Chris Marker: Interactive Screen and Memory
Chris Marker (1921–2012), the creator of more than eighty films, has become a source of fascination for an entire generation of documentary filmmakers, as well as for the general public. Video and digital technical advancements allowed Marker to further develop his inquiry into image objectivity, and to keep looking back on the history and memory of the twentieth century in a non-linear, reflexive and interactive manner. This chapter examines the continuities and breaks in Marker's uses of technology and his views on history, as well as the specific bond he created with his audience. This unique relationship, which characterises Marker's entire body of work, stems from his concern with interactivity: an idea that operates under different definitions and is manifested in diverse ways within his art. Above all, his main objective concerns the circulation of images that explore cinema's various visual frameworks and how they transcribe history in different ways.