Yuly Aykhenvald’s “Natural Symbolism” (on the Question of the Aesthetic Method)

2021 ◽  
pp. 188-203
Author(s):  
Elena A. Tacho-Godi ◽  
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The paper considers the methodological principles of Yu.I. Aykhenvald’s literary criticism. Attention is drawn to the relationship between Aykhenvald’s declared “immanent method” and “principled impressionism” and his own “philosophy of life”. It is proved that Aykhenvald’s version of “impressionism” is much closer to the theory of symbolism than it seemed to contemporaries and researchers. The analysis takes into account both the aesthetic “sympathies” (Apollon Grigoryev, Vladimir Solovyov, Oscar Wilde, Remy de Gourmont, Émile Faguet) and “antipathies” (Vissarion Belinsky, Vasily Rozanov), that influenced Aykhenvald’s interpretation of the heritage of literary critics, philosophers, and writers of the 19th century — Pushkin, Tolstoy, Chekhov.

2021 ◽  
Vol 50 (1) ◽  
pp. 34-56
Author(s):  
Christian Schmitt

Abstract The discrepancy between common temporary expectations of Switzerland as idyll on the one hand, and the reality of its industrially organized tourism on the other, imposes irritations upon the touristic gaze. This article, then, traces the origins of this discrepancy and examines the relationship between Swiss idyll and tourism in the 19th century. The analyses of Ida Hahn-Hahn’s Eine Idylle and Hans Christian Andersen’s Iisjomfruen showcase different ways of relating idyll and tourism to one another as well as the aesthetic merit produced by this constellation.


2020 ◽  
pp. 17-27
Author(s):  
D. Meshkov

The article presents some of the author’s research results that has got while elaboration of the theme “Everyday life in the mirror of conflicts: Germans and their neighbors on the Southern and South-West periphery of the Russian Empire 1861–1914”. The relationship between Germans and Jews is studied in the context of the growing confrontation in Southern cities that resulted in a wave of pogroms. Sources are information provided by the police and court archival funds. The German colonists Ludwig Koenig and Alexandra Kirchner (the resident of Odessa) were involved into Odessa pogrom (1871), in particular. While Koenig with other rioters was arrested by the police, Kirchner led a crowd of rioters to the shop of her Jewish neighbor, whom she had a conflict with. The second part of the article is devoted to the analyses of unty-Jewish violence causes and history in Ak-Kerman at the second half of the 19th and early years of 20th centuries. Akkerman was one of the southern Bessarabia cities, where multiethnic population, including the Jews, grew rapidly. It was one of the reasons of the pogroms in 1865 and 1905. The author uses criminal cases` papers to analyze the reasons of the Germans participation in the civilian squads that had been organized to protect the population and their property in Ackerman and Shabo in 1905.


2020 ◽  
Vol 58 ◽  
pp. 161-168
Author(s):  
Alexander D. Gronsky

The article examines the relationship between Western Russianism (Zapadnorusizm) and Byelorussian nationalism. Byelorussian nationalism is much younger than Western Russianism, finally shaping only in the end of the 19th century. Before 1917 revolution Byelorussian nationalism could not compete with Western Russianism. The national policy of the Bolsheviks contributed to the decline of Western Russianism and helped Byelorussian nationalism to gain stronger positions. However, Byelorussian nationalists actively cooperated with the occupation authorities during the Great Patriotic war. That caused distinctly negative attitude of Byelorussians towards the movement and collaborators. Currently, Byelorussian nationalism is supported both by the opposition and by the government. Western Russianism has no political representation, but is supported by the majority of Byelorussian population.


1988 ◽  
Vol 15 (1-2) ◽  
pp. 187-205
Author(s):  
J. A. Le Loux-Schuringa

Summary In this paper some theories on tenses are described. These theories appeared in the Netherlands in the first half of the 19th century. The purpose is not just describing the different tense-systems of P. Weiland (1805), W. Bilderdijk (1826), W. G. Brill (1846) and L. A. te Winkel (1866). In the first half of the 19th century some fundamental changes took place. It is shown that these changes are based upon continuity of research of time and tense in the Dutch tradition. This continuity is found on three levels: (a) The research was concentrated on the verbal forms, no other information from the sentence was used. (b) The grammarians took the relationship between linguistic forms and logical categories as a one-to-one relation. (c) The morphological form of the Dutch language determined the grammatical representation of the tense-systems more and more.


2008 ◽  
Vol 40 (4) ◽  
pp. 547-549
Author(s):  
V. Necla Geyikdagi

“Jack of all trades” Ahmed Midhat Efendi, one of the most famous and popular Ottoman writers of the 19th century, ranged widely in his subject matter, which included economics. Although he was criticized for not having a proper education in the field, his independent thinking made him the most important critic of the laissez-faire system that prevailed in the Ottoman Empire. He disapproved of the liberalism transferred from the West in a normative framework.


2021 ◽  
Vol 27 (3) ◽  
pp. 92-101
Author(s):  
Valeria G. Andreeva

The article examines the concept of an epic novel – a special historical genre phenomenon that arose as a result of the successful implementation by Russian classics of the second half of the 19th century. The author discusses the pseudo-names that appeared in Soviet literary criticism due to its politicisation and ideologisation back in the 1920s –30s and she shows that the terms of epic novel and epopee novel were used at the indicated time for the sake of the Communist party tasks, but contrary to their true meanings. As noted in the article, this required a rejection of the traditions of Russian classical literature, a rejection of the genetic memory of the universal vision of the world and human inherent in the epic novel. Analytical comprehension of the polemics of literary critics of different generations made it possible to show that a number of researchers who rightly saw the problem, forgot to “rehabilitate” the above concepts and transferred the line of denial of Soviet ideology to the terms themselves. The author of the article explains the importance of using the concept of an epic novel in its true meaning, in relation to the voluminous works of Russian classical literature.


Imafronte ◽  
2021 ◽  
pp. 1-18
Author(s):  
Jose Miguel Morales Folguera

Construidos por tres generaciones de los condes-duques de Benavente, entre 1499 y 1621, como instrumento de disfrute y de prestigio familiar de la villa ducal, los jardines de Benavente se convirtieron en uno de los jardines renacentistas más importantes de España. Desgraciadamente, los cambios en los gustos estéticos de los herederos, el paso de los ejércitos franceses de Napoleón y el abandono de una naturaleza necesitada de su continuo cuidado, hicieron que los jardines desaparecieran en los primeros años del siglo XIX. En este artículo nos proponemos hacer su reconstrucción ideal, con la utilización de los numerosos textos y de la documentación existente. Built for three generations of the count-dukes of Benavente, between 1499 and 1621, as an instrument of enjoyment and family prestige of the ducal town, the Benavente gardens became one of the most important Renaissance gardens in Spain. Unfortunately, the changes in the aesthetic tastes of the heirs, the destruction wrought by Napoleon's army and the abandonment of a nature in need of their continuous care, caused the gardens to disappear in the early years of the 19th century. In this article we propose to make its ideal reconstruction, with the use of the numerous texts and existing documentation.


2019 ◽  
Vol 12 ◽  
pp. 149-175
Author(s):  
Ewa Grzęda

Romantic wanderings of Poles across Saxon SwitzerlandThe history of Polish tourism in the Elbe Sandstone Mountains as well as the literary and artistic reception of the landscape and culture of Saxon Switzerland have never been discussed in detail. The present article is a research reconnaissance. The beginnings and development of tourism in the region came in the late 18th and early 19th century. The 1800s were marked by the emergence of the first German-language descriptions of Saxon Switzerland, which served as guidebooks at the time. From the very beginning Poles, too, participated in the tourist movement in the area. The author of the article seeks to follow the increasing interest in Saxon Switzerland and the appearance of the first descriptions of the region in Polish literature and culture. She provides a detailed analysis of Polish-language accounts of micro-trips to the Elbe Sandstone Mountains by Andrzej Edward Koźmian, Stanisław Deszert, Antoni Edward Odyniec, Klementyna Hoffman née Tańska and a poem by Maciej Bogusz Stęczyński. As the analysis demonstrates, in the first half of the 19th century Poles liked to visit these relatively low mountains in Central Europe and tourism in the region is clearly part of the history of Polish mountain tourism. Thanks to unique aesthetic and natural values of the mountains, full of varied rocky formations, reception of their landscape had an impact of the development of the aesthetic sensibility of Polish Romantics. Direct contact with nature and the landscape of Saxon Switzerland also served an important role in the shaping of spatial imagination of Polish tourists, encouraging them to explore other mountains in Europe and the world, including the Alps. On the other hand thanks to the development of tourist infrastructure in Saxon Switzerland, facilitating trips in the region and making the most attractive spots available to inexperienced tourists, micro-trips to the Elbe Sandstone Mountains marked an important stage in the development of mountain tourism on a popular-recreational level. Polish-language accounts of trips to Saxon Switzerland from the first half of the 20th century are a noteworthy manifestation of the beginnings of Polish travel literature.


2022 ◽  
Vol 21 (2) ◽  
pp. 318-329
Author(s):  
Mariko Sasaki ◽  
Juju Masunah

This article aims to discuss Kusumadinata’s scale theory in Sundanese music which has been taught in educational institutions in West Java, Indonesia. According to Kusumadinata’s scale theory, sorog and pelog are scales derived from salendro scale in gamelan salendro performance. In my previous research, I investigated three genres of Sundanese performing arts which have existed since the Hindu era, namely goong renteng, pantun, and tarawangsa. The results indicate that the pelog scale has independently existed since the Hindu era. Then, I analyzed the phenomenon that occurs in the gamelan salendro performance, i.e., its melody (rebab and vocals) conventionally modulate into scale ‘like sorog’, occasionally into scale ‘like pelog’. In contrast, the instruments of gamelan are in the salendro scale. However, the analysis on the sorog in the previous research was not enough, so that in this paper, I will focus on the sorog. To find out the relationship between melody (vocal and rebab) and gamelan instruments, I examined the actual performances of gamelan salendro and wayang golek purwa. It became clear that the salendro scale derives four types of sorog. The findings of this study indicate that sorog has existed since the 19th century by this phenomenon, and the scale now called sorog is a scale derived from salendro.


Author(s):  
Natalia Zherlitsina

The article examines the relationship between the two leading powers of the 19th century, Great Britain and France, against the background of colonial rivalry in North Africa. Analyzing relevant English, French, and Moroccan diplomatic documents, the author concludes that the issue of establishing a dominant influence in Morocco was one of the main issues in the relations between Great Britain and France in 1830–1840. The French takeover of Algeria disrupted the regional and European balance of influence and gave a conflicting character to the relations between the competing powers. The “Entente Cordiale” (“Cordial Accord”), designed to contribute to the preservation of peace in Europe, acted as a deterrent that did not allow Great Britain and France to move to an open phase of confrontation in the Maghreb. The sharp phase of the rivalry between the two powers in Morocco occurred in 1837–1844 and was associated with the name of the hero of the liberation struggle of Algeria from the French invaders, Emir Abd al-Qadir. The Franco-Moroccan War of 1844 ended with the defeat of Morocco, facing the threat of French occupation. Due to the pressure from British diplomacy, the Franco-Moroccan treaty was concluded, and the sultanate existed as an independent country for about sixty years, although in fact the European powers did not stop systematically undermining the country's sovereignty.


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