The Political Theology of Schelling

2016 ◽  
Author(s):  
Saitya Brata Das
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida ◽  
Political Theology ◽  
The Political ◽  
Franz Rosenzweig ◽  
Political Works ◽  
The Way

This book rigorously examines the theologico-political works of Friedrich Wilhelm Joseph von Schelling, setting his thought against Hegel's and showing how he prepared the way for the post-metaphysical philosophy of Martin Heidegger, Franz Rosenzweig and Jacques Derrida.

The Politics of Worldlessness

2020 ◽  
pp. 80-127
Author(s):  
Roland Végső
Keyword(s):  
Martin Heidegger ◽  
Human Condition ◽  
The Political ◽  
Simple Fact ◽  
Political World ◽  
Life Of The Mind ◽  
Life Itself ◽  
The Mind ◽  
The Way ◽  
The Human Condition

The chapter examines Hannah Arendt’s critique of martin Heidegger and concentrates on the way Arendt tries to subvert the Heideggerian paradigm of worldlessness. While for Heidegger, the ontological paradigm of worldlessness was the lifeless stone, in Arendt’s book biological life itself emerges as the worldless condition of the political world of publicity. The theoretical challenge bequeathed to us by Arendt is to draw the consequences of the simple fact that life is worldless. The worldlessness of life, therefore, becomes a genuine condition of impossibility for politics: it makes politics possible, but at the same time it threatens the very existence of politics. The chapter traces the development of this argument in three of Arendt’s major works: The Origins of Totalitarianism, The Human Condition, and The Life of the Mind.

Cruelty and Its Vicissitudes

2019 ◽  
pp. 120-138
Author(s):  
Elizabeth Rottenberg
Keyword(s):  
Death Penalty ◽  
Jacques Derrida ◽  
Political Theology ◽  
The Political ◽  
History Of

This chapter tracks the history of cruelty in the administration of the death penalty. It moves from the history of blood (cruor) and bloody cruelty (e.g., the guillotine) to a history that involves the disappearance of blood and the non-bloody process of interiorization. It argues that psychical cruelty makes cruelty not only difficult to determine but also, as Jacques Derrida insists, one of the horizons most proper to psychoanalysis. This chapter begins by following the signs of the mutation of the death-dealing discourse in the Christian, European West; it ends by reading the Jewish joke as the sign of a psychoanalytico-philosophical alliance that is explosively out of tune with the political theology of the death penalty.

‘Mutations from Below’: The Land Raiders of Reef and An Sùileachan (2013) by Will Maclean and Marian Leven

2020 ◽  
Vol 11 (2) ◽  
pp. 139-160
Author(s):  
Lindsay Blair
Keyword(s):  
Martin Heidegger ◽  
Michel Foucault ◽  
Power Relations ◽  
Mikhail Bakhtin ◽  
Classification Systems ◽  
The Political ◽  
The People ◽  
The Aesthetic ◽  
The Way

The focus of this paper is the memorial structure, An Sùileachan, at Uig on the Island of Lewis which was designed by Will Maclean and Marian Leven and built by stonemasons Ian Smith and James Crawford in 2013. The memorial, dedicated to the Land Raiders of Reef, is the fourth in a series of memorial sculptures to commemorate the struggles of the people against landlord control in different communities on the Island of Lewis. The title for this paper ‘Mutations from Below’ is used by Michel Foucault in his radical re-interpretation of classification systems, The Order of Things. Much of Foucault's writing is concerned with power relations, the way that power is exercised over people's freedom. The democratic thrust of Foucault's writings is paralleled in the determination of the artists, Maclean and Leven, to give a voice to the unrepresented voices of the people of Reef at the time of the Land Raid in 1913 and more generally to the voices of the people in their opposition to their treatment at the hands of landowners and their factors during the Clearances. In successive stages of the essay, the insights of different cultural theorists – Martin Heidegger, Gianni Vattimo, Mikhail Bakhtin, and Jacques Rancière – help to ground the argument in philosophical exegesis. Finally, the paper seeks to determine the nature and extent of the connection between the political and the aesthetic within the memorial sculptural form as exemplified at An Sùileachan.

Theopoetics to Theopraxis

2020 ◽  
Vol 25 (1) ◽  
pp. 163-182
Author(s):  
Calvin D. Ullrich
Keyword(s):  
Jacques Derrida ◽  
Political Theology ◽  
Continental Philosophy ◽  
The Political ◽  
Late Work ◽  
Theological Turn ◽  
Political Writing

The theological turn in continental philosophy has beckoned several new possibilities for theoretical discourse. More recently, the question of the absence of a political theology has been raised: Can an ethics of alterity offer a more substantive politics? In pursuing this question, the article considers the late work of Jacques Derrida and John D. Caputo. It argues that, contrary to caricatures of Caputo’s “theology of event,” his notion of theopoetics evinces a “materialist turn” in his mature thought that can be considered the beginning of a “radical political theology.” This position is not without its challenges, however, raising concerns over deconstruction’s ability to navigate the immanent but necessary dangers of politics. In order to attempt to speak of a form of “radical political theology”—i.e. a movement from theopoetics to theopraxis—the article turns to some of the political writing of Simon Critchley. It is argued that a much desired “political viscerality” for a radical political theology is supplied by Critchley’s anarchic realism. The latter is neither conceived as utopian nor defeatist, but as a sustained program of inventive and creative political interventions, which act as responses to the singularity of the situation.

Leone de' Sommi and Jewish Theatre in Renaissance Mantua

2009 ◽  
Vol 29 (2) ◽  
pp. 5-19
Author(s):  
Donald Beecher
Keyword(s):  
Sixteenth Century ◽  
The Political ◽  
Complex Relationship ◽  
Social Negotiations ◽  
Renaissance Artist ◽  
The Way

This is a study of a Renaissance artist and his patrons, but with an added complication, insofar as Leone de' Sommi, the gifted academician and playwright in the employ of the dukes of Mantua in the second half of the sixteenth century, was Jewish and a lifelong promoter and protector of his community. The article deals with the complex relationship between the court and the Jewish "università" concerning the drama and the way in which dramatic performances also became part of the political, judicial and social negotiations between the two parties, as well as a study of Leone's role as playwright and negotiator during a period that was arguably one of the best of times for the Jews of Mantua.

“I'd make thee eat the mischief thou hast vented”: Discourse of Law in Ben Jonson's Catiline His Conspiracy

2017 ◽  
Vol 24 (1) ◽  
pp. 22-45
Author(s):  
Akihiko Shimizu
Keyword(s):  
Early Modern ◽  
Political Discourse ◽  
Legal Discourse ◽  
The State ◽  
The Political ◽  
State Of Emergency ◽  
Gunpowder Plot ◽  
Effective Use ◽  
Legal Procedures ◽  
The Way

This essay explores the discourse of law that constitutes the controversial apprehension of Cicero's issuing of the ultimate decree of the Senate (senatus consultum ultimum) in Catiline. The play juxtaposes the struggle of Cicero, whose moral character and legitimacy are at stake in regards to the extra-legal uses of espionage, with the supposedly mischievous Catilinarians who appear to observe legal procedures more carefully throughout their plot. To mitigate this ambivalence, the play defends Cicero's actions by depicting the way in which Cicero establishes the rhetoric of public counsel to convince the citizens of his legitimacy in his unprecedented dealing with Catiline. To understand the contemporaneousness of Catiline, I will explore the way the play integrates the early modern discourses of counsel and the legal maxim of ‘better to suffer an inconvenience than mischief,’ suggesting Jonson's subtle sensibility towards King James's legal reformation which aimed to establish and deploy monarchical authority in the state of emergency (such as the Gunpowder Plot of 1605). The play's climactic trial scene highlights the display of the collected evidence, such as hand-written letters and the testimonies obtained through Cicero's spies, the Allbroges, as proof of Catiline's mischievous character. I argue that the tactical negotiating skills of the virtuous and vicious characters rely heavily on the effective use of rhetoric exemplified by both the political discourse of classical Rome and the legal discourse of Tudor and Jacobean England.

Reverence, Revision and Creaturely Life: Whitehead’s Political Theology of Enjoyment

2018 ◽  
Author(s):  
Beatrice Marovich
Keyword(s):  
Political Theology ◽  
Free Society ◽  
Actual Entity ◽  
Symbolic Code ◽  
Strategic Motivation ◽  
The Individual ◽  
The Way

‘The art of free society’, A.N. Whitehead declares in his essay on symbolism, is fundamentally dual. It consists of both ‘maintenance of the symbolic code’ and a ‘fearlessness of [its] revision’. This tension, on the surface paradoxical, is what Whitehead believes will prevent social decay, anarchy, or ‘the slow atrophy of a life stifled by useless shadows’. Bearing in mind Whitehead’s own thoughts on the nature of symbolism, this chapter argues that the figure of the creature has been underappreciated in his work as a symbol. It endeavors to examine and contextualize the symbolic potency of creatureliness in Whitehead’s work, with particular attention directed toward the way the creature helps him to both maintain and revise an older symbolic code. In Process and Reality, ‘creature’ serves as Whitehead’s alternate name for the ‘individual fact’ or the ‘actual entity’—including (perhaps scandalously, for his more orthodox readers) the figure of God. What was Whitehead’s strategic motivation for deploying this superfluous title for an already-named category? In this chapter, it is suggested that his motivation was primarily poetic (Whitehead held the British romantic tradition in some reverence) and so, in this sense, always and already aware of its rich symbolic potency.

Waste and Welter: Derrida's Environment

2010 ◽  
Vol 32 (1) ◽  
pp. 37-49 ◽  
Author(s):  
Roy Sellars
Keyword(s):  
Martin Heidegger ◽  
Jacques Derrida ◽  
Environmental Issues ◽  
Wallace Stevens ◽  
The Earth

At first sight, environmental issues do not seem to feature prominently, if at all, in the work of Jacques Derrida. This essay aims to take a closer look, and thereby to issue a challenge to the burgeoning discipline of eco-criticism. Instead of promoting the Beautiful Soul who is equipped to save the planet by virtue of reading poetry, I argue for the ethical primacy of waste and welter (to recycle a phrase from Wallace Stevens). Jonathan Bate's The Song of the Earth, a powerful but pious work of eco-criticism, ends with a test proposed to the reader; I take the test, which entails reading Stevens's late poem ‘The Planet on the Table’, and fail. Bate's invocation of Martin Heidegger is briefly examined, as are traces of Derrida. What remains of Derrida, I propose, is neither method nor concept but rather remainders that trouble the grounding of environment (Umwelt) as such.

The Star and the Stripes

2016 ◽  
Author(s):  
Michael N. Barnett
Keyword(s):  
Foreign Policy ◽  
Political Theology ◽  
Political Identity ◽  
The Political ◽  
Current Debate ◽  
American Jews ◽  
Peace And Justice ◽  
The World ◽  
Policy Beliefs ◽  
Justice Movements

How do American Jews envision their role in the world? Are they tribal—a people whose obligations extend solely to their own? Or are they prophetic—a light unto nations, working to repair the world? This book is an interpretation of the effects of these worldviews on the foreign policy beliefs of American Jews since the nineteenth century. The book argues that it all begins with the political identity of American Jews. As Jews, they are committed to their people's survival. As Americans, they identify with, and believe their survival depends on, the American principles of liberalism, religious freedom, and pluralism. This identity and search for inclusion form a political theology of prophetic Judaism that emphasizes the historic mission of Jews to help create a world of peace and justice. The political theology of prophetic Judaism accounts for two enduring features of the foreign policy beliefs of American Jews. They exhibit a cosmopolitan sensibility, advocating on behalf of human rights, humanitarianism, and international law and organizations. They also are suspicious of nationalism—including their own. Contrary to the conventional wisdom that American Jews are natural-born Jewish nationalists, the book charts a long history of ambivalence; this ambivalence connects their early rejection of Zionism with the current debate regarding their attachment to Israel. And, the book contends, this growing ambivalence also explains the rising popularity of humanitarian and social justice movements among American Jews.

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