scholarly journals Emotional education and mass media

Comunicar ◽  
2003 ◽  
Vol 10 (20) ◽  
pp. 63-67
Author(s):  
Rafael Bisquerra-Alzina ◽  
Gemma Filella-Guiu

The aim of this paper is to analyze the relationships between emotional education and the media from two different points of view. On the one hand, the emotional dimension of the media and their implication in education. On the other hand, the media as a El objetivo de este artículo es reflexionar sobre el binomio «educación emocional y medios de comunicación» desde dos puntos de vista. Por un lado, la dimensión emocional de los medios de comunicación y su implicación en la acción educativa y, por otro, los medios de comunicación como transmisores de educación emocional. Los autores finalizan presentando un conjunto de programas de educación emocional.

2008 ◽  
Vol 29 (2) ◽  
pp. 102-131 ◽  
Author(s):  
Stig Hjarvard

Abstract Using mediatization as the key concept, this article presents a theory of the influence media exert on society and culture. After reviewing existing discussions of mediatization by Krotz (2007), Schulz (2004), Thompson (1995), and others, an institutional approach to the mediatization process is suggested. Mediatization is to be considered a double-sided process of high modernity in which the media on the one hand emerge as an independent institution with a logic of its own that other social institutions have to accommodate to. On the other hand, media simultaneously become an integrated part of other institutions like politics, work, family, and religion as more and more of these institutional activities are performed through both interactive and mass media. The logic of the media refers to the institutional and technological modus operandi of the media, including the ways in which media distribute material and symbolic resources and make use of formal and informal rules.


2018 ◽  
Vol 2 (1) ◽  
pp. 37
Author(s):  
Yusron Saudi

Abstrak: Islam pada dasarnya, bukanlah agama yang hanya tertuang dalam simbol tekstual dalam al-Quran dan Hadist semata. Islam sejatinya adalah agama yang tidak bisa menafikan gejala historis, sosial, budaya, politik, dan seterusnya. Dengan jumlah penganut yang tidak sedikit, serta tersebar diberbagai belahan dunia, termasuk Indonesia, Islam pun menjelma menjadi semacam ''gejala pasar''. Sebagai konsekuensi dari ''gejala pasar'', maka Islam pun mengalami proses komodifikasi. Dakwah sebagai bagian dari ajaran agama, juga tidak bisa mengelak dari komodifikasi, terutama semenjak lahirnya berbagai macam media informasi, termasuk media massa. Banyaknya program-program dakwah di media massa di satu sisi menambah transformasi nilai-nilai Islam, tapi di sisi lain terkadang merusak citra Islam, karena dakwah sebagai bagian suci dari ajaran agama, terkadang menjadi alat bagi media untuk meraih keuntungan dari keberadaan penduduk Indonesia yang mayoritas beragama Islam tadi. Tulisan ini berusaha untuk melacak jejak lahir komodifikasi, serta penggerogotannya pada ruang agama dan praktik dakwah, sampai pada akhirnya berusaha mencari titik temu antara komodifikasi dan dakwah.Kata Kunci:Dakwah Islam, Komodifikasi, Media Massa, Studi Pustaka Abstract: Islam basically is not a religion contained with textual symbols in the Koran and the Hadith only. Islam actually is a religion what cannot deny by historical, social, cultural, political, and so on. The number of adherents of Islam is never calculated as a small, because Islam is spreaded in various parts of the world, including Indonesia, Islam has become a kind of "market phenomenon".  As a consequence of ''symptoms of market'', Islam also undergoes a commodification process. Da'wah as part of religious teachings also cannot avoid by commodification, especially since the birth of various information media, including mass media. The number of da'wah programs on the mass media is the one hand adds to the transformation of Islamic values, but on the other hand it sometimes damages the image of Islam, because da'wah as a sacred part of religious toughts. Which sometimes becomes a tool for the media to achieve the majority of Indonesia's population was a Muslim. This research seeks the traces of commodification, as well as its encroachment on the religious space and the practice of da'wah, until finally trying to find common ground between commodification and da'wah it self.Keywords:Islamic Da’wah, Commodification, Mass Media, Library Study


Author(s):  
Lucia Lichnerová

The study To Publish, Make Known and Sell is based on verified existence of competition tensions between the 15th century typographers/publishers, related to the absence of functional regulatory tools of book production of the incunabula period. The increase in the number of book-printers within the relatively narrow geographical area, disregard of publishers’ privileges, the emergence of pirated reprints, as well as insufficient self-promotion on the book market through introducing novelties had concentrated typographers’ attention on devising new tools of securing their triumph in publisher’s competition – the so called book advertisements. The author has analysed 44 promotional posters of the incunabula period from several points of view and attempted to identify their design elements, which on the one hand showed signs of certain standardization, while on the other hand they were subject to personal creativity of their creator. She gives detailed overview of the circumstances of the origin, typographic design and contents of book advertisements of several kinds within the context of promoting either the existing or planned editions, of one edition or a group of books; specifically focusing on the unique types of advertising. In conclusion, the author cites the circumstances of the extinction of book advertisements related to the rise of the new promotional tool – booksellers’ catalogue and submits a bibliography of the book advertisements dating from the 15th century.


Author(s):  
V.V. Kotelevskaya

The article explores the typological principles and genesis of narrative thinking of Thomas Bernhard (1931-1989). It reveals the paradoxical nature of his writing, which combines, on the one hand, archetypal structures, implied ‘genre memory’, and on the other hand, a unique, innovative style. Bernhard’s constructive principle is repetition, which allows the embodiment of the idea of «eternal return» (Eliade) throughout the poetical structure, whether it is a sacred event of a myth or an «obsessive repetition» (Freud) of the traumatic memories of the protagonist or the narrator. The fragmented world is under constant reorganizing with the help of Bernhard’s polyphonic writing, which finds itself mostly in the imitation of the non-figurative, purely expressive, self-referential «art of fugue» (Bach), oriented to the cyclic, rather than linear-historical concept of time. In contrast to the literary interpretation of the «polyphonic novel» (Bakhtin) with its coexistence of multiple points of view, our attention is shifted to the musicological interpretation of the fugue’s polyphony as the embodied idea of the continuity of time, the closeness and infinity of the divine universe.


Author(s):  
Hikari Hori

It is impossible to understand the media-scape of Japan from the 1920s through 1945 without analyzing the implications of representations of the emperor as well as the effects of state-led- and voluntary self-censorship on their production and reception. The emperor’s portrait photograph (goshin’ei) was too sacred to gaze upon, and citizens and soldiers even died to protect it. It was preserved with extreme care in public institutions and battleships. On the other hand, paradoxically, Hirohito was the first emperor whose public appearances were covered by multiple mass media, ranging from personalized collectible postcards to newsreels, which were readily available for viewers’ scrutiny. These contradictory viewing practices, one prohibited and another accessible, disrupted the visual culture of emperor-centered disciplined and nationalized imperial citizenship. (122 words)


2011 ◽  
Vol 19 (4) ◽  
pp. 337-355
Author(s):  
Annik Dubied Losa ◽  
Claudine Burton-Jeangros

AbstractNowadays, relationships between nonhuman animals and humans are debated, often in relation to issues associated with the risks they represent for each other. On the one hand, new diseases and accidents indicate that animals are not as innocuous as they were long thought; on the other hand, the now questioned human impact on the natural environment is considered a risk for animals. This research analyzed these contrasting images of animals in the Swiss information media. Of the five main animal figures identified over the last 30 years, this paper focuses on the Undesirable Animal and the Victim Animal. These two figures have existed throughout the observed period; in contrast to Victim Animals, however, who appear fairly infrequently, Undesirable Animals have become more and more common in the last decade, usually in relation to a specific issue (such as the avian flu). This suggests that the media more often convey the dominant anthropocentric relationship to animals, reflecting a preoccupation with the protection of humans against dangerous animals, whereas the protection of animals from humans is considered less important. Recent controversies demonstrate, however, that the frontier between “us” and “them” is regularly renegotiated.


Conciencia ◽  
2019 ◽  
Vol 19 (1) ◽  
pp. 1-9
Author(s):  
Ahmad Zainuri

Society (society) is a group of people who form a semi-closed (or semi-open) system, where most interactions are between individuals in the group. The variety of education received by students in this community is very much. These include the formation of habits, formation of knowledge, attitudes and interests, as well as moral and religious formation. Education in community education can be said to be indirect education, education carried out unconsciously by the community. And the students themselves consciously or not, they have educated themselves, strengthening their faith and self-confidence in the values ​​of morality and religion in society. That is, the community environment influences the development of students. The influence given by the environment is intentional and accidental. That is, the environment has no specific intentions in influencing the development of students. And the community environment is very influential for children's character development. If the child is in a good community environment, it will also have a good influence on the development of the child's character. Likewise, on the other hand a bad environment can also have a bad influence on children's character development. As parents, they must be smart and smart to choose a good environment for their children, because it will determine the child's character development. Character education as an effort to develop character is an effort made by the world of education to help students understand, care and act in accordance with ethical values. The purpose of character education is to form characters that are implemented in the subject's essential values ​​with the behaviors and attitudes they have. In this case the formation of character, there must be educational networks. Especially in information technology and telecommunications today, one of the factors that have a huge influence on development or vice versa is the destruction of the character of society or the nation is mass media, especially electronic media, with the main actors being television. Actually the magnitude of the role of the media, especially print and radio media, is in the development of national character. The mass media plays a dual role. On the one hand, playing public service advertisements or touching advertisements, on the other hand broadcasts programs/soap operas which actually show negative things, which ultimately are not shunned, instead imitated by the audience. The media must be controlled by the state. The state has an obligation to control all media activities, so that they are in accordance with the goals of the country itself. The legal instruments must be clear and fair. Indonesia itself has a Depkominfo, but only regulates frequency policies, broadcasting rights, and so on. More specifically, there is the Indonesian Broadcasting Commission (KPI), which was formed more independently, but recognized by the government. KPI is expected to be able to filter media activities (especially television) to suit the country's goals, norms, culture, customs, and of course religion. However, until now, the KPI is considered to be still quite weak in acting (filtering), and so than that, it is very necessary (strength) of the participation of the community in controlling these media.


1999 ◽  
Vol 4 (4) ◽  
pp. 233-239 ◽  
Author(s):  
Pieter J.D. Drenth

The Chained Prometheus is introduced as a metaphor for the behavioral scientist. Science (including psychology and pedagogy) is no longer taken for granted. Society, politics, and the media pose critical questions and not infrequently demand censorship or at least control of science. An analysis is given of the types of criticism and skepticism with respect to science, and to psychology in particular. The (behavioral) scientist faces a dilemma: On the one hand, science cannot exist and develop without freedom; on the other hand, this does not mean the freedom to amass knowledge at any price and without any restrictions. Thus, we balance ourselves between freedom and ethical/social responsibility. This presentation reflects on the question of the social and ethical limitations of (behavioral) science: Who should control what and on which criteria?


Author(s):  
Seth Brodsky

In the quarter century since the collapse of East Germany, the uncountable reflections that flower the media landscape inevitably turn to music. And when they do, they waffle. There is something untimely, and uncanny, about this waffling. It is as if the tensions structuring music's role in the heady days of the late 1960s were being therapeutically replayed twenty years later: 1968 yet again as the fetish object. On the one hand, music here is the fantasmatic sound of revolution itself, of truth speaking to power, and power falling to pieces under the weight of truth's irrefutable audibility, equal parts libido and righteousness. On the other hand, it is the traumatic reminder of failure, and the disenchanting premise that this “society of the spectacle” was not so powerful after all—that the revolution, in merely appearing, failed to show up. Judging from the examples of Hasselhoff, Rostropovich, and Bernstein, this chapter argues that music seems woven perfectly into a master's discourse: a process of shoring up a sovereign, of suturing itself to an empty signifier, producing a split subject, and precipitating an excessive enjoyment in the form of an object of desire.


2020 ◽  
Vol 64 (3) ◽  
pp. 169-198
Author(s):  
Ewa Nowicka ◽  
Sławomir Łodziński

The aim of the article is to analyze selected results of the 2018 survey “Poles and Others after Thirty Years” on attitudes to the arrival of foreigners in Poland and to compare them with the results of analogous studies from 1988 and 1998. The authors suggest that the notion of “foreign” is becoming increasingly definite in the consciousness of Polish society. There is a noticeable decline in openness in regard to more foreigners coming to Poland and an increase in the number of people who are clearly opposed to foreigners. The authors argue that the current attitudes of the respondents could have been influenced, on the one hand, by their personal experiences, which in the last few years have begun to take the form of real (non-abstract) contact with foreigners (immigrants), and on the other hand, by the media discourse related to the migration crisis of 2015. In light of the research, open (inclusive) attitudes toward foreigners can not be reduced to simple yes or no answers but remain related to wider world-outlook complexes reflecting the shape of Polish society, which in recent years has experienced the effects of immigration.


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