Anderson, Sherwood

Author(s):  
Aaron Ritzenberg

Sherwood Anderson was an American short-story writer, novelist, and memoirist. He was a businessman turned author whose writing often rendered the lives of ordinary people in the Midwest during the emergence of modern culture. His most enduring literary legacy is Winesburg, Ohio (1919), a work that explores the inner lives of an array of characters in a small, seemingly isolated town. His experimental prose style, along with his lyrical treatment of everyday lives, influenced a number of American modernists, including Ernest Hemingway, Hart Crane, Katherine Anne Porter, Henry Miller, William Faulkner, and Nathanael West. Sherwood Anderson was born in 1876 in Camden, Ohio, the third of seven children. His experiences growing up in the small town of Clyde, Ohio — where he helped support the family by taking on a wide variety of jobs — served as the basis for much of his later writing. He served in the military, worked as an advertising man, and managed an Ohio paint factory. In 1912, he suffered what most historians think was a nervous breakdown in response to business and marital stresses. Anderson would later write about this time as a moment when he repudiated the life of materialism in order to fully invest himself in artistic pursuits.

It is hard to overestimate how huge the “Russian influence” was on both Mansfield’s craft as a short story writer and her life choices, including, even, whom she most trusted to treat her tuberculosis. Growing up in New Zealand, young Mansfield began devouring Russian books in translation. The authors she read included Marie Bashkirtseff, Leo Tolstoy, Fyodor Dostoevsky, Ivan Turgenev, Anton Chekhov and Maxim Gorky. After she moved to England, which at the time was undergoing its own passionate affair with all things Russian, Mansfield also discovered Russian art and Russian ballet. Later she became, with S. S. Koteliansky, a co-translator of Chekhov’s and Leonid Andreyev’s letters and autobiographical writings. And yet, other than Joanna Woods’ Katerina: The Russian World of Katherine Mansfield (2001), there have not been any significant publications dealing with this extraordinary aspect of Mansfield’s evolution as an artist and a human being. This volume goes a long way to remedy that. It includes contributions by both English and Russian scholars and explores many aspects of Mansfield’s personal and artistic response to Russian literature, culture, philosophy, and art, as well as to the actual Russians she met in England and — towards the end of her life — in France.


2021 ◽  
Vol 15 (3) ◽  
pp. 63-67
Author(s):  
Sevil Musa Jafarova ◽  

Ernest Hemingway was an American novelist and short story writer and journalist. His real name is Ernest Miller Hemingway. He is a Nobel and Pulitzer Prize-winning writer. He wrote his first articles in the school newspaper. In 1917, America was slowly joining World War I.Heminquey immediately enlisted in the army, but was not accepted because his left eye was weak. A year later, he entered the Red Crescent and volunteered to drive an ambulance. He was wounded in an explosion near the war, carrying an Italian soldier on his shoulder while he was wounded, and was wounded in the leg. After that, he was declared a hero in Italy and received the "Silver Medal of Honor". While in treatment in Milan, he fell in love with a nurse, and this love led him to write a masterpiece - "Goodbye, guns." Heminquey wrote mainly about his life experiences. This can be seen in "Goodbye, weapons". The writer, who reached the peak of his career with "Who the bells are ringing for", continued his life by participating in wars. Key words: famous writer, Chicago, Nobel laureate, author of short stories, story, old man, sea


2020 ◽  
Vol 8 (6) ◽  
pp. 1
Author(s):  
Dr Mayurkumar Mukund Bhai Solanki

Ernest Hemingway, an American writer, produced considerable novels in the history of English literature. Hemingway’s The Oldman and the Sea is a story of an old man's struggle and his helplessness against destiny. Like Greek tragedians, Hemingway accepts the harshness of destiny in man’s life. It is very well said “Man proposes and God disposes" that denotes the role of destiny in man's life. The story of The Oldman and the Sea is universal because it reveals how human beings struggle to get something in life but sometimes crushed under the wheels of destiny. The old man has an indomitable spirit and sea experience yet he is unable to catch the fish for a few days. One day, he caught the big fish called the Marlin but it was too big for him to drag to the shore. The Old man tried to drag the Marlin to the shore but in a midway, its blood attracted the Sharks and he brought only its skeleton on the shore. So Hemingway talks about the helplessness of man against destiny through the character of an old man. This paper is a sincere effort to display man's helplessness against destiny through the character of an old man.  Ernest Miller Hemingway is known as Ernest Hemingway in English literature, was an American journalist, novelist, short story writer and sportsman. Hemingway wrote seven novels during his lifetime and among them, the popular novels are The Sun Also Rises, Farewell to Arms, and The Old man and the Sea. The Old man and the Sea brought him a good name and fame in literature. Hemingway’s works mainly deal with the themes of love, war, wilderness, and loss. Farewell to Arms deals with the theme of the futility of war. In A Farewell to Arms, Hemingway says, "The world breaks everyone and afterwards many are strong in broken places. But those that will not break it kills. It kills very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.” (en.m.wikipedia.org/wiki/Ernest _ Hemingway) It seems that there is always conflict between good and evil in this world but some people remain strong in broken places. The greater power called destiny crushes everyone under its wheels impartially. In this connection, Omar Khayyam writes:


1976 ◽  
Vol 31 (1) ◽  
pp. 26-47
Author(s):  
Donald D. Stone
Keyword(s):  

2007 ◽  
Vol 52 (3) ◽  
pp. 434-449
Author(s):  
Albert Waldinger

Abstract This article evaluates the function of Yiddish-Hebrew creative diglossia in the work of Yosl Birshteyn, a prominent Israeli novelist and short-story writer, particularly in the “first Kibbutz novel” in Yiddish, Hebrew-Yiddish fiction based on the Israeli stock market crash, and the future of Yiddishism in Hebrew and Yiddish. In short, Yiddish acts as a layer of all texts as a fact of communal pain and uncertainty in past, present and future. Birshteyn’s Hebrew originals were translated back into Yiddish and his Yiddish work was translated into Hebrew by famous and representative hands with stylistic and linguistic consequences examined here.


2021 ◽  
Vol 11 (10) ◽  
pp. 1197-1202
Author(s):  
Mohammed Abdullah Abduldaim Hizabr Alhusami

The aim of this paper is to investigate the issue of intertextuality in the novel Alfirdaws Alyabab (The Waste Paradise) by the female Saudi novelist and short story writer Laila al-Juhani. Intertextuality is a rhetoric and literary technique defined as a textual reference deliberate or subtle to some other texts with a view of drawing more significance to the core text; and hence it is employed by an author to communicate and discuss ideas in a critical style. The narrative structure of Alfirdaws Alyabab (The Waste Paradise) showcases references of religious, literary, historical, and folkloric intertextuality. In analyzing these references, the study follows the intertextual approach. In her novel The Waste Paradise, Laila al-Juhani portrays the suffering of Saudi women who are less tormented by social marginalization than by an inner conflict between openness to Western culture and conformity to cultural heritage. Intertextuality relates to words, texts, or discourses among each other. Moreover, the intertextual relations are subject to reader’s response to the text. The relation of one text with other texts or contexts never reduces the prestige of writing. Therefore, this study, does not diminish the status of the writer or the text; rather, it is in itself a kind of literary creativity. Finally, this paper aims to introduce Saudi writers in general and the female writers in particular to the world literature.


2020 ◽  
Vol 8 (7) ◽  
pp. 167-176
Author(s):  
Ms. Shikha Sharma

Doris Lessing, the Nobel Laureate (1919-2007), a British novelist, poet, a writer of epic scope, playwright, librettist, biographer and short story writer. She was the “most fearless woman novelist in the world, unabashed ex-communist and uncompromising feminist”. Doris has earned the great reputation as a distinguished and outstanding writer. She raised local and private problems of England in post-war period with emphasis on man-woman relationship, feminist movement, welfare state, socio-economic and political ethos, population explosion, terrorism and social conflicts in her novels.


2021 ◽  
Vol 40 (64) ◽  
pp. 37
Author(s):  
Claudia Barbieri

Resumo: Gervásio Lobato (1845-1895) foi um proeminente dramaturgo português, além de romancista, contista, tradutor e jornalista. Há, contudo, dissonâncias entre a expressiva recepção crítica que sua obra teatral recebeu enquanto o escritor ainda era vivo e o subsequente apagamento de seu nome e de sua dramaturgia nos volumes de história do teatro português publicados a partir de 1960. O artigo tem por objetivos formular algumas hipóteses para explicar este descompasso entre recepção e crítica, além de discorrer sobre a organização do espólio do escritor, pertencente ao Museu Nacional do Teatro e da Dança, em Lisboa. A dificuldade de acesso aos arquivos, a ausência de reedições das peças, a variedade de suportes são alguns entraves que podem ser elencados e que precisam ser resolvidos ao longo do processo de resgate do teatro gervasiano.Palavras-chave: Gervásio Lobato; teatro português; organização de espólio.Abstract: Gervásio Lobato (1845-1895) was a prominent Portuguese playwright, as well as a novelist, short story writer, translator and journalist. There are, however, dissonances between the expressive critical reception that his theatrical work received while the writer was still alive and the subsequent erasure of his name and dramaturgy in the volumes of Portuguese theater history published since 1960. The article aims to formulate some hypotheses to explain this mismatch between reception and criticism, in addition to discussing the organization of the writer’s estate, belonging to the Museum of Theater and Dance, in Lisbon. The difficulty of accessing the archives, the absence of reissues of the plays, the variety of supports are some obstacles that can be listed and that need to be resolved throughout the process of rescuing the Gervasian theater.Keywords: Gervásio Lobato; Portuguese theater; theatrical collection organization.


Belleten ◽  
2005 ◽  
Vol 69 (255) ◽  
pp. 629-642
Author(s):  
Himmet Umunç

As a young reporter, Ernest Hemingway visited İstanbul and the Thracian part of Turkey between 29 September and 18 October 1922. During his stay, he closely followed the military and political consequences of the Great Offensive, which was a major stage in the Turkish War of Independence, and also witnessed at first hand the Greek evacuation of eastern Thrace. His impressions of the İstanbul under occupation and also his observations of the events and developments at the time were included in the short stories which he wrote later on. In his fictions, he described and represented his observations fronı a point of view which was against Mustafa Kemal and Turkey, and, since he wrote in a mood supportive of the Allies and their invading forces, he failed to grasp the principles of righteousness and national independence, upon which the Turkish War of Independence was fought. This article is a study, within the context of the Turkish War of Independence, of Hemingway's anti-Turkish attitude crystallized in his desriptions and fıctions related to Turkey.


2020 ◽  
Vol 23 (3) ◽  
pp. 75-85
Author(s):  
Zakarya Bezdoode ◽  
Eshaq Bezdoode

This paper analyzes John Updike’s short story “A & P” in the light of Max Weber’s notion of moral decision-making. A prominent contemporary American story-writer and literary critic, Updike has devoted his fiction to subjects’ rational and moral problems in the contemporary consumerist society. Updike’s lifelong probing into the middle classes’ lives is a body of fiction that raises questions about determinism, moral decision, and social responsibility, among others. “A & P” is a revealing example of such fiction and one among Updike’s most frequently anthologized short stories. The story, titled after a nationwide American shopping mall in the early twentieth century, investigates the possibility of decision-making within consumerist society. This paper demonstrates how Updike’s portrayal of his characters’ everyday lives reveals the predicament of intellectual thinking and moral decision-making in a consumerist society and warns against the loss of individual will in such societies.


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