Jan Fabre’s Mount Olympus: To Glorify the Cult of Tragedy (A 24-Hour Performance)

2019 ◽  
pp. 245-274
Author(s):  
Emma Cole
Keyword(s):  
Theoretical Framework ◽  
The City ◽  
Embodied Agency ◽  
The Ideal

Jan Fabre’s 24-hour response to the œuvre of extant tragedy, Mount Olympus, is in many ways an archetype postdramatic tragic reception. Chapter 7 explores the production’s radical take upon both the form and content of ancient tragedy, and how its phenomenological impact encouraged the audience to interrogate the practice of receiving antiquity. It focuses upon how the production combined postdramatic techniques with tragic source texts to interrogated ideas of voyeurism, the institution of the City Dionysia, and the notion of catharsis. It utilizes Jacques Rancière’s work on politics and art, and his notion of the emancipated spectator, as a theoretical framework to consider how the production raised questions surrounding cognitive versus embodied agency and the limits of emancipation. It argues that Rancière’s emancipated spectator is best employed as a hermeneutic tool to unpack the politics of spectatorship rather than to create a totalizing thesis about the ideal conditions for a politically efficacious performance.

Metabolic response to temperature stress in the Colombian freshwater crab Neostrengeria macropa (H. Milne Edwards, 1853) (Decapoda: Brachyura: Pseudothelphusidae)

2021 ◽  
Author(s):  
David M Hudson
Keyword(s):  
Metabolic Response ◽  
Infrastructure Development ◽  
Predator Prey ◽  
Temperature Range ◽  
Indicator Group ◽  
Response To Temperature ◽  
Performance Results ◽  
The City ◽  
The Ideal

Abstract Freshwater crustaceans are distributed throughout the montane and lowland areas of Colombia, and are therefore a useful indicator group for how aquatic species will respond to climate change. As such, metabolic determination of physiological performance was evaluated for the Colombian pseudothelphusid crab, Neostrengeria macropa (H. Milne Edwards, 1853), over a temperature range inclusive of current temperatures and those predicted by future scenarios in the plateau around the city of Bogotá, namely from 8 °C to 30 °C. The performance results mostly aligned with previous exploratory behavioral determination of the ideal temperature range in the same species, although the metabolism increased at the highest temperature treatments, a point when exploratory behavior declined. These results indicate that this species of montane crab behaviorally compensates for increased thermal stress by decreasing its physical activity, which could have negative predator-prey consequences with changes to community structure as different species undergo climate-mediated geographic range shifts in the region. As this species is endemic to the plateau surrounding Bogotá, it also experiences a number of other stressors to its survival, including infrastructure development and invasive species.

scholarly journals The role of the nurse in the neonatal intensive care unit: between the ideal, the real and the possible

2011 ◽  
Vol 19 (2) ◽  
pp. 301-308 ◽  
Author(s):  
Liciane Langona Montanholi ◽  
Miriam Aparecida Barbosa Merighi ◽  
Maria Cristina Pinto de Jesus
Keyword(s):  
Intensive Care Unit ◽  
Intensive Care ◽  
Neonatal Intensive Care Unit ◽  
Neonatal Intensive Care ◽  
Public And Private ◽  
Public And Private Hospitals ◽  
The City ◽  
Social Phenomenology ◽  
The Ideal

The nurse is one of the professionals responsible for the care directed toward the physical, mental and social development of newborns in the Neonatal Intensive Care Unit. This study aimed to comprehend the experience of nurses working in a Neonatal Intensive Care Unit. Data collection was performed in 2008, through interviews with 12 nurses working in public and private hospitals of the city of São Paulo. The units of meaning identified were grouped into three categories: Developing actions; Perceiving their actions and Expectations. The analysis was based on social phenomenology. It was concluded that the overload of activities, the reduced number of staff, the lack of materials, equipment and the need for professional improvement are the reality of the work of the nurse in this sector. To supervise the care is the possible; integral care of the newborn, involving the parents, is the ideal desired.

A theoretical framework of the governance institutions of low-income housing in China

Urban Studies ◽  
2017 ◽  
Vol 55 (9) ◽  
pp. 1967-1982 ◽  
Author(s):  
Feng Deng
Keyword(s):  
Low Income ◽  
Rental Housing ◽  
Governance Structure ◽  
Theoretical Framework ◽  
Public Rental Housing ◽  
Governmental Intervention ◽  
Governance Institutions ◽  
The City ◽  
Important Form ◽  
Low Income Housing

This paper develops a theoretical framework for institutional analysis of the governance of low-income housing in the city. I focus on the provision of local public goods as a central issue for low-income housing. Factors that affect the governance structure from the efficiency perspective and the equity perspective, respectively, are explored. I argue that over-subsidisation is an important problem for income-redistribution institutions and, hence, public housing or social housing becomes an important form of governmental intervention in low-income housing. The framework is then applied to low-income housing in China. In particular, I analyse the governance structures of several major types of low-income housing including public rental housing, private low-income housing, work-unit compound and urban village.

Guerrilla art in the city: Urban and social revitalization

2021 ◽  
Vol 10 (2) ◽  
pp. 175-183 ◽  
Author(s):  
Enrica Lovaglio ◽  
Manuel Scortichini
Keyword(s):  
Public Art ◽  
Public Funding ◽  
The Political ◽  
Collective Identities ◽  
Local Economies ◽  
Collaborative Action ◽  
Economic Revitalization ◽  
Urban Transformations ◽  
The City ◽  
The Ideal

Without a permit, a masterplan, or corporate or public funding, artists have evaded conventional norms to accomplish a feat: the urban and socio-economic revitalization of abandoned or depressed cities worldwide. In Rio’s favelas and America’s impoverished suburbs, artists are the political force that promotes local economies, defines collective identities, gives people a sense of belonging, while covering the land with beauty. To act at the city’s scale, artists teach their craft to the locals and use art to empower the community, and unveil needed urban policies, bringing economic development, expertise and collaborative action. As a result, public art becomes instrumental for infusing new life in marginalized neighbourhoods, and the city becomes the ideal canvas for free expression without bureaucracy. This article is a bird’s eye view of two public art interventions that have highlighted the political and pedagogical implications of a citizen-design approach to urban renewal. Ultimately, it is a call for artists to activate as impactful makers of urban transformations.

A VISUAL METAPHOR OF THE MEDIEVAL SOCIETY IN THE LATE 15th - EARLY 16th CENTURIES RUSSIAN “IN THEE REJOICETH” ICONS

2021 ◽  
Vol 29 (1) ◽  
pp. 99-122
Author(s):  
Ludmila Sukina ◽  
Keyword(s):  
Capital City ◽  
Visual Metaphor ◽  
Ideal Model ◽  
Human Race ◽  
City Community ◽  
Russian State ◽  
Spiritual Authority ◽  
The City ◽  
The Ideal

The author examines the “In Thee rejoiceth” icons as visual sources that make it possible to reconstruct the ideal model of medieval society in the Moscow culture of the late 15th and early 16th centuries. This icon type, which includes the scenes of “Human race” collective praying to the Mother of God, is of Russian origin. Unlike other works of that time typologically close to it (“The Intercession”, “The Congregation of Our Lady”, “The Congregation of All Saints”, etc.), the “In Thee rejoiceth” icons demonstrate a historical connection to religious and socio-cultural facts of the Muscovy state. They clearly express the idea of Muscovy enjoying special patronage of the Mother of God, whose cult was actively developed in Moscow, the city that, as was believed at the Grand Dukes’ court, inherited the traditions and the spiritual authority of Constantinople. The depiction of the “Human race” in the “In Thee rejoiceth” icons can be viewed as a metaphorical image of the capital city community consisting of different groups of clergy and laity. This image corresponded to the ideas of the authorities and the population of the Russian state that existed under Ivan III and Vasili III.

scholarly journals Government houses as presentation of power and ideology in the Ottoman State: The case of Safranbolu Government House

2021 ◽  
Vol 6 (3) ◽  
pp. 133-145
Author(s):  
Sema Tuba Özmen ◽  
Beyza Onur
Keyword(s):  
Urban Space ◽  
Spatial Structures ◽  
Architectural Style ◽  
Dominant Ideology ◽  
History Of ◽  
The Government ◽  
The 19Th Century ◽  
The City ◽  
Ideological Context ◽  
The Ideal

Architecture, which is associated with the practice of producing space, has always rendered the powers and ideologies visible. This study investigates the government houses in the 19th century Ottoman State with regard to the notions of power and ideology and focuses on the Government House of Safranbolu. It is known that, in the specified period, government houses were important ideological interventions to urban space. This study aims to address the ideological context of the Safranbolu Government House, which is positioned with the ideal of the state. Based on this, first, the urban history of Safranbolu was examined. The importance of Safranbolu Government House in the history of the city, its relationship with the city, its ideological message to the city-dwellers and its architectural style were analyzed through a method based on archival research. All government houses of the period are the artifacts of urban-spatial structures and their architectural style as well as a shared ideology. Safranbolu Government House, which is one of the structures symbolizing the Ottoman State, was also built with a similar ideological consideration. Thus, the readability of the dominant ideology through the production style of Safranbolu Government House, one of the final period architectural artifacts of the Ottoman State, was verified.

scholarly journals City Literature in Abdu al-Aziz al-Makkali’s Poetry

2021 ◽  
Vol 9 (3) ◽  
pp. 22
Author(s):  
Mujahid Ahmed Mohammed Alwaqaa
Keyword(s):  
Personal Experience ◽  
World Literature ◽  
Theoretical Framework ◽  
Beautiful Woman ◽  
The World ◽  
The City ◽  
Poetic Work ◽  
Shed Light ◽  
Historical Theory ◽  
City Literature

World literature teems with the portrayal of famous cities throughout the world. This kind of literature is unanimously known as city literature. It does not merely describe and portray places, objects, and landscapes for their own sake, it, however, gives readers a revisionist perspective to look afresh and introspectively into self, history, and culture. This paper aims to shed light on a city that witnessed great changes throughout its history. It is called Sana’a, the capital of Yemen, and it is one of such world-famous and ancient cities about which interesting and rich literature has been written. Sana’a has been immortalized in the prose and poetry of local and international prolific and intelligent writers such as Abdu al-Aziz al-Makkali, a famous contemporary Yemeni poet. Sana’a is magnificently portrayed in different exotic images in al-Makkali’s collection of poetry entitled Book of Sana’a. The poet engages in a kind of dialogue with the city in a personal experience and unique particularity, but in the process, this particularity becomes cosmopolitan. Each poem is located in a particular space which gives the poet and reader alike a sense of the place, history, and culture, and an intense feeling of wider identification and empathy. Sana’a is anthropomorphically portrayed as a beautiful woman, sad woman, beloved lady, spirit, and city of heaven. It is fantastically depicted as a unique piece of artifact molded and designed by the hands of God. So, this piece of research attempts to analyze social and political imports and the different images of the city employed by al-Makkali in his poetic work: Book of Sana’a. As a theoretical framework, the paper adopts both historical theory of criticism as well as the formalist theory, so the analysis is focused on both context and text of the selected poems.

Institutional Quality, Taxation and Human Development: The Case of Morocco

2018 ◽  
Vol 34 (2) ◽  
pp. 219-232
Author(s):  
Fernando López Castellano ◽  
Isabel Marín Sánchez
Keyword(s):  
University Students ◽  
Human Development ◽  
Institutional Quality ◽  
Theoretical Framework ◽  
Tax System ◽  
Tax Morale ◽  
The Third ◽  
Culture And Development ◽  
The Relationship ◽  
The City

The main goal of this article is to explore the relationship between taxation and development in Morocco, particularly among university students in the city of Tetouan. This article analyzes the culture and tax morale in a sample of university students, in order to offer a deeper explanation on the obstacles that hamper the construction of human development in that country. A fairer and more equitable tax system is at the basis of human development. In this sense, this research shows the necessity to restore the relationship and trust of citizens toward their states. The work is organized as follows: first, there is a brief introduction; then the second part raises the theoretical framework of the research. The third part analyzes the data collected through the survey on tax culture and development, and the article concludes with a brief reflection.

Maxentius, the Dioscuri, and the Legitimisation of Imperial Power

Antichthon ◽  
2018 ◽  
Vol 52 ◽  
pp. 161-180
Author(s):  
Gwynaeth McIntyre
Keyword(s):  
Fourth Century ◽  
Imperial Power ◽  
Ideological Conflict ◽  
The City ◽  
The Universe ◽  
The Ideal

AbstractMythological twin brothers played key roles in the establishment and preservation of the city of Rome. This article examines the use of one particular set of brothers, Castor and Pollux, by rival forms of government in the early fourth century ce. In his work on the representations of the Dioscuri on Roman coinage, Gricourt argues that the Dioscuri symbolise the same ideas on Maxentius’ coins as on other such imperial coinage, namely their role in maintaining the eternal order of the universe and their roles as protectors of soldiers.1 More recently, however, Marlowe and Hekster have successfully argued that Maxentius’ ideology was a counterclaim to that presented by the Tetrarchy.2 Developing this notion further with respect to Maxentius’ coinage, this article argues that, for the Tetrarchs, Castor and Pollux served as the ideal figures to symbolise the importance of concordia in the collective rule of like-minded individuals. Maxentius, however, used Castor and Pollux in connection with other symbols of the city of Rome (such as Romulus, Remus, and the she-wolf) on his coins to promote his restoration of the city of Rome (in conjunction with titles such as princeps and conservator urbis suae). The examination of this ideological conflict between Maxentius and the Tetrarchy, through their use of Castor and Pollux on their coinage, sheds light on the mutability of myth and its role in the promotion of particular aspects of mythological narratives and figures to support an individual’s own claims to power.

scholarly journals Tipping fee determination to support the waste to energy concept at the city of Depok, Indonesia

2019 ◽  
Vol 90 ◽  
pp. 01007
Author(s):  
Farizal ◽  
Tammarar Ekky
Keyword(s):  
Waste Management ◽  
Municipal Solid Waste ◽  
Solid Waste ◽  
Landfill Gas ◽  
Limited Resource ◽  
Early Years ◽  
Waste To Energy ◽  
Energy Concept ◽  
The City ◽  
The Ideal

This study determines the tipping fee of municipal solid waste in the city of Depok. Two methods used to determine the fee were the income and outcome approach, and the limited resource approach. Two conditions were assumed (i.e., waste management and landfill gas bioreactor availability). From the results, the ideal tipping fee was 97,704 IDR/tonne and the application of a landfill gas reactor could boost income, thus reduced the amount of the fee collected, especially in the early years of the landfill bioreactor in operation. The fees were 40,032 and 63,337 IDR/tonne for scenario 1 and 2, respectively.

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