Information on the Bulgarian History in the IX – XI Centuries, Reflected in the Russian Chronograph

2021 ◽  
Vol 29 (6) ◽  
pp. 555-573
Author(s):  
Denitsa Petrova
Keyword(s):  
Comparative Analysis ◽  
Medieval History ◽  
Scientific Interest ◽  
Historical Source ◽  
Important Place ◽  
Historical Texts ◽  
The World ◽  
History Of ◽  
Rich Information ◽  
Points Of View

Object of the present research is the Russian chronograph, an extensive chronicle in which the history of the Slavs is described as part of the world. The information about the Bulgarians occupies an important place. The data about the Bulgarian history in the 9th – 11th c. is taken from Slavic translations of Byzantine chronicles and from some Russian historical works, most notably from the Bulgarian additions to the Manasses Chronicle. This article seeks to answer the question of how productive the Chronograph is as a historical source. Unpublished editions and copies of the Chronograph were also used for the purposes of the research. The method of comparative analysis shows that although some of the information is found in earlier Russian historical texts, different points of view are presented in the Russian chronograph. The chronograph contains rich information about Bulgarian history, part of which remains out of scientific interest. It is valuable for science and can be productively used as a source for Bulgarian medieval history.

THE TIMURID PERIOD FROM THE HISTORY OF THE FINE ARTS

2019 ◽  
Vol 19 (2) ◽  
pp. 28-33
Author(s):  
Ulug'bek Kuryazov ◽  
Keyword(s):  
Comparative Analysis ◽  
Fine Arts ◽  
The World ◽  
History Of

The article examines the works of scholars in the study of the history of fine arts, in particular miniatures of the Amir Temur era and temurids. Special attention is paid to the history of the creativity of Mirak Nakkosh and the outstanding miniaturist Kamoliddin Behzod. A comparative analysis of several miniature works is given. As well as analyzed some miniatures stored in the collections of museums and libraries of the world

scholarly journals Changing features of the concept of pilgrimage: the example of the Mevlana's museum in Konya

2010 ◽  
Vol 22 ◽  
pp. 196-210
Author(s):  
Nilay Hosta ◽  
Birsen Limon
Keyword(s):  
Business Sector ◽  
Way Of Life ◽  
Economic Resource ◽  
Important Place ◽  
Special Place ◽  
The World ◽  
History Of ◽  
Time Of Year ◽  
Religious Aspects

Mevlana Celaleddin Rumi was a philosopher who influenced our era with his ‘humanist’ thoughts, his invitation towards everybody to friendship and brotherhood and his ideas about love and humanism. The museum, opened in his name in 1926 in Konya, Turkey, has been converted into a special place, describing Mevlevi’s way of life, telling the history of the Mevlana Dervish lodge and exhibiting related works with religious historical values. This important Museum, attracting many visitors from all over the world, including Turkey, represents unique examples both in architecture and genuine works of arts from Seljuk and the Ottoman period.Today faith tourism, emerging as a business sector, due to the increasing number of travelling people everyday, fulfils the space of the religious obligations related to travelling and also shows itself in religious aspects, not only pertaining to the major dimensions of a religion, but also by affecting all other religion-related rituals. The Mevlana Museum has become one of the places affected by the faith tourism. It has turned into an economic resource and become an important place for advertising Turkey, having visitors any time of year.

National museums and international museums

1993 ◽  
Vol 1 (3) ◽  
pp. 273-278
Author(s):  
David M. Wilson
Keyword(s):  
National Identity ◽  
Natural History ◽  
Country Of Origin ◽  
Important Material ◽  
The World ◽  
History Of ◽  
National Museums ◽  
Points Of View ◽  
National Boundaries

At a time when nationalism grows more strident, the role of national museums assumes great importance. National museums encourage not only an understanding of national identity, but also patriotism. While this is natural, it has dangers in that the museum can be used politically to endorse racial and other charged emotions. The great international museums have provided an antidote to such tendencies by providing a universal view of the culture and natural history of the world from the earliest times. Because these museums have important material from other countries they are often attacked as odious relics of colonialism. Rather they should be seen as representative of internationalism and encouraged to collect as widely as possible—within the law. They should not be pressurized into returning material to its country of origin for narrow nationalistic purposes. National museums should themselves collect outside their own national boundaries so that countries can see themselves against the background of other cultures. As nationalism grows, internationalism must be stressed in national museums so that countries may understand each others' culture and points of view.

scholarly journals DOCUMENTARY ANIMATION OR ANIMATED DOCUMENTARY? Reflections on the history and the current situation on the example of Poland and other countries

2021 ◽  
Vol 17 (1) ◽  
pp. 101-135
Author(s):  
DENIS G. VIREN ◽  
Keyword(s):  
Current Trend ◽  
Current Situation ◽  
Decisive Factor ◽  
Historical Events ◽  
Real Component ◽  
Important Place ◽  
Personal Boundaries ◽  
The World ◽  
History Of ◽  
Working Out

Documentary animation is a hybrid cinematic form, the history of which goes back over 100 years. Earlier such films were rather a rarity, while lately they appear on screens more and more often. Using numerous examples, the article discusses the goals of artists turning to this unusual and controversial practice. The main thematic blocks are highlighted, the boundaries between the fictional artistic world and the real basis of a film are determined. The author also attempts to distinguish between animated documentary and “full-fledged” documentary animation. After reviewing the genesis (films by W. McCay, J. and F. Hubley) and films that have become modern classics of the direction (Waltz with Bashir, Crulic: The Path to Beyond etc.), the most notable modern samples—primarily those filmed in Poland and in Russia, where animadoc is rapidly gaining momentum—were analyzed in detail. Directors use this form when talking about historical events (reconstruction), ambiguous personalities and unusual places, as well as about their own or others’ internal problems and experiences. Documentary animation is becoming a common means of (auto)psychotherapy and fits into the current trend of pronouncing taboo topics and working out hidden traumas. Animation allows to penetrate deeply into the world of characters without violating their personal boundaries. An important place is held by metafilms, reflecting on the language of the animadoc and cinema in general. Today, documentary with the use of animation is more common than “real” animadoc, although the line between the fictional artistic world and the actual basis of films is rather fluid. The phenomenon is still in the making. Nevertheless, such films must have a real component: interviews (usually off-screen), newsreels, photographs, genuine objects, etc. The factual basis is not a sufficient argument to classify the work as a documentary animation—the decisive factor here is the hybridization of the form.

scholarly journals An artistic landscape of the newest kazahkstani novel

2020 ◽  
Vol 6 (Extra-B) ◽  
pp. 149-154
Author(s):  
Rezeda Mukhametshina ◽  
Kadisha Nurgali ◽  
Svetlana Ananyeva
Keyword(s):  
National Identity ◽  
Comparative Analysis ◽  
The Novel ◽  
National Image ◽  
Phenomenology Of Perception ◽  
The World ◽  
Subjective Factor ◽  
Points Of View

In the context of the new bi- and polylingual picture of the world, the novel continues to hold leading positions as the leading genre of prose. The Kazakh novel generalizes the aesthetically immanent factors of identity and is created in the Kazakh and Russian languages. Ethno-national identity is important for both the author and the characters. The modern phenomenology of perception actualizes not only the role of the anthropological turn, but also the role of the subjective factor - the reader. Comparative analysis allows you to look at the novel from different conceptual points of view. Transnational tendencies are intensely manifested in the work of prose writers. The search for answers to the most important questions of our time, the challenges of globalization contributes to the disclosure of the ethnocultural world. Opposition one's own/other, one's/another's allows to convey the national attitude and reveal the national image.    

scholarly journals LOST OBJECTS OF MODERNISM IN ROSTOV-ON-DON. THE BUILDING OF THE MUSEUM OF INTERNATIONAL FRIENDSHIP IN THE PARK NAMED AFTER CITY OF PLEVEN

2019 ◽  
Vol 4 (10) ◽  
pp. 102-110 ◽  
Author(s):  
Н. Сидоренко ◽  
N. Sidorenko
Keyword(s):  
Soviet Union ◽  
Field Research ◽  
Town Planning ◽  
Important Place ◽  
Planning Decisions ◽  
The Soviet Union ◽  
History Of ◽  
Points Of View ◽  
The 1960S ◽  
The Town

The architecture of Soviet modernism occupies an important place in the history of world architecture. Due to the relatively recent recognition of Soviet modernism as a separate architectural trend, in most regions of our country (including the South of Russia), the objects, which were implemented in the Soviet Union in the 1960s and 1980s, have not been studied. This can lead to irreparable loss of structures with compositional and artistic value. The building of the former Museum of International Friendship, located in the park named after Pleven in Rostov-on-Don, is one of such objects. The building is designed using the basic planning, artistic and urban planning techniques of Soviet modernism. The article discusses the features of the Museum from different points of view. The retrospective analysis of transformations of the town-planning situation, which has influenced formation of the volume and compositional decision of the building, is carried out. The architectural and artistic features of the Museum are determined on the basis of field research and the study of preserved historical graphic materials. The article reveals the value of the object as a structure reflecting the main trends of Soviet architecture of the 1960s-1980s. The modern state of the building of the former Museum is investigated, the lost features of architectural and town-planning decisions are fixed. The necessity of restoration and preservation of its original appearance is confirmed

scholarly journals THEORY- AND FACTUALLY-BASED ARCHITECTURAL STYLE EVOLUTION IN THE WORKS OF RESEARCHERS OF THE 19–20TH CENTURIES

2020 ◽  
Vol 22 (5) ◽  
pp. 36-49
Author(s):  
V. M. Mzhelsky
Keyword(s):  
Comparative Analysis ◽  
Architectural Style ◽  
Scientific Publications ◽  
The Past ◽  
Architectural Styles ◽  
History Of ◽  
Similarities And Differences ◽  
Points Of View ◽  
New Research ◽  
Goals And Objectives

The article analyzes the problem of the architectural style evolution not only in the past, but also in the 20th century. The comparative analysis of the different scientific approaches to this issue shows both their similarities and differences as well as their compliance with the facts.This paper compares the fundamental scientific works with new research results in the field and considers the history of this issue and systematizes the facts available.The aim of this work is to carry out the comparative analysis of the architectural style evolution based on works of scientists of the 19–20th centuries, identify similarities and differences in their scientific points of view on this issue and discussions in the Soviet and modern literature.The methodology and approaches of the study include the review of theoretical works of historians, art historians and architectural experts of the 19th and 20th centuries and also the up-to-date scientific publications.Similarities and differences in the scientific opinions of researchers concerning the evolution of the architectural styles are identified due to the different scientific schools, goals and objectives of research, scientific interests and worldview of researchers.

scholarly journals Asian Economic Development

1966 ◽  
Vol 6 (1) ◽  
pp. 120-133
Author(s):  
Keith B. Griffin
Keyword(s):  
British Empire ◽  
Economic History ◽  
Development Policy ◽  
Poor People ◽  
Economic Progress ◽  
Six Nations ◽  
The World ◽  
History Of ◽  
Points Of View ◽  
Sphere Of Influence

Nearly three-fourths of the poor people of the world live in Asia. Of these, more than a third live in the six countries of Burma, Ceylon, India, Malaya, Pakistan and Thailand. All these nations, except Thailand (which was merely in the British sphere of influence), are former colonies of the British Empire. Thus, from several points of view, it would be of interest to read a description of the economic progress these countries have experienced during the last two decades. Cranley Onslow has attempted to provide us with a volume which does just that [1]. His book is divided into two parts. Part I contains six essays by distinguished Asian economists, each discussing the recent economic history of his country. The remaining quarter of the book consists of a long essay by the editor in which he tries to compare the six nations and derive some implications for development policy. This is clearly the least successful part of the volume.

scholarly journals New pages of the history of national librarianship

Bibliosphere ◽  
2018 ◽  
pp. 79-88
Author(s):  
I. V. Lizunova ◽  
A. S. Metel'kov
Keyword(s):  
Social Media ◽  
Book Publishing ◽  
Russian Regions ◽  
Central Topic ◽  
The World ◽  
History Of ◽  
International Publishing ◽  
Points Of View ◽  
Further Development

The paper includes speeches of the participants of discussion platform «Independent book publishing: realities, prospects for the future»: theorists and practitioners of books-publishers - writers, poets, editors, kulturträgers, bibliologists. This article describes different points of view on the problems and prospects of developing the independent book publishing in various Russian regions and in the world. It emphasis on the history of the independent book publishing in Russia and Germany, new opportunities emergence for independent authors’ expressions: online publications, electronic publications, etc. Particular attention is paid to discussing the definitions, what is meant by «independent publishing», «self-publication», «self-edition», «self-printing», «self-editor», «kulturträge», «zine culture». The central topic of discussion was the problem of determining the quality of literature, self-promoting publications and distribution of professionals’ published books: bookselling network, social media, activity profitability, etc. Participants attempted to identify the place of Siberian independent publishers in the all-Russian and international publishing space, prospects for further development of independent book publishing in Siberia.

scholarly journals Classification of Mode Archetypes and Modern Problems of Music Education

2019 ◽  
Vol 7 (2) ◽  
pp. 77-95
Author(s):  
Elena M. Alkon
Keyword(s):  
Music Education ◽  
Folk Music ◽  
Modern Human ◽  
New Classification ◽  
Important Place ◽  
The World ◽  
History Of ◽  
History Of Culture ◽  
Musical Mode

Modern problems of musical education are connected with the search for new and more efficient approaches considering the challenges of our time. One of such challenges is unprecedented in history of culture music stream falling upon the modern human. The relict musical mode archetypes, on the basis of which the music of the peoples of the world has been formed for centuries, and which nourish the creativity of the professionals, could be considered as ecologically friendly “musical products”. In this article, following a number of the range of previous publications, the author offers a new classification of mode archetypes based on previously designed principle of asymmetry/symmetry supplemented with several novel approaches. This classification obviously cannot cover all existing mode archetypes of music of people of the world, but definitely addresses their considerable part. Several tables with index-based ordering the most common mode archetypes are considered to be especially significant result of this paper. The author hopes that this method of designation will contribute to the development of a methodology for the analysis of the behavior of mode archetypes in various melodic contexts. The “Solveig’s Song” by E. Grieg is regarded as one of the most famous melodies, in which the musical mode archetype of Norwegian folk music occupies an important place.

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