immigrant literature
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2021 ◽  
Vol 120 ◽  
pp. 85-87
Author(s):  
Tuli Chatterji

The innovative four-point structure—Arrivals, Departures, Generations, and Return—of The Penguin Book of Migration Literature expands the purview established by previous anthologies of immigrant literature by mobilizing a classroom conversation where students’ own lived experiences of migratory crossings combine with the anthology’s narratives to both analyze texts and critique present national and global political climate.  


Author(s):  
Maria IROD ◽  

This chapter presents six contemporary authors of Romanian origin and German expression. Classified as so-called “immigrant literature” - a distinct category outlined in German literary studies in the last four decades - the six authors were selected according to the following criteria: Romanian mother tongue, the experience of immigration in the German-speaking area, and the abandonment of the mother tongue in favor of German. In addition to bio-bibliographic data, the paper provides a representative text analysis for each author


Author(s):  
Marine Sioridze ◽  
Ketevan Svanidze

The political processes of the 20th century became a kind of test for Georgian writers, the passing of which was largely manifested by the writers’ physical presence-absence, the denial of their own beliefs. Immigrant literature has become a form of free expres-sion of dissident thoughts. The authors were forced to move to another language space for their spiritual and physical survival in order to at least somehow get closer to the national culture. However, new contradictions arose at the same time. Writers lived in a foreign country, in a society of a different mentality and worldview, for which the topic that was close to the Georgian way of life could possibly be completely alien and uninteresting. The works of Georgian emigrant authors could be incompatible or less compatible with foreign literary discourse.The goal of writers and poets of the early 20th century was to remove the shack-les of imperialism from Georgia and to become closer to Europe. The Soviet authori-ties launched a cruel and immoral campaign against the writer, caused by the ideolo-gy of that time. One of the outstanding representatives of this particular era was Grigol Robakidze. The present paper deals with the research and analysis of the movement that began at the beginning of the 20th century and was aimed at bringing Georgia closer to Europe; it also discusses the reasons that served the public to appeal to European ideals and how the struggle went on to establish their cultural values. Grigol Robaki-dze's German-language work is essentially a part of Georgian literature.The writer was delighted with the poetic greatness of the Georgian language and its capabilities. Robakidze's works clearly show his selfless love for the mother-land. He was in love with the Georgian language, the Georgian land, the Georgian character and, in general, with everything Georgian. It is easy to imagine that the stay in emigration even more strengthened the writer's patriotic feelings. The creative path of the emigrant writer was in expressing his own and national identity, on the one hand, and in adapting to the literary environment, the part of which the author should have become himself, on the other hand. Thus, he did not move away from his native roots and found his place in a foreign literary discourse.


Author(s):  
Sika A. Dagbovie-Mullins ◽  
Eric Berlatsky

As a Muslim Pakistani-American whose parents are immigrants, Kamala Khan occupies a neither/nor position familiar in both American “mulatto” literature and in postcolonial immigrant literature, wherein the mixed-race character is frequently marginalized, alienated, and Other. She is one of many examples in contemporary superhero comics both of an increased attention to the representation of people of color, and of a potentially ahistorical/apolitical postracialism. Ms. Marvel’s metaphorical mixed-racedness serves to place her in the vicinity of the postracial or in the lineage of the “multicultural” which preceded it, a vision of the world (or at least the nation) wherein race no longer has political significance, but is instead merely a signifier of multiculturalism. The political facts of being a Muslim and/or South Asian in America, and particularly in Jersey City, are either underplayed or ignored throughout Khan’s first Ms. Marvel series.


2020 ◽  
Vol 1 ◽  
pp. 77-87
Author(s):  
Abigail Shacher

Complicated by issues of identity, the immigrant experience is fraught with trauma. As such,authors engage with this theme by manipulating time and setting. These themes reimagineghosts in hyperreal forms distorted by memories and perceptions. This article investigates hyperreality in the context of immigrant literature, this paper will introduce its audience to theghosts haunting our muddled realities.


2019 ◽  
pp. 13-30
Author(s):  
Seth Jacobowitz

Transoceanic passage brought nearly 189,000 immigrants from Japan to Brazil between 1908 and 1941. They were often geographically isolated in Japanese “colonies” as coffee plantation workers and thus able to maintain their Japanese linguistic and cultural identity. A new imagined community coalesced in the several Japanese-language immigrant newspapers that also published locally produced serial fiction. This paper reads two representative works by Sugi Takeo, pen name of Takei Makoto (1909-2011), who was a prolific contributor of original content to the Burajiru Jihô newspaper. In the short stories, “Kafé-en o uru” (Selling the coffee plantation, 1933) and “Tera Roshya” (Terra rossa, 1937), it is the moonshine sellers who see steady profits from every race and type of immigrant laborer while the Japanese newcomers who naively dream of riches by bringing coffee to market reap only a bitter brew of poverty for their efforts.


2017 ◽  
Vol 8 (1) ◽  
pp. 44
Author(s):  
Besire Azizaliyeva

The religious and philosophical elements expressed in ancient Indian literature have had great influences on world literature. One notable example is the ancient Indian piece, "Panchatantra". This magnificent written work ofworld literature has become one of the most famous and influential works in the development of the European and Asian story genre. The Indian masterpiece has also influenced the Arabic-American immigration writer, Kahlil Gibran. Thus, the impress of Indian scripturecan be seen in many of Gibran’s works such as "The Prophet". The philosophical and religious teachings of the "Bhagavad Gita" have had an impactful role in M. Naimy’s development as an Arabic immigration writer. Mikhail Naimy, a poet, writer and a literary critic, was one of the prominent representatives of the early 21st century Arab-American immigrant literature. When conveying the idea of wholeness and unity between an individual soul and God in his work, “The Book of Mirdad”, the author used different religious and philosophical sources including the ancient Indian scripture Bhagavat-Gita. The concepts such as an eternal soul, “I”, a God’s messenger are very similar in “The Book of Mirdad” and the Indian religious-philosophical teachings. M.Naimy has accented the importance of issues that reflect many of the ancient Indian beliefs expressed in the "Bhagavad Gita" including the material sides of world and divinity, vision, soul, and spirit. The ancient Indian beliefs of "The People are Raised to the God’s level” are distinctively reflected by M. Naimy in his novel "The Book of Mirdad".


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