An Investigative Cinema
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7

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Published By Springer International Publishing

9783319926803, 9783319926810

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The Ontology of the Digital: War on Terror and Post-9/11 Visual Culture

An Investigative Cinema ◽

10.1007/978-3-319-92681-0_7 ◽

2018 ◽

pp. 233-262

Author(s):

Fabrizio Cilento

Keyword(s):

Visual Culture ◽

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Unidentified Narrative Objects: The Anti-Mafia and No-Global Films as Transmedia Adaptations

An Investigative Cinema ◽

10.1007/978-3-319-92681-0_6 ◽

2018 ◽

pp. 179-232

Author(s):

Fabrizio Cilento

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The Ontology of Replay: The Zapruder Video and American Conspiracy Films

An Investigative Cinema ◽

10.1007/978-3-319-92681-0_5 ◽

2018 ◽

pp. 149-178

Author(s):

Fabrizio Cilento

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Stars and Stardom in Investigative Cinema: The Movies of Gian Maria Volonté and Gael García Bernal

An Investigative Cinema ◽

10.1007/978-3-319-92681-0_4 ◽

2018 ◽

pp. 95-147

Author(s):

Fabrizio Cilento

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Neorealism and the Double Stain: Television and Italian High Modernist Filmmakers

An Investigative Cinema ◽

10.1007/978-3-319-92681-0_2 ◽

2018 ◽

pp. 15-67

Author(s):

Fabrizio Cilento

Keyword(s):

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Introduction: Any Resemblance to Real Persons or Actual Facts Is [Not] Purely Coincidental

An Investigative Cinema ◽

10.1007/978-3-319-92681-0_1 ◽

2018 ◽

pp. 1-13

Author(s):

Fabrizio Cilento

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Objectively False: French Cinema and the Algerian Question

An Investigative Cinema ◽

10.1007/978-3-319-92681-0_3 ◽

2018 ◽

pp. 69-94

Author(s):

Fabrizio Cilento

Keyword(s):

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