Holding the Whip-Hand

This article examines two female slaveholders, one real and one fictional, to explore the relationship between gender and slave management in both history and popular culture. Annie Palmer, the “White Witch of Rose Hall” plantation in Jamaica, although the creation of folklore and journalistic exaggeration, has functioned for a century and a half as a symbol not only of the evils of slavery but of the idea that female slaveholders’ cruelty threatened the system of slavery in a way in which that practiced by males did not. In New Orleans, Delphine Lalaurie, an elite woman renowned for her elegance and piety, became a figure of monstrosity after a house fire of 1834 revealed that her French Quarter mansion held a chamber of horrors for the enslaved, and offered a similar example of the dangers of female power in slave societies. Examining these women’s continuing presence both as historical figures and as characters in novels, television shows, and other creative productions, this article illuminates the strange career of the slaveholding woman, a figure execrated in her own era and misunderstood or ignored in contemporary historiography, yet simultaneously the subject over centuries of prurient cultural fascination.

In the heart of the city: Trypanosoma cruzi infection prevalence in rodents across New Orleans

Background Trypanosoma cruzi - the causative agent of Chagas disease - is known to circulate in commensal pests, but its occurrence in urban environments is not well understood. We addressed this deficit by determining the distribution and prevalence of T. cruzi infection in urban populations of commensal and wild rodents across New Orleans (Louisiana, USA). We assessed whether T. cruzi prevalence varies according to host species identity and species co-occurrences, and whether T. cruzi prevalence varies across mosaics of abandonment that shape urban rodent demography and assemblage structure in the city. Methods Leveraging city-wide population and assemblage surveys, we tested 1428 rodents comprising 5 species (cotton rats, house mice, Norway rats, rice rats and roof rats) captured at 98 trapping sites in 11 study areas across New Orleans including nine residential neighborhoods and a natural area in Orleans Parish and a neighborhood in St. Bernard Parish. We also assayed Norway rats at one site in Baton Rouge (Louisiana, USA). We used chi-square tests to determine whether infection prevalence differed among host species, among study areas, and among trapping sites according to the number of host species present. We used generalized linear mixed models to identify predictors of T. cruzi infection for all rodents and each host species, respectively. Results We detected T. cruzi in all host species in all study areas in New Orleans, but not in Baton Rouge. Though overall infection prevalence was 11%, it varied by study area and trapping site. There was no difference in prevalence by species, but roof rats exhibited the broadest geographical distribution of infection across the city. Infected rodents were trapped in densely populated neighborhoods like the French Quarter. Infection prevalence seasonally varied with abandonment, increasing with greater abandonment during the summer and declining with greater abandonment during the winter. Conclusions Our findings illustrate that T. cruzi can be widespread in urban landscapes, suggesting that transmission and disease risk is greater than is currently recognized. Our findings also suggest that there is disproportionate risk of transmission in historically underserved communities, which could reinforce long-standing socioecological disparities in New Orleans and elsewhere.

Tulane University: 1926–1935

Michael moves to New Orleans, has eye-opening experiences in the French Quarter, and his first-semester grades suffer. Influential professors shape his love of learning and research. He encounters Alton Ochsner, Chief of Tulane Department of Surgery and a highly influential future mentor. He has dramatic and defining clinical experiences at New Orleans’ Mercy and Charity Hospitals. While still a medical student, Michael invents a new transfusion syringe. The legendary surgeon and polymath Rudolph Matas befriends the eager young Michael, becoming another revered role model. DeBakey graduates from medical school at the top of his class and decides to become a surgeon, training under Ochsner.

The St. Joan of Arc Parade, Gender, and Pride of Place

This chapter explores the history of the Joan of Arc parade, a women’s enterprise that celebrates the birthday of the famous saint, which happens to fall upon January 6th, Twelfth Night, the traditional commencement of the Carnival season. The parade runs through the French Quarter, concluding at the gilded Joan of Arc statue on Decatur Street (Joanie on a pony). The chapter looks at the feminist aspect of the group, which celebrates this female icon, a woman who spoke truth to power and actively fought against it. The parade also is significant for drawing upon European history in a way that underscores the French heritage of the city.

Growth, Quality, and Economic Value Responses of Bedding Plants to Reduced Water Usage

This study analyzed the effects of two ranges of drying down of substrate moisture content (SMC) before re-watering on plant growth and development, postproduction quality, and economic value of bedding plants grown in 1.67-L containers during greenhouse production. The two SMC treatments were wide-range (WR) SMC (WR-SMC) for dry-down from container capacity (CC) of 54% SMC dried down to 20% SMC or narrow-range (NR) SMC (NR-SMC) for dry-down from CC of 54% SMC dried down to 40% SMC. Six bedding plant cultivars were used [Solenostemon scutellarioides ‘French Quarter’ (coleus); Petunia ×hybrida ‘Colorworks Pink Radiance’ (petunia); Lantana camara ‘Lucky Flame’ (lantana); Impatiens ×hybrida ‘Sunpatiens Compact Hot Coral’ (SCC); ‘Sunpatiens Spreading Lavender’ (SSL) (impatiens); and Salvia splendens ‘Red Hot Sally II’ (salvia)]. Shoot dry weight was reduced with WR-SMC on petunia, lantana, impatiens SCC, and salvia at the end of production. With WR-SMC, the petunia and impatiens SCC root ball coverage percentages were greater on the bottom of the container, whereas those of impatiens SSL and salvia were reduced. The WR-SMC increased petunia postproduction quality by increasing the flower number. Lantana and impatiens SCC inflorescence/flower and/or bud number were reduced with WR-SMC. The impatiens SSL flower number was unaffected by SMC treatment. Salvia grown with WR-SMC had increased postproduction quality. WR-SMC reduced postproduction water potential in petunia, lantana, and coleus, suggesting that plants with WR-SMC during production were acclimated to reduced irrigation administered during postproduction. WR-SMC saved labor due to less frequent watering and overhead-associated costs due to reduced bench space, with the exception of coleus and impatiens SSL, which used the same bench space as NR-SMC. Considering production and/or postproduction quality, using WR-SMC during greenhouse production is beneficial as an irrigation method for coleus, petunia, impatiens SSL, and salvia, but not for impatiens SCC or lantana grown in 1.67-L containers.

Sister Gertrude Morgan

By the 1930s, civic leaders were promoting New Orleans as a tourist destination while the city lurched toward bankruptcy. As the city continued to develop through the 20th century, it became a melting pot of diverse cultures and a mecca for bohemians and LGBTQ people. Gay bars prospered in the French Quarter, and jazz clubs hired integrated bands. Sister Gertrude Morgan was a self-appointed missionary and preacher, Bride of Christ, artist, musician, poet, and writer of profound religious faith. After a revelation in 1934, she decided to travel to New Orleans to evangelize. In the late 1950s, she began singing on French Quarter corners, playing the guitar and tambourine, and selling her paintings. Her work caught the attention of art dealer Larry Borenstein, who helped launch her career as an artist. Borenstein came from a family of Russian Jews in Milwaukee. He worked in a wide variety of jobs in his youth, eventually settling in New Orleans and expanding into real estate and art dealership. He made friends with members of the gay community, artists, and musicians, and helped found the Preservation Hall jazz club.

Straight Streets in a Curvaceous Crescent: Colonial Urban Planning and Its Impact on Modern New Orleans

New Orleans is justly famous for its vast inventory of historical architecture, representing scores of stylistic influences dating to the French and Spanish colonial eras. Less appreciated is the fact that the Crescent City also retains nearly original colonial urban designs. Two downtown neighborhoods, the French Quarter and Central Business District, are entirely undergirded by colonial-era planning, and dozens of other neighborhoods followed suit even after Americanization. New Orleanians who reside in these areas negotiate these colonial planning decisions in nearly every movement they make, and they reside in a state with as many colonial-era land surveying systems as can be found throughout the United States. This article explains how those patterns fell in place.