scholarly journals Da política dos espaços públicos: esfera pública e política urbana no caso do ecolimite da rocinha/On the politics of the public spaces: public sphere and urban politics in the case of the ecolimite of Rocinha

2018 ◽  
pp. 147-161
Author(s):  
Ana Brasil Machado

RESUMOO projeto dos ecolimites foi concebido e implementado ao longo dos anos 2000 na cidade do Rio de Janeiro. Seu objetivo manifesto era conter a expansão das favelas sobre áreas de proteção ambiental. Em uma situação geográfica particular, a da favela da Rocinha, o projeto tomou a forma de um parque urbano dotado de diversos equipamentos de lazer. Este artigo tem como objetivo discutir a implantação do Parque Ecológico da Rocinha a partir das perspectivas da esfera pública e da política urbana, contribuindo assim para o debate acerca da dimensão política dos espaços públicos.Palavras-chave: ecolimites, esfera pública, política urbana. ABSTRACTThe ecolimites project was conceived and implemented throughout the years 2000 in the city of Rio de Janeiro. Its overt goal was to contain the expansion of favelas over areas of environmental protection. In a particular geographical situation, the favela of Rocinha, the project took the form of an urban park equipped with various leisure facilities. This article aims to discuss the implementation of the Rocinha Ecological Park from the perspectives of the public sphere and urban politics, thus contributing to the debate about the political dimension of public spaces.Keywords: ecolimits, public sphere, urban politics

PhaenEx ◽  
2006 ◽  
Vol 1 (1) ◽  
pp. 197
Author(s):  
Mark Kingwell

Political-theoretic discussions of the public sphere, common at least since Habermas as a site of both crisis and justification, are rarely if ever animated by a sense of public spaces as what phenomenology calls 'real places.' Indeed, the space/place distinction is an important lever of critique for the transcendental rationalism operative in many political theories, even when unavowed. At the same time, architectural theory, even when itself informed by a laudable marriage of concrete and abstract, often seems uninterested in pursuing the political consequences of the built environment. This paper outlines the beginning steps in a large research project that might be labelled 'the political phenomenology of the city.'


2017 ◽  
Vol 10 (2) ◽  
pp. 208
Author(s):  
Valdenor Cabral Dos Santos

Abstract: this article aims to present and discuss some pertinent questions regarding the participation of women in Brazilian politics over the last years, having as a point of analysis the municipal elections of the city of Goiânia in the year 2016. Although, the participation of women in públic life is predicted in the Magna Carta, women’s exclusion of the públic sphere for centuries means that the possibility of more active participation, voting and voting does not lead to a proportional participation as of the men. Even with advances in the last years of policies públic policies and actions aimed at reducing this inequality, we realize that there are still many barriers to be overcome in order to guarantee equality of opportunity in públic spaces. A Luta das Mulheres por Mais Espaço na Política: Eleições para Vereadores em Goiânia no Ano de 2016 Resumo: o presente artigo busca apresentar e discutir algumas questões pertinentes à participação da mulher na política brasileira ao longo dos últimos anos, tendo como ponto de analise as eleições municipais da cidade de Goiânia no ano de 2016. Embora a participação feminina na política esteja prevista constitucionalmente, a exclusão da mulher na vida publica durante séculos faz com que a possibilidade de participarem de forma mais ativa, de votarem e serem votadas, não se traduza em uma participação proporcional a participação dos homens, mesmo com avanços nos últimos anos de políticas publicas e ações que visam reduzir essa desigualdade, percebemos que ainda existem muitas barreiras a serem superadas para garantir uma igualdade de oportunidade nos espaços públicos.


Goods ◽  
2018 ◽  
pp. 7-13
Author(s):  
Emanuele Coccia ◽  
Marissa Gemma

This chapter offers philosophical reflections on the nature of commodities and their value in our civilization, focusing on the particular site where a commodity becomes recognizable as itself: the walls in our cities. It begins with a discussion of stones and the city as a “thing of stone”, arguing that stone inscriptions are the first tangible—and certainly the longest lasting—incarnation of what modern political philosophy has called the public sphere. It also asserts that the images, faces, and words that comprise this spatialized symbolic order express the city's collective ethos and goes on to explain how advertising enables us to encounter the commodity in the political space where the city has always articulated and portrayed its own ethos. The chapter concludes by suggesting that city walls imply a morality that in turn provides an important clue about the shape of the world we live in.


2021 ◽  
pp. 239965442110338
Author(s):  
David Jenkins ◽  
Lipin Ram

Public space is often understood as an important ‘node’ of the public sphere. Typically, theorists of public space argue that it is through the trust, civility and openness to others which citizens cultivate within a democracy’s public spaces, that they learn how to relate to one another as fellow members of a shared polity. However, such theorizing fails to articulate how these democratic comportments learned within public spaces relate to the public sphere’s purported role in holding state power to account. In this paper, we examine the ways in which what we call ‘partisan interventions’ into public space can correct for this gap. Using the example of the Communist Party of India (Marxist) (CPIM), we argue that the ways in which CPIM partisans actively cultivate sites of historical regional importance – such as in the village of Kayyur – should be understood as an aspect of the party’s more general concern to present itself to citizens as an agent both capable and worthy of wielding state power. Drawing on histories of supreme partisan contribution and sacrifice, the party influences the ideational background – in competition with other parties – against which it stakes its claims to democratic legitimacy. In contrast to those theorizations of public space that celebrate its separateness from the institutions of formal democratic politics and the state more broadly, the CPIM’s partisan interventions demonstrate how parties’ locations at the intersections of the state and civil society can connect the public sphere to its task of holding state power to account, thereby bringing the explicitly political questions of democratic legitimacy into the everyday spaces of a political community.


2017 ◽  
Vol 44 (2) ◽  
pp. 192-211
Author(s):  
Lee Michael-Berger

The story of The Cenci’s first production is intriguing, since the play, based on the true story of a sixteenth-century Roman family and revolving around the theme of parricide, was published in 1819 but was denied a licence for many years. The Shelley Society finally presented it in 1886, although it was vetoed by the Lord Chamberlain, and to avoid censorship it had to be proclaimed as a private event. This article examines the political and social context of the production, especially the reception of actress’s Alma Murray’s rendition of Beatrice, the parricide, thus probing the ways in which The Cenci question was reframed, and placed in the public sphere, despite censorship. The staging of the play became the site of a political debate and the performance – an act of defiance against institutionalised power, but also an act of defiance against the alleged tyranny of mass culture.


Slavic Review ◽  
2017 ◽  
Vol 76 (4) ◽  
pp. 907-930
Author(s):  
Igor Fedyukin

This article uses the materials of the Drezdensha affair, a large-scale investigation of “indecency” in St. Petersburg in 1750, to explore unofficial sociability among the Imperial elite, and to map out the institutional, social, and economic dimensions of the post-Petrine “sexual underworld.” Sociability and, ultimately, the public sphere in eighteenth century Russia are usually associated with loftier practices, with joining the ranks of the reading public, reflecting on the public good, and generally, becoming more civil and polite. Yet, it is the privately-run, commercially-oriented, and sexually-charged “parties” at the focus of this article that arguably served as a “training ground” for developing the habits of sociability. The world of these “parties” provides a missing link between the debauchery and carousing of Peter I's era and the more polite formats of associational life in the late eighteenth century, as well as the historical context for reflections on morality, sexual licentiousness, foppery, and the excesses of “westernization.”


2019 ◽  
Vol 5 (1) ◽  
pp. 109-127
Author(s):  
Luke Matthews

Heiner Goebbels’s works are examples of “postdramatic” theatre works that engage with the political by seeking to challenge socially ingrained habits of perception rather than by presenting traditional, literary-based theatre of political didacticism or agitation. Goebbels claims to work toward a “non-hierarchical” theatre in the contexts of his arrangement of the various theatrical elements, in fostering collaborative working processes between the artists involved, and in the creation of audience-artist relationships. In offering a reading of Goebbels’s “no-man show” Stifters Dinge, this paper seeks to situate Goebbels’s practice within a theoretical tradition that also encompasses Hannah Arendt’s deployment of the theatre as a metaphor for the public sphere. Within this analysis, I suggest, theatre can be seen to offer the possibility of a participatory democracy through its attention to disappearance and absence.


Author(s):  
Luís Guilherme Nascimento de Araujo ◽  
Claudio Everaldo Dos Santos ◽  
Elizabeth Fontoura Dorneles ◽  
Ionathan Junges ◽  
Nariel Diotto ◽  
...  

The political and economic crises faced today, evidenced by the manifestos of political parties and the texts published in social networks and in the press, point to Brazilian society the possibility of different directions, including that of an autocratic regime, with the return of the military to the public sphere. This article discusses the movements of acceptance and resistance to the military regime that was implemented in Brazil with the coup of 1964. It is observed that the military uprising received at that time the support of a large part of the Brazilian population, which sought ways to maintain its socioeconomic status to the detriment of a majority that perceived itself vulnerable in view of the forms of maintenance and expansion of power used by the regime. In this context, Tropicalism emerges as an example of a contesting movement. This text approaches the song "Culture and civilization" by Gilberto Gil, performed by Gal Costa, relating the ideas present in this composition with the understandings of politics and culture, in a multidisciplinary proposal, seeking to understand the resistance and counter-resistance movements that emerged in Brazil at the time.


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