roman antiquity
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2022 ◽  
Author(s):  
K.R. Bradley
Keyword(s):  

2022 ◽  
Author(s):  
Antje Wessels ◽  
Jacqueline Klooster
Keyword(s):  

2021 ◽  
pp. 87-100
Author(s):  
Marta Czapińska-Bambara ◽  
Zbigniew Danek

The article is an attempt to revise the long-established belief in the alabaster-white exterior shape of Roman antiquity, which in fact turns out to be full of colours that bring life to its image. The authors implement this intention by indicating how intensely the colour red was present in the reality described by classical Latin authors – contrary to the accusation that one of the participants of the discussion on this subject in Aulus Gellius’ Attic Nights (Gell. Noc. Att. 2.26) makes of the alleged poverty regarding various shades of red in Latin terminology. The material presented contradicts the opinion expressed in Gellius’ text, and at the same time makes us realise how colourful and lively the world that emerges from the literary works of the classical Roman period was. In comparison with it, the reality witnessed by the literature of the Christian era – this parallel is what the authors of the article focus on, concluding their deliberations – in which red becomes almost exclusively a sign of shame, turns out to be ascetically sterile and depressingly colourless.


2021 ◽  
pp. 282-312
Author(s):  
Martin Wight

In this essay Wight surveyed concepts and events from Graeco-Roman antiquity to modern times dealing with the impact on international politics of chance, destiny, fate, fortune, freedom, irony, luck, necessity, providence, tragedy, and will. The ancient sources cited include Horace, Plutarch, Polybius, Thucydides, and Virgil. The political philosophers considered range from Machiavelli to Burke and Marx. Among the reflective political leaders cited are Bismarck, Cavour, Cromwell, Gladstone, Lincoln, Lloyd George, and Napoleon. The twentieth-century decision-makers quoted extend from Adenauer, Churchill, de Gaulle, Dulles, and Roosevelt to Hitler and Mussolini. Wight distinguished between ‘opportunism of ends’ and ‘opportunism of means’. Opportunism that creates propitious circumstances may overlap with opportunism that waits for—and prepares for—a favourable time and seizes the chance at hand. Unintended, unexpected, and ironical consequences abound in international politics.


2021 ◽  
pp. 48-57
Author(s):  
Stanisław Stabryła

The recallings to antiquity in Vaclav Iwaniuk’s poetry assume the reinterpretations in most cases. The above review of the mythological and historical motifs taken from the Greek or Roman antiquity allows us to conclude, first of all, that they were brought up to date owing to the use of the method we have called a reinterpretation. The poet, referring to the Greek myth or the history, tried to find the patterns and the symbols that make it possible to understand the history of his nation, its past and present situation, and his own life and fate.


2021 ◽  
pp. 50-91
Author(s):  
Michael Squire

This chapter examines the relationships between visual and verbal media in Roman antiquity. More specifically, it demonstrates how the study of Roman art intersects with the study of ancient Greek and Latin texts, and vice versa. Despite the tendency to segregate areas of scholarly expertise—above all, to separate “classical archaeology” from “classical philology”—any critical engagement with Roman imagery and iconography must go hand in hand with critical readings of written materials. The chapter proceeds in three parts. First, it explores some of the ways in which Roman literary texts (both Greek and Latin) engaged with visual subjects. Second, it discusses the textuality of Roman visual culture, surveying the roles that inscriptions played on Roman buildings, statues, mosaics, paintings, and other media. Third, it demonstrates the “intermedial”—or, perhaps better, the “iconotextual”—workings of Roman texts and images, with particular reference to the fourth-century ce picture-poems of Optatian.


2021 ◽  
Author(s):  
Claude-Emmanuelle Centlivres Challet

2021 ◽  
Vol 47 (3) ◽  
pp. 6-19
Author(s):  
Soazick Kerneis

Le concept de coutume est une création des juristes occidentaux permettant de convertir les usages autochtones dans les termes de l’ordre juridique dominant. Si la contrainte de l’État est décisive dans la formulation de la coutume, faut-il penser qu’en Europe aussi elle fut une création étatique, les peuples ne participant guère à son épanouissement ? La mala consuetudo médiévale témoigne d’un rapport de force si bien qu’il faut restituer la pratique des usages, l’action du peuple dans la redéfinition des coutumes. L’article considère le contenu de l’expression médiévale comme une catégorie de pensée et la transpose dans l’Antiquité romaine afin de revenir sur le processus de création des consuetudines. Si la consuetudo romaine est bien une création du pouvoir, les communautés auxquelles elle s’applique parviennent aussi à contenir son périmètre. Sa pérennité tient sans doute en partie au fait qu’elle a été perçue ensuite comme un privilège communautaire.The concept of custom is a creation of Western lawyers allowing for the conversion of indigenous uses into the terms of the dominant legal order. If the State’s constraint is ultimately decisive in the formulation of custom, does that mean in Europe too it was essentially a State creation, with the peoples hardly participating in its existence? The mala consuetudo is a matter of power relations, so that it is necessary to emphasize the impact of practices, of popular action on the shaping of customs. This article considers the content of the medieval expression as a category of thought and transposes it to Roman antiquity in order to reconsider the development of consuetudines. If the Roman consuetudo was indeed a creation of power, the communities to which it applied managed to contain its perimeter. Its durability is probably due in part to the fact that it was perceived as a community privilege.


2021 ◽  
Vol 60 (3-4) ◽  
pp. 417-427

Abstract This discussion examines the religious conflict between the cult and oracle of Glykon and its Epicurean opponents recorded in the second century CE satire, Alexander the False Prophet, by Lucian of Samosata. Following the market theory of religion approach, these groups can be understood to have been engaged in an intense and escalating struggle over followers, financial support, status, and, ultimately, for survival. For the oracle and Glykon's prophet, Alexander of Abonouteichos, this effort included the use of magical curses, which were deployed against their adversaries. As such, these circumstances represent an as-yet unrecognized agonistic context for cursing to take place in the Graeco-Roman world. Alexander's use of cursing also highlights previously overlooked aspects of his own connections to the practice of magic in Graeco-Roman antiquity.


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