Diet of crab-eating fox (Cerdocyon thous) in two conservation units of the Amazon rainforest, Brazil

The present study aimed to evaluate the diet of the free-living crab-eating fox by identifying the stomach contents of the 17 crab-eating foxes (Cerdocyon thous) roadkilled in two conservation units, both located in the Amazon rainforest. The food items were quantified by frequency of occurrence (FO) and percentage of occurrence (PO). The stomach contents were analysed for dry matter (DM), crude protein (CP), crude fibre (CF), ether extract (EE), and mineral matter (MM). Nitrogen-free extractives (NFE), metabolisable energy (ME) values, as well as the energy need for maintenance were estimated. The composition of the diet for the crab-eating fox presented 29 food items from the different taxonomic groups, with a greater diversity of items of animal origin (n=22), although the highest frequency of occurrence was gramineae (Poaceae) (41.18%). Among the items of animal origin, 21% were mammals, 18% reptiles, 10% amphibians, 9% invertebrates and 3% birds. A high content of CF (62.76%) were determined. Nitrogen-free extractive and dry matter averages were 5.91% and 141.82 kcal/100g, respectively. The average maintenance energy was 447.01 kcal/day. These findings suggesting that the crab-eating foxes have a generalist diet with an omnivorous diet in the Amazon basin, feeding on gramineae, fruits, insects, snakes, amphibians, birds and small mammals and have the same feeding habit that present in other Brazilian biomes.

Rapid growth of anthropogenic organic nanoparticles greatly alters cloud life cycle in the Amazon rainforest

Oxidation products of natural hydrocarbons rapidly grow pollution nanoparticles to sizes large enough to alter clouds.

Universalities and cultural specificities of finger counting and montring: evidence from Amazon Tsimane’ people

Despite variety of cultures, our shared biology and the universality of finger counting suggests that numbers are embodied. Another lines of research show that numerical cognition might be bound to what our bodies are able to do. Differences in finger counting are apparent even within Western cultures. Relatively few indigenous cultures have been systematically analyzed in terms of traditional finger counting and montring (i.e., communicating numbers with fingers) routines. Even fewer studies used the same protocols across cultures, allowing for a systematic comparison of indigenous and Western finger counting routines. We analyze the finger counting and montring routines of Tsimane’ (N = 121), an indiginous people living in the Bolivian Amazon rainforest, depending on handedness, education level, and exposure to mainstream, industrialised Bolivian culture. Tsimane' routines are compared with those of German and British participants. Tsimane’ reveal a greater variation in finger counting and montring routines, which seems to be modified by their education level. We outline a framework on how different factors might affect cross-cultural and within-cultural variation in finger counting.

A Flute, Musical Bows and Bamboo Clarinets that “Speak” in the Amazon Rainforest; Speech and Music in the Gavião Language of Rondônia

The Gavião, a native Amazonian group in Rondônia, Brazil, use three different traditional musical instruments that they identify as “speaking” ones and that are characterized by a very tight music-lyric relation through similar pitch patterns: a flute (called kotiráp), a pair of mouth bows (iridináp), and three large bamboo clarinets (totoráp), played by three different players, each one playing a single-note clarinet. They show in different ways the relation of acoustic iconicity which exists between the words of the songs’ lyrics and the music played on such instruments to “sing” the songs. Linguistic analysis makes it possible to understand the phonetic and phonological nature of the iconicity. The sung speech form, being intermediate between the spoken and the instrumental forms, is useful for both learning and explaining the musical notes. In a language with distinctive tone and length, such as Gavião of Rondônia, the first question about speech that is played by musical instruments is the relation between the melodies and the supersegmental phonology of the corresponding words in sung speech and in modal spoken speech. It is influenced by the phonological possibilities of the spoken form and by the musical possibilities of the instrumental form. The description and analysis of Gavião instrumental speech and song practices are found to be a noteworthy contribution to the typology of instrumental language surrogates associated with a tone language, one that calls for a reexamination of hypotheses about which aspects of the phonological/phonetic structure can be transposed in instrumental speech and how this can be done. The role of this kind of instrumental sung speech is artistic and also practical as it contributes to maintain the oral heritage. Such practice represents a little-studied and threatened cultural heritage of the traditional substratum of the cultures of Amazonia.

New species of Tintiyakus Cadena-Castañeda (Orthoptera: Anostostomatidae: Lutosinae) from the Brazilian Mountain Amazon Rainforest

Tintiyakus is a genus of Chevron Crickets and currently comprises three species with distributions in Colombia and Venezuela, restricted to Amazon rainforest environments between 200–400 m altitude. In this work a new species Tintiyakus lari sp. nov. for Serra da Mocidade is the first record of the genus for Brazil. A pictorial key for males of Tintiyakus species is provided.