History Repeating Itself. The function of turning points and continuity in three historical narratives on operetta

2017 ◽  
Vol 29 (1) ◽  
pp. 102
Author(s):  
Mikael Strömberg
Keyword(s):  
Turning Points ◽  
Source Material ◽  
Historical Narrative ◽  
Historical Narratives ◽  
Complex Relationship ◽  
Narrative Strategy ◽  
The Past ◽  
History Of ◽  
The Way

The article’s primary aim is to discuss the function of turning points and continuity within historiography. That a historical narrative, produced at a certain time and place, influence the way the historian shapes and develops the argument is problematized by an emphasis on the complex relationship between turning points and continuity as colligatory concepts within an argumentative framework. Aided by a number of examples from three historical narratives on operetta, the article stresses the importance of creating new narratives about the past. Two specific examples from the history of operetta, the birth of the genre and the role of music, are used to illustrate the need to revise not only the use of source material and the narrative strategy used, but also how the argument proposed by the historian gathers strength. The interpretation of turning points and continuity as colligatory concepts illustrate the need to revise earlier historical narratives when trying to counteract the repetitiveness of history.

scholarly journals History Repeating Itself. The function of turning points and continuity in three historical narratives on operetta

2018 ◽  
Vol 29 (1) ◽  
pp. 102
Author(s):  
Mikael Strömberg
Keyword(s):  
Turning Points ◽  
Source Material ◽  
Historical Narrative ◽  
Historical Narratives ◽  
Complex Relationship ◽  
Narrative Strategy ◽  
The Past ◽  
History Of ◽  
The Way

The article’s primary aim is to discuss the function of turning points and continuity within historiography. That a historical narrative, produced at a certain time and place, influence the way the historian shapes and develops the argument is problematized by an emphasis on the complex relationship between turning points and continuity as colligatory concepts within an argumentative framework. Aided by a number of examples from three historical narratives on operetta, the article stresses the importance of creating new narratives about the past. Two specific examples from the history of operetta, the birth of the genre and the role of music, are used to illustrate the need to revise not only the use of source material and the narrative strategy used, but also how the argument proposed by the historian gathers strength. The interpretation of turning points and continuity as colligatory concepts illustrate the need to revise earlier historical narratives when trying to counteract the repetitiveness of history.

Veronicas and Artists

2017 ◽  
Keyword(s):  
Contemporary Art ◽  
Religious Images ◽  
The Public ◽  
The Past ◽  
History Of Art ◽  
The Status ◽  
History Of ◽  
The Way ◽  
Contemporary Artists

Chapter One deals with several central issues with regard to understanding the role of religious motifs in contemporary art. Besides being a repetition of imagery from the past, religious motifs embedded in contemporary artworks become a means to problematise not only the way different periods in the history of art are delimited, but larger and seemingly more rigid distinctions as those between art and non-art images. Early religious images differ significantly from art images. The two types are regulated according to different sets of rules related to the conditions of their production, display, appreciation and the way images are invested with the status of being true or authentic instances of art or sacred images. Chapter One provides a discussion of the important motif of the image not made by an artist’s hand, or acheiropoietos, and its survival and transformation, including its traces in contemporary image-making practices. All images are the result of human making; they are fictions. The way the conditions of these fictions are negotiated, or the way the role of the maker is brought to visibility, or concealed, is a defining feature of the specific regime of representation. While the cult image concealed its maker in order to maintain its public significance, and the later art image celebrated the artist as a re-inventor of the old image, contemporary artists cite religious images in order to reflect on the very procedures that produce the public significance and status of images.

scholarly journals KAZAKH BATYRY BECOMING AN EXAMPLE OF COURAGE AND HEROISM

2020 ◽  
Vol 67 (4) ◽  
Author(s):  
A.S. Sagatova ◽  
Keyword(s):  
Past History ◽  
National History ◽  
Native Land ◽  
The Past ◽  
Self Development ◽  
History Of ◽  
Cognitive Foundations ◽  
Independent Country ◽  
The Way

Today our independent country is following the path of self-development, paying attention to the cognitive foundations and roots of our national history. The beginning of the striving for the realization of great goals - reveals its essence in connection with the study of the history of the country, native land. Having analyzed the past history, the author in his article, referring to the merit and activities of great personalities who have left a bright mark and contributed to great historical achievements, focuses on the role of their worldview. This marked the beginning of the study of the personality of Kazakh batyrs, who were messengers of spirit and honor on the way to the unity of our country, an example of courage and heroism - an example of the steppe.

scholarly journals Características Enunciativas Presentes em Textos Históricos de Divulgação Científica e Possíveis Contribuições ao Ensino

2020 ◽  
Vol 21 ◽  
pp. 103-123
Author(s):  
Filipe Silva de Oliveira ◽  
Edson José Wartha
Keyword(s):  
Science Teaching ◽  
Historical Narrative ◽  
Historical Narratives ◽  
Historical Texts ◽  
The Past ◽  
Teaching History ◽  
History Of ◽  
The Common ◽  
Brazilian Science

ResumoHistória da Ciência e Ensino de Ciências são áreas do conhecimento com possibilidades de interface anunciadas e investigadas na atualidade, desse modo, produzindo conhecimento a comunidade de pesquisa interessada em encontrar caminhos didáticos para a sala de aula. Por meio de Narrativas Históricas (NHs), Estudo de Caso e sistematicamente Sequências Didáticas, essa interface tem sido desenvolvida. O estudo de textos históricos de divulgação científica auxilia a compreender a divulgação do conhecimento científico para o público comum no passado, acredita-se ser possível o uso desses textos na construção de materiais didáticos como Narrativas Históricas (NHs) e Estudo de Caso. Neste artigo discutimos características enunciadas em textos de divulgação científica escritos por um divulgador da ciência brasileiro, relacionando essas características na construção de Narrativas Históricas que venham a utilizar os textos desse divulgador. As características são conteúdo temático, composição do enunciado e estilo verbal. Essas características auxiliam na compreensão dos textos desse divulgador no processo de construção das Narrativas Históricas.Palavras-chave: Ensino de Ciências. História da Ciência. Divulgação Científica. Narrativa Histórica. AbstractHistory of Science and Science Teaching are areas of knowledge with possibilities of interface announced and investigated today, thus, producing knowledge to the research community interested in finding didactic paths for the classroom.  Through Historical Narratives (NHs) Case Study and systematically Instructional Sequences, this interface been developed. The study of historical texts of scientific popularization assist to understand the popularization scientific knowledge to the common public in the past, it is believed that the use of these is possible in the construction of instruction materials such as Historical Narratives (NHs) and Case Study. In this paper we discuss characteristics stated in scientific popularization texts written by a Brazilian science disseminator, relating these characteristics in the construction of Historical Narratives that come to use the texts of disseminator. Features are thematic content, statement composition and verbal style. These characteristics assist in the understand of the texts of this disseminator in the process of construction the Historical Narratives.Keywords: Science Teaching. History of Science. Scientific Popularization. Historical Narrative.

scholarly journals The Role of Sufism in Spreading Islam and Fighting Atonement

2019 ◽  
Vol 3 (2) ◽  
pp. 239
Author(s):  
Isa Abdullah Ali
Keyword(s):  
Main Axis ◽  
The Core ◽  
The Past ◽  
Islamic Thought ◽  
Faithful State ◽  
History Of ◽  
The Way

This paper delivered the need for Islamic thought to confront the Takfiri thought, through the return of Sufi thought. Sufism does not have fatwa to kill others, Sufism talks about tolerance, the love of the Prophet, and the non-compulsion of others tojoin either Islam or the way the murid belongs to. Sufism represents the spiritual and faithful state of Islam, the core of Islam. This paper find out the role of Sufism in the spread of Islam; in the past, and the contemporary in the fight against atonement. The aim of this paper is to describe the culture of Sufism, this paper studies the intellectual of Sufism, Sufim cultural, and politics as well. This paper studied about three main axis of Sufism; the culture and history of Sufism, the role of Sufism in spreading Islam, and the role of Sufism in addressing the Takfiri thought. Based on this study, the Islamic institution and government should adopt and adapt the Sufi thought, and to address the Takfiri culture, to prevent Muslim from joining the Takfiri groups

scholarly journals Z osobliwości językowych warsztatu przekładowego Biblii brzeskiej (zagadnienia wybrane)

2019 ◽  
Author(s):  
Stanisław Koziara
Keyword(s):  
Source Material ◽  
The State ◽  
Basic Data ◽  
Research Task ◽  
History Of ◽  
Polish Language ◽  
Fixed Expressions ◽  
The Way

This paper is an attempt at drawing attention to the first Protestant translation of the whole Bible into Polish, which is traditionally known as Brest Bible or Radziwill Bible, in terms of its significance and place in the history of Polish language. The first part of this work is the introduction of some basic data from the field of origins, history and the state of previous philological research into Brest Bible. The second part of the paper shows the role of the translation in the process of shaping the characteristics of Polish biblical style and the way in which the translators used the richness and potential of the Polish language in the Renaissance. As the source material to complete the research task the author of the paper used some chosen areas of the language in Brest Bible, which included lexis and fixed expressions.

Retcon Game

2017 ◽  
Author(s):  
Andrew J. Friedenthal
Keyword(s):  
Popular Culture ◽  
Positive Impact ◽  
Historical Narratives ◽  
Cultural Shift ◽  
The Past ◽  
Stable Element ◽  
History Of ◽  
Source Of Information ◽  
Building Technique ◽  
The Way

This book argues that the narrative/world-building technique known as retroactive continuity, often overlooked by literary scholars and media historians alike, has become a naturalized and ubiquitous part of popular culture. A careful look at the history of retroactive continuity–or retconning– reveals how its growing acceptance as a part of popular narratives has led to a complex, complicated understanding of the ways in which history and story can interact, ultimately creating a cultural atmosphere that is increasingly accepting of revisionist historical narratives. This can be seen most potently in the way that the editable hyperlink, rather than the stable footnote, has become the de facto source of information in America today. The groundwork for this major cultural shift has been laid for decades via our modes of entertainment. To embrace the concept of retroactive continuity in fictional media means accepting that the past, itself, is not a stable element, but rather something that is constantly in contentious flux. Thus retconning, on the whole, has a positive impact on society, fostering a sense of history itself as a constructed narrative and engendering an acceptance of how historical narratives can and should be recast to allow for a broader field of stories to be told in the present.

scholarly journals Europe Has Never Been Modern: Recasting Historical Narratives of Migration Control

2019 ◽  
Author(s):  
Darshan Vigneswaran
Keyword(s):  
International Relations ◽  
Standard Technique ◽  
Historical Narratives ◽  
Global Migration ◽  
The Past ◽  
Territorial Sovereignty ◽  
State Practice ◽  
History Of ◽  
European Migration ◽  
The Way

Abstract Our understanding of contemporary international relations rests on flawed images of the past. One of the most problematic dimensions of this history is the idea that the core institutions and practices of modern territorial sovereignty originated in Europe before being gradually extended to other parts of the globe. A key dimension of this Euro-centric historiography is the story that the territorial sovereignty norm was invented in Europe in the seventeenth century, before Europeans honed it into a standard technique of state practice in the twentieth. This paper uses original archival research to critically interrogate the consensus position. The paper demonstrates that the dominant narrative significantly misconstrues the way rulers and governments sought to control migration across the longue durée. European rulers were more collectively seeking to transnationally promote migration at the same time as they individually acquired territorial sovereign control over it. Extra-European states were the first to deploy territorial immigration controls, and non-Europeans shaped the forms of mobility promotion Europeans would adopt. The paper uses these findings to make the case for a new chronology of European migration governance and for a critical institutionalist approach to the way we write the history of the global migration regime.

scholarly journals The Unpredictable Lightness of History in Nicolas Cavaillès’ Novellas on the Mauritius Islands

2021 ◽  
Vol 14 (4) ◽  
pp. 65-76
Author(s):  
Fevronia Novac
Keyword(s):  
Philosophy Of History ◽  
Historical Narrative ◽  
Historical Narratives ◽  
Individual Freedom ◽  
Western History ◽  
The Past ◽  
History Of ◽  
The Indian Ocean ◽  
The Dead ◽  
Mauritius Island

Nicolas Cavaillès ponders on a philosophy of history mixed with humour and irony in his historical narratives of remote islands in the Indian Ocean in two of his novellas: Life of Mr. Legaut (the story of a Huguenot who is forced to leave his native France and travels to these islands) and The Dead on the Donkey, where the wanderings of un unfortunate donkey across the Mauritius Island allow the narrator to relate the history of the island and its tragic trajectory to modernity. The idea of Western history as progressive evolution is rolled upside down with irony in Cavaillès's philosophical reflection on the circumstances leading to colonial expeditions in Life of Mr. Leguat (2013) and in the successive destruction of the Mauritius Island in the novella The Dead on the Donkey (2018). If Cavaillès builds his books hermeneutically, he also defies hermeneutics by denying all forms of possible understanding of the events described. The actions of his protagonists, human or animal, are the result of circumstances that are well known, but so absurd that they cannot form a historical narrative. If they did, this narrative would look like a hybrid of Beckett's absurd and Cioran's despair. Anti-Hegelian, since history here does not lead to individual freedom, Cavaillès's conception of history equally challenges Nietzsche's representation of unhistorical temporality in an attempt to solve humanity’s relation to the past for enacting a more desirable future. In far away Edenic islands, colonized by powerful states and inhabited by human and animal slaves, no philosophy could make sense of history.

scholarly journals Towards an affective history of Yugoslavia

2016 ◽  
Vol 27 (3) ◽  
pp. 504-520 ◽  
Author(s):  
Tanja Petrovic
Keyword(s):  
Historical Narrative ◽  
Historical Narratives ◽  
Georg Simmel ◽  
History Of ◽  
German Sociologist ◽  
The Relationship ◽  
The Way

The article discusses the necessity for the diversification of (hi)stories of Yugoslavia, arguing for the importance of incorporating the affects and experiences of Yugoslavia?s citizens into the historical narratives. Acknowledging the difficulties emerging form the fact that what is articulated as historical narrative is still part of the experience for millions of citizens of post-Yugoslav societies, the article reflects upon the potential for and obstacles to an affective history of socialist Yugoslavia through the lens borrowed from German sociologist Georg Simmel. It particularly refers to - and makes use of - two sets of Simmel?s ideas. The first concerns the nature of material and the way we are making a story out of it - more precisely, the relationship between history and experience, life and representation. The second is about the perspective from which we look at, approach, and synthesize this material. Simmel?s reflections on history and form offer a very useful tool to look at the Yugoslav case and also help de-essentialize and normalize Yugoslav history, making the anxieties that characterize it part of a much broader discussion about history, its nature, and its internal contradictions.

Sign in / Sign up

Export Citation Format

Share Document