scholarly journals From Barbusse to Lemaitre: The Evolution of Experience

2018 ◽  
pp. 163-181
Author(s):  
Nancy Solan Goldberg
Keyword(s):  
Collective Memory ◽  
Moral Authority ◽  
Crime Fiction ◽  
Great War ◽  
Genre Fiction ◽  
Direct Experience ◽  
War Fiction ◽  
The Public ◽  
The Public Sphere ◽  
The Great War

Direct witness and thoughtful meditation are core values of content and form in the canon of French Great War fiction and were established from the earliest narratives in 1914. Moral authority and ownership of the truth were both the privilege of soldier-writers like Barbusse and Dorgelès, who also sought insightful meaning in their direct experience. Their works remain “in collective memory” and continue to be published, read, and analysed (Grabes). With the passage of time, the gaps in insights and memory of direct witness were fi lled by fi ction in the works of canonical post-memory writers (Rigney). The rediscovery and reappraisal of disparate elements of the war by historians and non-canonical genre writers restored value to some of these objects, such as executions and the reintegration of veterans into society, that had “fall[en] out of frames of attention” (Assmann). Crime fiction novels set during the Great War, by virtue of their non-canonical status as genre fiction, were not restrained by acknowledged and often depreciatory imperatives of form and content. Unencumbered by these canonical constraints, the works of crime fi ction writers tell a “counter-history,” thus transferring a proscribed and obfuscated subject to the public sphere (Assmann).

scholarly journals Blood-debts and Battlefields: Ulster Imperialism and Masculine Authority on the Western Front 1916–1918

2010 ◽  
Vol 20 (2) ◽  
pp. 3-27 ◽  
Author(s):  
Jane McGaughey
Keyword(s):  
Northern Ireland ◽  
Public Discourse ◽  
Influential Factors ◽  
Great War ◽  
The Public ◽  
The Troubles ◽  
Communal Memory ◽  
North East ◽  
The Public Sphere ◽  
The Great War

Men’s bodies were one of the more notable sites of conflict in Northern Ireland after the 1918 armistice. Long before the war was over, Ulstermen had become part of a public legacy of blood-sacrifice and the epic mythology of warrior manliness surrounding the 36th (Ulster) Division. The predominantly Protestant north-east of Ireland revelled in heroic language and romantic sentiment about their losses and the consequences of their sacrifice. For years after their most famous battle at the Somme on the 1st of July 1916, Unionists maintained a vibrant communal memory that pointedly excluded the achievements and sacrifices of the 16th (Irish) and 10th (Irish) Divisions, to the detriment of northern Nationalist veterans. More importantly, the ramifications of northern society’s understanding of soldiering masculinities directly led to some of the more infamous physical events of The Troubles from 1920 to 1922. These episodes included the violent shipyard expulsions in Belfast, the intimidation of shell-shocked ex-servicemen, membership in vigilante paramilitary societies, and government-mandated floggings of Catholic veterans in a society that prized service in the Great War as the greatest hallmark of modern Irish masculinity. The language of sacrifice within the public sphere, witnessed in public discourse and literally imprinted upon the bodies of those deemed unworthy and unmanly, mythologized one group of men at the expense of another, making the legacy of the Great War and the actions of and upon male bodies highly significant and influential factors in Northern Ireland for the rest of the twentieth century.

Houses as Lieux de Mémoire in Margery Allingham’s Crime Fiction

2021 ◽  
Vol 2 (2) ◽  
pp. 218-233
Author(s):  
Renáta Zsámba
Keyword(s):  
Golden Age ◽  
Crime Fiction ◽  
Great War ◽  
Country House ◽  
Family Secrets ◽  
The Past ◽  
Country Houses ◽  
A Site ◽  
The Great War

This article discusses the house as a site of memory in the novels of Margery Allingham, where it embodies a tension between the past and the present that turns the domestic milieu into a place of horror. Stemming from Susan Rowland’s claim that Golden Age authors did not write ‘unproblematically conservative country house mysteries’ (43), this paper uses Svetlana Boym’s theory of restorative and reflective nostalgia and Pierre Nora’s concept of lieux de mémoire (sites of memory) to read Allingham’s novels, which critically observe the sustainment of a vision of the past after the Great War. In her work, country houses like the eponymous one in The Crime at Black Dudley (1929), are, despite their aristocratic grandeur, perfect scenes for murder. While the countryside is associated with a nostalgic innocence, it is also contaminated by the intrusion of the present, as in Sweet Danger (1933). Family secrets are also reasons for crime, as we see in Police at the Funeral (1931). Hide My Eyes (1958) relocates the nostalgic atmosphere to a suburban house converted into a museum of ‘curios’, which operates as an ironic allegory of a nation wrapped up in its own history.

scholarly journals On the Public Discourse of Religion: An Analysis of Christianity in the United Kingdom

2009 ◽  
Vol 2 (3) ◽  
pp. 420-443 ◽  
Author(s):  
Steve Kettell
Keyword(s):  
United Kingdom ◽  
Public Discourse ◽  
Initial Step ◽  
Large Degree ◽  
Moral Authority ◽  
Public Realm ◽  
The Public ◽  
The United Kingdom ◽  
Religious Issues ◽  
The Public Sphere

AbstractDebates over the involvement of religion in the public sphere look set to be one of the defining themes of the 21st century. But while religious issues have attracted a large degree of scholarly attention, the public discourse of religion itself, in terms of the effort to assert and legitimize a role for faith in the public realm, has remained notably under-researched. This article marks an initial step to address this deficiency by deconstructing the public discourse of Christianity in the United Kingdom. It argues that, while appealing for representation on the grounds of liberal equality, the overall goal of this discourse is to establish a role for itself as a principal source of moral authority, and to exempt itself from the evidentially-based standards and criteria that govern public life.

The Great War, Independence, and Latvian Literature

2019 ◽  
Vol 62 (4 (463)) ◽  
pp. 9-21
Author(s):  
Benedikts Kalnačs
Keyword(s):  
Critical Evaluation ◽  
First Century ◽  
Great War ◽  
The Novel ◽  
Direct Experience ◽  
Nation States ◽  
History Of ◽  
To Come ◽  
The Great War ◽  
Written Sources

The article focuses on the representation of the year 1918 in Latvian literature. On November 18, the independent Republic of Latvia was proclaimed, and in the years to come international recognition of the state’s sovereignty followed. In retrospect, this event stimulated a number of salutary descriptions and interpretations and certainly provides a milestone in the history of the Latvian nation. It is, however, also important to discuss the proclamation of independence in the context of the Great War that brought a lot of suffering to the inhabitants of Latvia. Therefore, a critical evaluation of the events preceding the year 1918 is certainly worthy of discussion. The article first sketches the historical and geopolitical contexts of the period immediately before and during the Great War as well as the changed situation in its aftermath. This introduction is followed by a discussion of the novel 18 (2014) by the contemporary Latvian author Pauls Bankovskis (b. 1973) that provides a critical retrospective of the events leading to the proclamation of the nation state from a twenty-first century perspective. Bankovskis employs an intertextual approach, engaging with a number of earlier publications dealing with the same topic. Among the authors included are Anna Brigadere, Aleksandrs Grīns, Sergejs Staprāns, Mariss Vētra, and others. The paper contextualizes the contribution of these writers within the larger historical picture of the Great War and the formation of the nation states and speculates on the contemporary relevance of the representation of direct experience, and the use of written sources related to these events.

scholarly journals COLLECTIVE MEMORY “JUM’AT KELABU” DI BANJARMASIN (PERSPEKTIF RESOLUSI KONFLIK ATAS PERISTIWA 23 MAY 1997)

2017 ◽  
Vol 16 (2) ◽  
pp. 75
Author(s):  
Husnul Khotimah
Keyword(s):  
Collective Memory ◽  
Secondary Data ◽  
Peace Building ◽  
The Public ◽  
Post Conflict ◽  
Strategic Role ◽  
The Public Sphere ◽  
Friday Prayer ◽  
The City

This paper intends to explore the events of the conflict on 23 May 1997 from the aspect of the peaceful resolution. Where a peace-building effort is needed to maintain a peaceful situation. With the collective memory being represented in the present mass, it is part of the form of efforts in fostering post-conflict sustainable peace. Through the elements of society (Non-Governmental Actor) the memory of conflict is represented in the public sphere as a form of warning against forgetting over history.The role of a non-governmental actor in peacebuilding has a strategic role in resolving conflicts and building peace post-conflict. There are three things raised in this research that is: The incident of conflict "Jum'at Kelabu" in the city of Banjarmasin in 1997, a collective memory form of conflict that built elements of society after the conflict, and the views of elements of society to the collective memory that was represented in the present in the effort to build peacebuilding. This research is a qualitative research, using a sociology-historical approach. The method used in data collection is through observation, interview, and documentation as secondary data. From the results of data analysis, the following results are obtained: the conflict that occurred in Banjarmasin city has a long chronology, the cause of this conflict is an unclear campaign route, the party base that controls Banjarmasin, because the mass of one the OPP that interfere with the Friday prayer, and aggressiveness of campaign participants. The form of peacebuilding efforts of the elements of society is to take peaceful action down the street, discussion/dialogue, and watching a documentary film. Elements of society argue that bringing back the memory of the conflict has two impacts: negative and positive impacts on people’s lives thereafter. These efforts need to be built to create an awareness that the conflict is painful, unpleasant and disturbing so hopefully it will never happen again.

“As Brave as Armenak Efendi”

2021 ◽  
Vol 88 (3) ◽  
pp. 401-428
Author(s):  
Yaşar Tolga Cora
Keyword(s):  
Ottoman Empire ◽  
Cultural Norms ◽  
Great War ◽  
The Public ◽  
The One ◽  
The Individual ◽  
Late Ottoman Empire ◽  
Individual Self ◽  
The Great War ◽  
Late Ottoman

This article examines the different ways in which masculinity and ethnicity were mu- tually constructed during the Great War and the Armenian Genocide by analyzing the memoirs of Armenak Melikyan, an Armenian cavalry officer in the Ottoman Army. It discusses why Melikyan emphasized in his memoirs certain values, such as dutiful- ness, resourcefulness, and hard work, which were all firmly associated with the he- gemonic masculine model of citizen-soldiers in the late Ottoman Empire. The article further examines the emphasis Melikyan laid on the public recognition he received for his qualities as an officer from Muslim/Turkish superiors, thus reflecting both ethnic and gendered hierarchies in the army. The article argues that many Armenian soldiers in the Ottoman army performed according to hegemonic masculine models in order to defend their precarious masculinity against physical and psychological challenges. This allowed them to remasculinize themselves in the context of the Great War and the Genocide. The article contributes to the study of military memoirs in the late Ottoman Empire by underlining the relation between social and cultural norms and expecta- tions on the one hand and the individual self-perception of military experiences on the other, in the context of the war and ethnic violence.

Sign in / Sign up

Export Citation Format

Share Document