural Values ◽  
Research Data ◽  
16Th Century ◽  
Oral Culture ◽  
Folk Tales ◽  
The Past ◽  
Folk Literature ◽  
History Of ◽  
Written Sources ◽  
Made In

Folktale is the name given to the products of folk literature created on the basis of the deep effect of any event or literal product left a trace in the society in oral culture. It is a long winded type of narration about real or real-like events. They are stories with traditional content which are narrated orally from one generation to the next. They generally deal with love and heroism. Kerem & Aslı is one of the most famous folk tales.Kerem & Aslı tale is one of the folk tales which was revealed by late 16th century, known and liked in other nations than Turkey and Oguz Turkish tribes (Armenian, Georgian, Lezg, etc.) addressing broad masses. Similar tales including Kerem & Aslı tale popular among broad masses are significant sources particularly in terms of revealing cultural values since they represented the past and future of the society.The purpose of this research is to find terms of garment, accessories, fabrics referred in the Kerem & Aslı tale, reveal meanings thereof and provide information about how they were used in the tale. Written sources were reviewed in order to collect research data. The characteristics of clothing of the characters in the Kerem & Aslı tale were revealed and a general assessment was made in the research and what the terms of garment, accessories, fabrics meant was explained. It was determined that the following terms were referred in  the Kerem & Aslı tale; don (underpants), hırka (cardigan), pestamal, libas (clothes), esvap (clothes), saya (clothes), fistan (clothes), kaftan (caftan), gomlek (shirt), arakcın, cevre, serpus, nikab, kalpak, oya (lace), aba, atlas, sal (shawl), yaglık (handkerchief), elvan, kusak (belt), tulbent (gauze).Keywords: folktale, traditional dressing, history of dressing, Kerem & Aslı tale

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