scholarly journals THE STUDY OF HISTORICAL BACKGROUND OF MUMMIES OF EGYPTIAN PHARAOHS FOUND IN EGYPTIAN ARCHEOLOGY

2021 ◽  
Vol 4 (4) ◽  
Author(s):  
Abdul Khaliq , Hafiz Salahudin , Shumaila Kamal Khan

The man tried his level best in different ways to save himself for long in human history. Mummification is one of the ways to save human body forever. This is really a miracle of ancient world. Having less means and no technology, man invented the idea of mummification and saved the body for long. Thousands of mummies were found in different parts of the world. Especially, the mummies of ancient Egypt are unique. The Egyptians utilized the best method and materials in the mummification of the bodies. Many famous pharaohs` mummies were discovered by experts in excavation. These mummies also contribute for exploring the Egyptian history. The mummy of Mereneptah was found from the archaeological site and Allah preserved his body and made it a sign for the later generations. He was the Pharaoh who went back Hazarat Moses (PBUH) and fallen in the sea. Egyptians used to make the mummies of the animals which they consider their gods. Many mummies of animals were found in the ruins of the ancient Egypt.

AYUSHDHARA ◽  
2020 ◽  
Author(s):  
Anjli Sharma ◽  
Anjana Mishra ◽  
Manik Soni ◽  
Vijay Chaudhary

Medoroga is a condition in which there is an excessive accumulation of Meda Dhatu in the body. Accumulation of Medo Dhatu in different parts of the body causes blockage of Strotsa which ultimately leads to poor nourishment of other Dhathus. Lack of exercises and Kaphavardhak Ahar Viharar are the two main causes of Medoroga. In modern times, way of life has changed drastically to quick nourishments and inactive tendencies throughout the world. Because of these factors, accumulation of Meda dhatu happens immensely. In Ayurveda, dyslipidemia is considered under Medoroga. Dyslipidemia is an emerging serious health abnormality associated with co-morbidities including CVD that continues to be the leading cause of death worldwide. It is characterized by an increase in cholesterol, triglycerides, LDL levels, and a decrease in HDL levels. The present study has been designed to compare the efficacy of Triphala Kwath and Trikatu capsules on various clinical parameters in the management of Medoroga w.s.r to dyslipidemia. Twenty patients fulfilling the inclusion criteria were randomly selected for the trial and put into two groups of ten patients each. Trikatu capsules were given to patients in group I and Triphla kwath with Madhu and Trikatu capsules in combination were given to patients of group II for 8 weeks. Patients were thoroughly assessed on various scientific parameters during the complete trial period. In group II, a significant (p<0.001) improvement was observed in subjective parameters and serum cholesterol, triglycerides, LDL, VLDL levels while in group I, a significant (p<0.001) improvement was observed in HDL only. It may affirmatively be construed from the study that the best impact of the trial drugs was observed with Triphala Kwatha with Madhu and Trikatu Capsule together (i.e. Group II). This combination therapy was most effective in reducing the overall lipid profile with substantial gains related to subjective as well as objective parameters without any adverse effects.


2018 ◽  
Vol 26 (1) ◽  
pp. 239-268 ◽  
Author(s):  
Wojciech Ejsmond ◽  
Julia M. Chyla ◽  
Piotr Witkowski ◽  
Daniel Takács ◽  
Dawid F. Wieczorek ◽  
...  

All periods of Egyptian history are represented at Gebelein and it encompasses many kinds of archaeological site found in the Nile valley (that is, cemeteries, settlements, fortifications, temples, rock quarries etc.). The area was a significant centre in the history of ancient Egypt, but its exact role and the reasons for its importance still awaits explanation. That is why the Gebelein Archaeological Project was initiated. The field survey of Gebelein, which started in 2014, aims to recognise the topography of the area and the degree of destruction of the sites and to locate archaeological remains as well as to determine their interpretation and dating. This report outlines the results of work conducted during seasons 2014, 2015 and 2016, which encompassed the archaeological and epigraphic field surveys, geophysical prospection as well as work conducted in the rock-cut chapel of Hathor.


1987 ◽  
Vol 33 (1) ◽  
pp. 61-83 ◽  
Author(s):  
Dale C. Allison

The most significant recent contribution to the understanding of Matt 6. 22–23 (= Luke 11. 34–36: Q) comes from Hans Dieter Betz. In his article on ‘Matthew vi.22f. and ancient Greek theories of Vision’ Betz claims to find in the pre-Socratics, in Plato, and in Philo the clues by which the enigmatic logion about the eye as the lamp of the body can best be elucidated. He directs attention to the following texts in particular: (1) Plato, Timaeus 45B–46A. In discussing the creation of the human body by the gods, Plato speaks of the ‘light-bearing eyes’(φωσφόραμματα), and he asserts that, within the human eye, there is a type of fire, a fire which does not burn but is, as Bury translates, ‘mild’. When we see, this fire, which is both ‘pure’ (είλıκρωές) and ‘within us’ (έντòς ὴμῶν), flows through the eyes and out into the world, where it meets the light of day. Now since like is attracted to like, the light of the eyes coalesces with the light of day, forming one stream of substance. And then, to quote Plato, ‘This substance, having all become similar in its properties because of its similar nature, distributes the motions of every object it touches, or whereby it is touched, throughout all the body, even unto the soul, and brings about the sensation which we term seeing.’ In fine, we see because we have within us a light that streams forth through our eyes.


Cosmetics are utilized to upgrade the appearance or scent of the human body. Beautifying agents incorporate skin creams, lotions, powders, aromas, lipsticks, fingernail and toe nail polish, eye and facial cosmetics, permanent waves, and numerous different kinds of items. To make the hair sound and gleaming, there are several manufactured oils and hair shampoos. But when in contrast to the artificial one, natural cosmetics have growing demand in the world market and are an priceless gift of nature, as it is secure and free from facet results like hair fall and damage. As it is safe and free from symptoms like hair fall and harm. As the age increases, people suffer from hair loss and damage due to the less secretion of keratin. As we age, our body’s natural levels of collagen decrease, leading to thinning and shedding of hair. Research shows that collagen may support and increase hair-building proteins (keratin) in the body. This can help strengthen hair strands, promote hair growth and prevent hair loss. Collagen may even help to prevent the appearance of grey hairs by supporting the healthy structure of the hair follicle, where the pigment of hair is produced. Collagen supplements also have been shown to be effective in treating dry, brittle hair, helping to maintain healthy moisture levels in the hair. The present work was aimed to formulate organic oil and shampoo using fish scales and various herbs. The formulated organic oil and shampoo were evaluated for homogeneity, appearance, odour, saponification value, pH etc.


2017 ◽  
Vol 2 (2) ◽  
pp. 257 ◽  
Author(s):  
Ben Spatz

This article begins from a discussion of philosophical realism and the turn towards close analysis of skilled material practices that characterizes many recent critical interventions. I examine the roots of this turn and suggest that skilled practice is a privileged site for the enactment and testing of realist ontologies. However, I question the extent to which realist thinkers have emphasized practices in which materials outside the human body are central over those in which embodiment itself is the primary medium of practice. Thinkers of realist ontology, I argue, have neglected embodiment as the primary site of an engagement with the fine-grained detail of the world. In contrast, I propose that realist ontologies developed through reference to technological engagements not only apply equally well to embodied practices but actually find their original and primary manifestation there. The body itself is the ‘first affordance’ and the site at which questions of realism and objectivity are first encountered and resolved in practice. I illustrate this point by considering how three modes of material engagement — tinkering, tuning, and tracking — manifest in embodied practices ranging from dance and sport to those of everyday life. I conclude by emphasizing the continuing political importance of embodiment as first affordance and its crucial place as a ‘fragile junction’ between ecology and technology.


Perichoresis ◽  
2020 ◽  
Vol 18 (2) ◽  
pp. 73-94
Author(s):  
Yadav Sumati

AbstractThis paper studies the representation of human corporeal reality in the discourses of selected Bhakti poets of the late medieval period in India. Considering the historical background of the Bhakti movement and contemporary cultural milieu in which these mystic poets lived, their unique appropriation of the ancient concept of body is reviewed as revolutionary. The focus of the study is the Kabir Bijak, Surdas’s Vinay-Patrika, and Tulsidas’s Vinay-Patrika, wherein they look at and beyond the organic corporeality and encounter human body not as a socially, religiously, economically stamped noble body or lowly body; male body or female body, but a human body. This paper explores how, like existential phenomenologists, these poet/singers decode the material reality of human beings and link it to the highest goal of achieving Moksha (liberation from the cycle of birth-death) by making body a vulnerable but essential instrument towards spiritual awakening. The paper also reflects upon how these poets have suggested a middle path of absolute devotion to God while performing all earthly duties, seek spiritual enlightenment and avoid the extremities of asceticism and hedonism.


2017 ◽  
Vol 5 (9) ◽  
Author(s):  
Hamdani .

This research comes from an event titled Two World which is a show owned by Trans7. This event has a lot of religious messages through jinmelalui advice through the body of the mediator (genie penetrates into the human body) .The purpose of this study is to know the level of material understanding of the World Two Trans7 event based on existing categories of audience in Ketapang Kotawaringin East of Central Kalimantan against this Two World event. This research method is descriptive qualitative field research (field) in town in Middle Kalimantan region named Sampit and more specifically Ketapang Village area So with the data obtained, the authors conducted a questionnaire that has contained questions about the response to the World Two event in Trans7.In addition, also coupled with various manuals in theory to do this research. The results of this study can be seen that there are messages of da'wah in this event though many smells of mystic things. As for the religious message about belief (akidah), Worship (shariah) and Moral (akhlak). Also in the event Two World also, from the results of the question with the jinn is implied ban on begging to the deceased. Moreover, if to adore them. Remember that the dead only require prayer posts, not for worship. Those are some of the sage messages implied by the jinns' rantings in the Worlds Two show that aired on Trans7. Seeing some of the precious messages that have been conveyed by the Jinn, men should be ashamed for being nasehati by the people of the unseen world that is identical with the evil and sinister impression


Author(s):  
Marina M. Sodnompilova ◽  

The aim of this article is to analyze traditional somatic ideas of the Turkic-Mongolians of Inner Asia that they formed as a part of their “theories” on the origin of the world and man. Data and methods. An important part of the studies of man as a social and biological being is the investigation of the human body conceptualizations of the Turkic-Mongolian peoples. When explored, the ideas that traditional societies had on the human body and its constituent parts, such as organs, muscles, and blood may give an important clue to understanding traditional medicine methods, attitudes towards the body, and the body potentialities. In this respect, one cannot overestimate the relevance of the nomads’ folklore texts dealing with the origin of the world and man as a research source. A variety of such stories relating how man was made of clay, wood, metal, bone, and stone may shed light on the invention and development of new materials by man, as well as on the technologies they used for their processing. The study is based on a comparative historical method that helps to identify commonalities characteristic of the Turkic-Mongolian world in understanding the human body; as well as the method of cultural and historical reconstruction, which gives an insight into the logic of archaic views. Conclusions. In the somatic conceptualizations of the Turkic-Mongolians, the key and stable correspondences of the natural and the human are such series as bone – wood, flesh – clay/earth /stone form. The associations of the human body and its parts with metals manifest to a lesser degree. The processes of maturing and aging of the human body were conceptualized by traditional societies in terms of both natural and cultural phenomena, such as the life cycles of a tree and ceramics making of raw/soft clay hardened in the process of its firing.


2021 ◽  
Author(s):  
◽  
Karan August

<p>Phenomenology offers a conceptual framework that connects and strengthens the architect' s intuitive understanding of the human experience of space with the theorist's more critical approach. Phenomenology is an ideal vehicle for architectural theorists to avoid the friction between first-hand or subjective experience and generalised or abstracted accounts of experience. In this thesis I extract an account of the human experience of space that is implicit in the Philosopher Maurice Merleau-Pontys work. I consider how this understanding has been employed in architectural scholarship and practice. In particular, I argue that the human body renders the richness of space through deliberate engagement with the indeterminate and independent possibilities of the world. In other words, as the body intentionally engages with the world, it synthesises objects that create determinate spatial situations. I account for Merleau-Ponty's depiction of the body' s non-rule governed, non-reflective, normative directiveness towards spaces and elements, and label it the thinking body. Furthermore I examine how the philosophical theory of Merleau-Ponty is represented in the explicitly theoretical works of Juhani Pallasmaa. In turn I then consider how the thinking body is physically and conceptually realised in the buildings of Carlo Scarpa. Finally I find that Juhani Pallasmaa's description of the phenomenological experience of space is incompatible with Merleau-Ponty's. The strategic importance of these different accounts emerges when projecting their implications for designed space. Pallasmaa' s account points towards an architecture that prioritises sensory experiences synthesised by the mind. The design focus of Merleau-Ponty's philosophy leads to spatial practices in line with Carlo Scarpa, that are sympathetic to the causal qualities of an intentional bodily engagement with spatial situations. In accord with Merleau-Ponty I argue that human body is our medium for the world and as such creates the spatial situation we engage with from a formless manifold of possibilities.</p>


2019 ◽  
Vol 67 (4 SELECTED PAPERS IN ENGLISH) ◽  
pp. 103-123
Author(s):  
Dorota Kudelska

The Polish version of the article was published in Roczniki Humanistyczne vol. 62, issue 4 (2014). The article presents the art of Zbylut Grzywacz in the context of his post-mortem exhibition in the Kraków National Museum in 2009. The subjects of the analysis are his paintings from the 1970s and 1980s, presenting women through a simple rough treatment of human body form, without an academic idealization. The destruction of the form conforms to the deconstruction of the myth of a Polish Mother. It is due to the change of a social position of the figures whom Grzywacz gives the roles of guardians of tradition, as well as due to their mental and moral degradation. The artist uses an irony in showing his knowledge of the tradition of showing a human body in an academic nude (what he denies), in a Flemish art of showing torn animal meat (with the Rembrandt’s reflection) and Holbein’s tradition of the post-mortem decay (The Body of the Dead Christ in the Tomb). One of the main themes in Grzywacz’s paintings is the loneliness, especially distinct in a representation of symbolically naked persons among insensible pedestrians. The Polish Mother—here she doesn’t belong to any society. The explicitness and the picturesque materiality covers a certain “crack” in the world presented inside the hard-to-comprehend present-day multitude of Grzywacz’s paintings. Behind the cover of the foreground tale, as one could think on the basis of the sketchbooks, there is a kind of an “unpresented world”, in which the author incessantly tells us about the pain of his existence with no anaesthetization by grotesque.


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