Arts Studies and Criticism
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Published By Frontier Scientific Publishing Pte Ltd

2737-4491, 2737-4483

2022 ◽  
Vol 2 (4) ◽  
Author(s):  
Lu Kang

Folk music is a heavy cultural carrier. Today, when culture is flourishing, it still has a unique charm and appeal. The intangible heritage of national music requires modern Chinese to continue to carry forward and inherit it, so that the spirit and characteristic culture contained in it can be smoothly transformed into the fruits of education. For this reason, it will be a feasible idea to promote and inherit national music from the perspective of intangible cultural heritage with academies education as the central medium. The article combines the understanding of intangible cultural heritage and the thinking on the promotion and inheritance of ethnic music from the perspective of intangible heritage, and further explores the significance and strategy of the promotion and inheritance of ethnic music centered on vocal music teaching in colleges and universities, hoping to provide valuable reference for relevant research.


2021 ◽  
Vol 2 (4) ◽  
Author(s):  
Chenfu Sun

In contemporary times, female art is gradually seen as an independent branch of art. Seal carving is a world intangible cultural heritage and an important part of Chinese art. Female seal-carving artists, against such a backdrop, are exhibiting their own charm with a tint of Chinese characteristics. This paper intends to give an outline of female seal carving in China and its development process. It then explores its artistic features with examples of contemporary female seal-carving artists, such as Luo Pengpeng and Yin Fenghua. In the end the problems confronting the female group will be discussed and their way out.


2021 ◽  
Vol 2 (4) ◽  
Author(s):  
Lu Liu ◽  
Ye Yu
Keyword(s):  

Dramatic actions are the foundation of performing arts. Whether on the stage or in a movie, only through the expressive actions of the actors can the characters of the playwright be transformed into vivid images. Although both stage actions and movie actions are dramatic, they are different in terms of content, form, and quality. This article discusses the differences between actors' actions on stage and in movies from three aspects: the integrity and fragmentation of the performance content, the singleness and diversification of the form, and the hypothesis and the sense of the reality of the quality.


2021 ◽  
Vol 2 (4) ◽  
Author(s):  
Jinjing Yang ◽  
Lan Chen

Oil painting in China's local development breaks the shackles of traditional formal language and further highlights the innovation and turn of oil painting's iconography. This paper will focus on the rebellion of pictorial vision against tradition, the widening of the boundaries of vision and how pictorial personality uses the medium.


2021 ◽  
Vol 2 (4) ◽  
Author(s):  
Yuxiao Tu ◽  
Zheng Li

From the perspective of the establishment of the subway media service system, the corresponding relationship between passenger travel purpose and advertising location is studied. The characteristics of convenient and efficient advertising in subway media to serve the crowd are used to form an optimized allocation of resources to maximize the effectiveness of advertising. Study the constituent factors of the subway media service system, and expound the relationship among the three areas of media, station cars, and crowds. Among them, it focuses on analyzing the occupations of passengers, economic income, viewing advertisements and travel purposes, etc., Using new interactive design methods to implement subway advertising strategies. Increasing the economic benefits and social influence of subway advertising.


2021 ◽  
Vol 2 (4) ◽  
Author(s):  
Hao Cao

This essay will discuss the extent to which Ni Zan puts "not resembling" into practice in his landscape paintings, considering the modular aspects of Ni Zan's work. Firstly, the compositions depicted in Ni's and later imitators' work will be analyzed and compared. Then, the brushworks of Ni will be closely observed by selecting individual objects from several paintings. And finally, the author engages with textual research on Ni's painting theories.


2021 ◽  
Vol 2 (4) ◽  
Author(s):  
Jingru Liu ◽  
Mengqi Jin

In painting, line is one of the basic compositional elements and an important "tool" for artists to express their ideas. The combination of line and color, composition, and shape allows the viewer to feel the author's thoughts, emotions, or distinctive thinking through the picture. Foreign cave paintings, European pre-Renaissance oil paintings and modern paintings, and domestic Dunhuang murals, silk paintings of the Warring States period and cave paintings all show that the contour line has never disappeared despite its different roles in the changing times. Therefore, the artist's generalized expression of contour lines can become a characteristic of the picture that makes the artist stand out.


2021 ◽  
Vol 2 (4) ◽  
Author(s):  
Bijun Zhu

The current COVID-19 pandemic has immensely impacted artists and their artwork. Such as the spread of the epidemic has led to the emergence of a new art form-NFT and so on, and also made online art exhibitions and virtual spaces became a popular way of viewing exhibitions. The same applies to the 20th century, artists knew that they had entered a unique and modern age of artistic expression. The modern world would bring both opportunities and challenges to the people. Historical evidence has shown that art is a highly dynamic field characterized by its ever-changing nature. Characterized by various social crises such as the Great Depression, 1918 Influenza Pandemic, First World War, and the Second World War, among many others. The Great Depression of the 1930s influenced art, particularly painting, to a great extent. During the depression, art became a tool for reflecting the current conditions, social critique, and activism.


2021 ◽  
Vol 2 (4) ◽  
Author(s):  
Liang Zhou

The major of piano accompaniment has been very popular, but it is very short of the professional director, and the art guidance courses are various. But, the technology and method of piano accompaniment are the compulsory courses however it is divided. In the class and practice activity, stylized teaching must be practiced, which can not only make the students better learn the artistry of the work via the art guidance courses, but it also makes the student have more feelings about the work. In the recent years, the domestic art has been increasingly developing and gradually improved, and piano accompaniment has been a type of profession, which has attracted much attention in the field. Above all, in the paper, it researches and analyses the teaching practice of piano accompaniment to ascertain how to achieve better stylized teaching to indeed improve the quality of art guidance of the Chinese undergraduates, and at the same time to assist Chinese art to get a further development.


2021 ◽  
Vol 2 (4) ◽  
Author(s):  
Hao Cao

By using several woodblock-printed pictures to explore the visual appeal of kabuki in the Edo period. (1) Focus on the construction of kabuki theatre and the props on stage, considering prevailing examples to interpret how the kabuki theatre acted as an adequate arena for the exercise of actors’ talents, thus entrancing the audiences. (2) Discuss the costumes, make-up and wigs of classic characters to directly capture the visual experiences of the Edo people in kabuki theatres. (3) The representative dancing and acting will be considered to analyse their visual characteristics.


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