A Synthesis of Psychological Aspects with the Sociological Constrains in Arthur Miller Tragedies

This paper analyses the amalgam of psychological elements with the social realism where his characters are placed. The paper focuses on the inner conflicts of the characters and points out the literary devices that Miller uses to bring to life. Miller’s drama embodies the Freudian concept of human psychological nature and the father-son conflict which is present at his most successful works. These conflicts are evident in "The Crucible," "All My Sons," "The Death of a Commissioner," "View from the Bridge," "After the Fall," and "Descent from Mount Morgan.” In the plays where this conflict is not the primary conflict, it serves as a bases where other inner conflicts are grown.

Collapse of the Ideal in Arthur Miller’s All My Sons

Idealism is a pivotal motto of the propaganda led and announced by America's pursuit of the dream since its establishment in the new world, but what has emerged as a dream has ended up as an illusion. The aim of this paper is to expose how Arthur Miller portrays the collapse of the ideal father figure in an exemplary American family at the time when the pursuit for personal and familial betterment was used to disguise materialistic corruption and egoistic thirst for social mobility in American society at the expense of values and ethics.

Dysfunctional american dream reflected in arthur miller’s death of a salesman

The research aims to find the dysfunctional American Dreams; the causes of dysfunctional American Dreams and the effects of dysfunctional American Dreams experienced by the main character, Willy Lowman, as a representation of American society.This paper is examined by applying descriptive qualitative research paradigm which is naturally interpretative. Thus, the key instrument is the researcher herself who has the authority in managing and analyzing the data, and certainly producing meaning in the process of discussion and interpretations. Moreover, to facilitate her in collecting and identifying the data, she used supporting instrument in the form of table. This study, theoretically, applied the mimetic theory as the research approach.The researcher found that Arthur Miller uses the character of Willy Loman to represent the failure of the American Dream. Willy’s quest for the American Dream leads to his failure because throughout his life he pursues the illusion of the American Dream and not the reality of it. The unachievable part of Willy’s view of the American Dream is perfection. He has subordinated by the capitalism in which Willy belongs to the proletariat where his dream is a utopia. HIGHLIGHTS: The character of Willy Lowman represented the failure of American Dream because throughout his life he pursues the illusion of American Dream. Some misperceptions of American Dream have made Willy living in utopia and committing a suicide. The study represented that not all Americans or immigrants have the same perception of the American Dreams and not all of them can reach the dreams

A Psychological Reading of Husband-Wife Relationship in Death of a Salesman

Death of a Salesman written by Arthur Miller premiered in 1949 to critical acclaim and commercial success. Scholars have been paying attention to research on the female characters, the protagonist from the psychological perspective and father-son relationship, none of these works deals with the husband-wife relationship in Death of a Salesman from a psychological aspect.The paper will examine the family competences of Linda and Willy, dissecting the husband-wife relationship combing the psychological motivation. In the first section, through psychological rejuvenation, Linda embodies a natural force of vigor that infuses in Willy the power of warmth. In the psychological interpretation of Death of a Salesman, the relationship between Willy and Linda formed a sharp contrast between psychological pressure and purifying salvation. Willy suffered from relational anxiety, fearful stress, repressive daily, the loss of body, which brought disaster to his wife, Linda, his sons, Biff and Happy. For this reason, the play arranged a comforting character, his wife, Linda, to contrast the relationship between the couple. Concerning the suppressive daily, Willy’s stubborn personality is linked with frustration and depression in pursuing fantasy; his wife, Linda, gives him warm comfort for his empty dreams with her kindness, love, and above all, intelligence. In the case of his sons, Biff and Happy, especially Biff, on whom Willy places high expectations, Linda saved Willy from the relational tension through her pure nature when the sons frustrate Willy; Linda supports Willy and solves the arguments between Willy and sons to ease the tension. When Willy is faced with an unbearable blow from his job, Linda gives him advice on how to solve problems, such as when Willy loses his job, and the wife advises him to understand the boss and how to deal with the problem. The loneness from family and work also leads Willy to have affairs with an unknown woman; Linda tolerates everything and invisibly reminds Willy. It can be said that the relationship between the wife and her husband is a relationship of dependency, the wife attached to her husband in life and emotion.

Hilton Edwards, Brecht and the Brechtian

The Dublin Gate Theatre Company’s repertory of international, often experimental plays offers perhaps the clearest distinction between the Gate and the Abbey in the mid-twentieth century. A growing body of scholarship focuses on how Hilton Edwards and Micheál mac Liammóir deployed innovative, non-realistic staging techniques and brought to Ireland design elements associated with European artists. The Gate’s international remit can also be seen in its production of plays not merely authored by foreign playwrights, but focused on issues outside the conventional purview of Irish politics, including anti-Semitism and totalitarianism. Throughout his career, Hilton Edwards often sought out non-realistic dramaturgies to critique modern institutions. Some of the plays chosen by Edwards and mac Liammóir were so provocative, socially-conscious, and politically-charged that they challenged the prevailing ethos in Catholic Ireland and incurred the wrath of the Catholic Cinema and Theatre Patrons’ Association. Edwards’ exposure to Bertolt Brecht’s plays, theories, and the 1956 London performances by the Berliner Ensemble prompted not only his production of Mother Courage in 1959 and Saint Joan of the Stockyards two years later, but also his greater willingness to comment on theatre, for example on the radio and in his book The Mantle of Harlequin (1958). Edwards shared with Brecht an awareness of music as integral to performance and a vision of theatre unconstrained by realism and the proscenium arch. Although the Gate repertory of new productions in the post-Emergency era may appear unsurprising, that perspective is informed by the half century in which dramatists such as Arthur Miller and Brecht emerged canonical figures. Hilton Edwards’ direction of Mother Courage and Saint Joan of the Stockyards advanced the Gate’s internationalism and helped to reshape the political nature of Irish theatre. Keywords: Hilton Edwards, Dublin Gate Theatre, Bertolt Brecht, Irish theatre, theatre and politics, Brechtian

Paula Vogel And The Modern American Female Playwrights

Reading and analyzing Paula Vogel’s plays, the readers can attest that she achieves success in drama or theater because she is passionate about theater. Vogel is a modern American playwright who won the 1998 Pulitzer Prize for drama. Her success and insight in playwriting or in adapting do not come all of a sudden; she is influenced by many writers. Vogel is influenced by many American dramatists, including Eugene O’ Neill, Arthur Miller, Tennessee Williams, and Edward Albee, and by other non-American writers, including August Strindberg, Anton Chekhove, and Bertolt Brecht. Certainly, there were female playwrights who wrote preeminent plays and they influence Vogel as well. Nevertheless, dramas by female writers, as a matter of fact, remain marginalized. This paper focuses on the influence of some female playwrights on Vogel.

INFINITE VISION oF ARTHUR MILLER

Apart from social, economic and political questions, Arthur Miller was equally interested in ethical and spiritual issues. He tried to answer many questions regarding the origin of man and woman upon this planet. Of course, he had great faith in the working of divine system and the presence of God. Like Robert Browning and R.W. Emerson, he believed in merciful God and regarded Him the creator and preserver of human life and natural objects. Like Hindu saints, he asked himself - Who am I? What is the aim of life? What is the significance of self-illumination? Why are people misguided by ego, pride, lechery, greed, violence, folly, vanity etc. and ultimately suffer. But due to his optimism he believed that life can be made better if efforts are made by all kinds of people. His infinite vision is elaborated and analyzed in this article as he shows his faith in mercy, wisdom, right action, right knowledge and right conduct. There is no denying the fact that in his tragedies he shows no indifference to ethical values and answers the questions - 'How to live?'

Study on the Changing Connotation of the American Dream in Death of a Salesman

Arthur Miller is considered one of the greatest American playwrights of the twentieth century. His masterpiece—Death of a Salesman—tells a tragic story about an ordinary American and chronicles the changing connotation of the American dream. The American dream originates from the puritan spirit, develops in the Revolutionary war and distorts as society changed. The essay attempts to reveal the changing connotation of the American dream reflected in this play by analyzing the representative character portrayed by Miller. On the basis of a better understanding of the play, the great influence of values in different time, such as the American dream, on ordinary people are expected to be learned.