distinct sense
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2021 ◽  
Vol 10 (1) ◽  
pp. 41-74
Author(s):  
Aqeel Ihsan

The conceptualization of identity around food is not new to Canadian historiography. Many contemporary historians have, by analyzing culinary narratives such as cookbooks and oral interviews, illustrated how food acts as an intellectual and emotional anchor for immigrant subjects and becomes a source of identity for them in their new country. This study, which examines menus from various Goan Canadian cultural events, finds that Goan Canadians have a complex relationship with traditional foods, and that food was not as important a boundary marker for their identity as the scholarship might suggest. Instead, Goans in Canada developed their own distinct sense of identity based on community, celebrations of holidays, village feasts, and other social events.


Author(s):  
Justin T. T. Tan

This essay chronicles the study of patristic biblical interpretation in China, first, by tracing the development from the early days of the spread of Christianity; second, by introducing notable translations of patristic texts that have enshrined in them some biblical interpretations; and finally, by investigating selected modern Chinese scholars’ work, which sets the tone for further studies in this particular area. Some paradigmatic studies in recent times indicate the main direction of research in China, such as a distinct sense of wanting to let the early fathers speak again in their context and discarding the traditional bias in the West towards typology and allegory as hermeneutical tools. The widespread use of these tools was well accepted in China. Recently, academics with or without a Christian background have contributed to the appreciation of patristic study in general and biblical interpretation in particular, albeit from a cultural perspective.


2020 ◽  
Vol 19 (3) ◽  
pp. 1-20
Author(s):  
Mark Deuze ◽  
Johana Kotišová ◽  
Gemma Newlands ◽  
Erwin Van‘t Hof

Most media work today takes place under atypical conditions, i.e. media professionals such as journalists, musicians, filmmakers, advertising creatives and game developers generally work without open-ended contracts. In this essay, a theory of atypical media work is outlined highlighting this way of working and being at work from the current culture of capitalism. Further, it also throws light on how dualisms, dominating the discourse on media work – such as contracted versus freelance labour, primary and secondary sector employment, good versus bad jobs, paid versus unpaid work – are not as useful as they seem to be is shown. It also delves into the different ways of making precarity, precariousness, constrained autonomy and lack of agency and highlights themas the key problematic features of atypical work – productive (beyond productivity narratives). Throughout the argument, the reasons and motivations for (doing and studying) atypical media work are articulated with a distinct sense of shared social hope.  


2020 ◽  
Vol 3 (2) ◽  
pp. 205-214
Author(s):  
Sonia Rafique ◽  
Ijaz Ahmad Tatlah ◽  
Muhammad Shabbir

The institute defines its aims and sets educational objectives adapted to these aims. The institute has a clear and distinct sense of its core values and character, of its distinctive elements, of its place both in colleges and in society, and of its contribution to the public good. The aims of the study were (i). To explore the practices for development of personality in institutions. (ii) To identify the role of administrators of institutes for students ‘personality development. (iii)To determine which sector is more competent in doing better personality development at higher secondary level in private and public sector institutes. With survey design the study was descriptive in its nature. The population of the study was all private and public colleges of Punjab Province. Six hundred and twenty-eight out of seven hundred and twenty students, and also thirty administrators out of thirty-two, participated in the research. Instrument was tested by conducting Pilot testing with (?=.87) reliability. Parametric statistics and summary statistics were menu plated to check the assumption, Normality tests and Boxplot were applied. To compare the private and public institutes, Non-parametric test was applied on the given information. It was concluded from the study that (i) Activities related to personality development, are doing in institutions. (ii) Administrators are doing their job in personality development among boys and girls at higher secondary level. (iii) Private sector is doing better job to the development of student’s personality than public sector.


2020 ◽  
pp. 1-20
Author(s):  
Isabelle Garzorz ◽  
Ophelia Deroy

Abstract Should the vestibular system be counted as a sense? This basic conceptual question remains surprisingly controversial. While it is possible to distinguish specific vestibular organs, it is not clear that this suffices to identify a genuine vestibular sense because of the supposed absence of a distinctive vestibular personal-level manifestation. The vestibular organs instead contribute to more general multisensory representations, whose name still suggest that they have a distinct ‘sensory’ contribution. The vestibular case shows a good example of the challenge of individuating the senses when multisensory interactions are the norm, neurally, representationally and phenomenally. Here, we propose that an additional metacognitive criterion can be used to single out a distinct sense, besides the existence of specific organs and despite the fact that the information coming from these organs is integrated with other sensory information. We argue that it is possible for human perceivers to monitor information coming from distinct organs, despite their integration, as exhibited and measured through metacognitive performance. Based on the vestibular case, we suggest that metacognitive awareness of the information coming from sensory organs constitutes a new criterion to individuate a sense through both physiological and personal criteria. This new way of individuating the senses accommodates both the specialised nature of sensory receptors as well as the intricate multisensory aspect of neural processes and experience, while maintaining the idea that each sense contributes something special to how we monitor the world and ourselves, at the subjective level.


2020 ◽  
pp. 1-4

Placemaking is an inclusive approach to the planning, design, and management of public places by which people create and/or recreate places. In the context of the Arab cities, placemaking projects are often envisaged to transform communities’ spaces into lively and attractive places; to enhance quality of life and opportunity for existing residents. It also aims to (re)create a distinct sense of place or place branding at large. Exploring how contemporary Arab cities have framed placemaking processes within the contemporary urban conditions, and sometimes the threats to the quality of the city, are helping in creating healthier, equitable, and humane public places. Such challenges and opportunities of these processes is a core component of this special edition of The Journal of Public Space, which discusses various aspects of placemaking in Arab Cities, ranges from creating, enhancing, adapting and developing attractive and efficient public places in Arab Cities. In this context, academic papers and viewpoints have manifested a variety of perspectives, theories and practices of placemaking concepts, methods, recent challenges and possible solutions. They portrayed several tools on establishing and revitalizing public places starting from governmental toolkits, reaching unplanned activities fostering community engagement in placemaking.


Author(s):  
Hilde Tørnby

This chapter explores visual literacy from theoretical and practical perspectives. Ideas of what is meant by visual literacy and why this is important are presented through a selection of studies. The impact that visual literacy may have on students' learning and development is further elaborated. A case study from a Norwegian first-grade classroom is included to shed light on the ways in which visual work in the classroom can be implemented. In addition, exemplars of students' written verbal and visual texts are thoroughly examined. A tendency in the material is that the illustrations are detailed and elaborate, and carry a distinct sense of the written text. Hence, the visual text may be understood as the more important text and may be vital in a child's literacy development.


Author(s):  
Carlos Machado e Moura

Luiz Cunha (1933-2019) is recognised for his singular and eclectic architecture, which stands out in the Portuguese context, as well as for his production as a highly skilled draughtsman and a passionate painter. His extensive body of work has received a certain attention and research and his production is read as part of a movement for the renovation of religious architecture, as an individual creative expression, or as part of a fantasist trend towards postmodern Portuguese architecture. Lesser attention, however, was devoted to his writings, drawings, unbuilt projects and unbuildable paper architectures. An analysis of that corpus reveals a surprising production especially in the early years of his career; he was an attentive spectator of the international debate and, more importantly, a translator of some of these ideas into Portuguese reality.Based on graphical documentation, writings, and a long personal conversation, this article proposes a rereading of Cunha's activity, focusing on his exploration of pop expression through a) drawing — merging the aesthetics and the mechanics of comics and cartoon into architectural representation, b) buildings — employing a formal techno-pop repertoire and experimenting with complex structures, always with a distinct sense of humour and c) architectural discourse — entering the international debate on megastructures and capsules of the time, while actively promoting Portuguese architecture. Analysed chronologically, this production allows a retracing of the evolution of Cunha’s thinking and reveals a figure who is “international but brief” — in Nuno Portas’ expression — constantly halfway between regional architecture and space-age capsules.


Author(s):  
Georgios Trantas

This paper aims to introduce an alternative research approach in dealing with migrant communities as religioscapes, from the perspective of religious aesthetic. Namely, it focuses on the Greek and Greek-Cypriot migrant communities in Germany and Great Britain and examines their religiocultural symbolic constellations in the public sphere, particularly, those which illustrate aspects of their self-perception and migration narratives. In both cases churches serve as arks of culture and identity. In the lapse of time, community and church, being closely knit, jointly constructed their migrant narratives of de- and re-territorialisation, cultural adaptation and hybridisation, essentially their own distinct sense of being and belonging. Therefore, one observes the phenomenon of interwoven migrant and church narratives. The particularities of these constantly under construction identities are manifest in the architectural, hagiographical/iconographical themes, aesthetics and concepts of their churches. It is typical, however, of the Byzantine iconographic tradition to include and demonstrate the socio-political conditions of its time and place; and, those visual manifestations, as part of a sociocultural reality, possess a contextual dimension in their symbolic content, while being an act and a medium of communication in their own right. It is therefore feasible to decode their aforementioned content and articulate the narrative therein.


2019 ◽  
Vol 95 (5) ◽  
pp. 1037-1054
Author(s):  
Katja Lindskov Jacobsen ◽  
Jessica Larsen

Abstract How, as a sub-set of maritime security, can piracy studies contribute with conceptual insights of relevance to the field of international security governance and international politics more broadly? To answer this question the article examines, with reference to critical intervention studies, how responses to Somali piracy have had constitutive effects, notably ‘back onto’ the intervening actors themselves. More specifically, three themes are examined: regulation (law), structures (institutions) and practices (actors), each of which highlights a distinct sense of contingency, which both characterizes contemporary security governance at sea and makes ‘the maritime’ an interesting domain for the study of constitutive effects related to the making of intervention actors. In light of this, the article argues that studying ‘the maritime’ can offer conceptual insights to the constitutive effects of counter-piracy interventions that may prove relevant to broader debates about governance and security in a changing world order.


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